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Ludvig Jacobsen
'Woman Ironing', Paris Salon Modernist, Royal Academy, Charlottenborg, Benezit

Circa 1915

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'Bacchanal', Paris Salon Modernist Oil, Royal Academy, Charlottenborg, Benezit
By Ludvig Jacobsen
Located in Santa Cruz, CA
Signed lower right, 'Ludvig Jacobsen' (Danish, 1890-1957) and dated 1926. An exceptional early twentieth-century figural work by this notable Danish modernist and follower of Wattea...
Category

1910s Post-Impressionist Figurative Paintings

Materials

Canvas, Oil

'Woman Wearing Mantilla', Paris, Louvre, Académie Chaumière, Carmel, California
By Victor Di Gesu
Located in Santa Cruz, CA
Signed lower right 'Di Gesu' for Victor di Gesu (American, 1914-1988) and painted circa 1958. A substantial oil a young woman, (possibly Victor's wife, the artist, Janet Ament), sho...
Category

1950s Post-Impressionist Figurative Paintings

Materials

Canvas, Oil

'Woman Seated', Paris, Louvre, Académies Chaumière, LACMA, SFAA
By Victor Di Gesu
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. A loose study of a woman seated in a dress, resting her chin on her hand and recli...
Category

1950s Post-Impressionist Figurative Paintings

Materials

Paper, Oil

California Post-Impressionist 'Woman Seated', Louvre, LACMA, Académie Chaumière
By Victor Di Gesu
Located in Santa Cruz, CA
Di Gesu estate stamp verso and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Chouinard Art School before movi...
Category

1950s Post-Impressionist Interior Paintings

Materials

Gouache, Laid Paper

'Dance Class', Modernist Figural, Sir John Cass, Otis Art Institute, Parson's
By Pearl Took
Located in Santa Cruz, CA
Signed middle right with monogram, 'P.T.'; additionally signed verso, dated 1974 and titled 'UCLA Dance Class'; accompanied by artist's business card. Born in England, Pearl Took fi...
Category

1970s Figurative Paintings

Materials

Canvas, Oil

'Piano And Violin Recital', Paris Salon, Royal Academy, Still Life of Tulips
By Karl Harald Alfred Broge
Located in Santa Cruz, CA
Signed lower left, 'Alf. Broge' for Carl Harald Alfred Broge (Danish, 1870-1955) and dated '1918'. Frame dimensions: 38.75 H x 1.25 D x 32.5 W inches (98.5 H x 3.25 D x 82.5 W cen...
Category

1910s Academic Figurative Paintings

Materials

Canvas, Oil

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"Interieur aux Fleurs Jaunes" 20th Century Oil on Canvas by Emilio Grau Sala
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Located in Madrid, ES
EMILIO GRAU SALA Spanish, 1911 - 1975 INTERIEUR AUX FLEURS JAUNES signed "Grau Sala" (lower left) signed again, located, dated and titled "Grau Sala, Paris 61, Interieur aux fleurs jaunes" (on the reverse) oil on canvas 15 x 18-1/4 inches (38 x 46 cm.) framed: 23-1/2 x 26-1/2 (59.5 x 67 cm.) PROVENANCE Private Parisian Collection Interieur aux fleurs jaunes This interior with two female figures where also the plans made in different colors are drawing the composition. The abundant pictorial material distributed in geometric portions, gives life to the tablecloth and mother and daughter figures, in black and white colors of the jacket, while the black line takes care of the environments so as not to separate them. The fruit bowl and flowers give a cheerful touch with their pastel tones. Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, ​​geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land. He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it. All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...
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