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Maho MaedaRemembrance #24 by Maho Maeda - Abstract painting, flower, pastel colours2021
2021
About the Item
Remembrance #24 is a unique painting by contemporary artist Maho Maeda. This painting is made with acrylic, coloured pencil, ink and antique textile on cotton canvas, dimensions are 25 × 25 cm (9.8 × 9.8 in).
The artwork is signed, sold unframed and comes with a certificate of authenticity.
This piece is a recent entry in the artist's Remembrance series. The artist is particularly interested in the memory of both living things and inanimate objects. She hopes to reveal stories through her artwork, capture them in time, and rescue them from obscurity. She picked a kimono, a piece of Japanese culture, for this series. She buys used kimonos, cuts them up, and adds the pieces to the paint and canvas.
The paintings are complemented by abstract patterns and shapes that resemble natural objects like leaves, bird wings, and buds. Maho Maeda's creations, however, are not depictions or imitations of nature; rather, they are individual interpretations of the sounds of nature that have been given a visual form and a tangible medium.
- Creator:Maho Maeda (Japanese)
- Creation Year:2021
- Dimensions:Height: 9.85 in (25 cm)Width: 9.85 in (25 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803113481952
Maho Maeda is a Japanese artist who lives and works in Mexico City, Mexico. Her research, which centres on nature and its sounds, takes shape in harmonious pictorial compositions from which emerge both strength and poetry. In her works, the sound traces are transformed into lines that move, change direction, transform and break. Abstract shapes and patterns complement the paintings, evoking natural elements such as leaves, bird wings and buds. The artist combines several materials in her work, such as acrylic paint, oil, ink and pencil, and uses a variety of media, such as canvas, wood and fabric. “Living beings, non-living things, everything has its own ‘history’ and eventually disappears. [...] The histories of each of them is immeasurable. I close my eyes, and then I ponder and evoke them.”
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