Louis Camille d'Olivier

Dante and Virgil on the Edge of the Styx

1850

Oil on pannel by J.E. KARNEC, born in 1865 (in Austria after GERALD SCHURR), died in 1934. Painter of landscapes, seascapes, port landscapes, water landscapes. "Orientalist trend" (...

After the Cercle of Narcisse Díaz ilisible signature .Oil on canvas Diaz de la Peña, born on August 20, 1807 in Bordeaux and died November 18, 1876 in Menton, is a French painter....

Oil on canvas representing a bridge in Venice. The painting is signed Degallaix dated 1926. Very sensitive touch in a watercolor style. DEGALLAIX louis Born in Saint-Quentin, XIX °....

Beveled wood painting depicting a landscape of river banks with lavandieres by a painter from Spain. He works in Paris and exhibited at the Salon des Artistes Français Very good co...

19th Century French school, Two italian women in a landscape, oil on canvas 59 x 43.5 cm Bears a signature and a date on the lower left (see photograph please) but barely lisible ...

French Romantic school of the 19th Century The artist's inspiration Oil on canvas transferred on wood It is in good condition, but the material has irregularities due to the canvas...

Hilding Werner (1880-1944) was a Swedish artist known for his portraits, romantic landscape paintings of Värmland, and caricature drawings. We are privi...

"Twilight Landscape with Windmill and Church" is a captivating work by Swedish artist Albert Larsson, painted in 1891 when Larsson was 22 years old. The painting captures a landscape steeped in the quietude of dusk, with a sky ablaze in hues of red and orange, signalling the end of the day. The silhouettes of trees are rendered with astonishing detail against the twilight sky, showcasing Larsson's early mastery of light and shadow. Dominating the pastoral scene is a traditional windmill, its blades stilled against the sky, alongside the spire of a church that pierces the horizon. These structures, together with the meticulously painted trees, are testaments to the human presence within the natural world, suggesting a harmony between the two. A notable feature is the small water-filled furrow in the field, which catches the fading light of the sky, creating a pathway of reflection leading the eye through the composition. This detail highlights Larsson's skill in using light to draw attention to elements within his paintings. Albert Larsson, born on November 4, 1869, in Malmö and passing on August 31, 1952, in Lund, was an artist deeply influenced by his education in Copenhagen at the Art Academy and later at Peder Severin Krøyer...