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MajioLayers of Reality: Kokopelli Cold wax, monoprints, oil stick on canvas2025
2025
$7,000
£5,298.25
€6,100.85
CA$9,958.23
A$10,787.23
CHF 5,679.91
MX$130,934.64
NOK 70,835.65
SEK 66,973.45
DKK 45,544.62
About the Item
Layers of Reality Series is a practice of dropping down beneath what we perceive as the reality into another stream of information. It is a simple inquiry to invite a new perspective through feeling tones and images. This approach to visual arts with the use of materials, layers of printed tissue paper laminated with cold wax invites this sense of a reality shift. The pattern paper, rubbings, stencil markings and monoprints have a freedom of spontaneity resulting in surprising constellations of images. Layers of Reality in the small format series, Monk and Plumbline paintings arose from synchronistic events suggesting the monastic practice is everywhere. The six large paintings bared the fruit of the early experimentation, each opening to distinct ways of sensing into another layer of reality.
Honoring the influence of the ancestors invited repeated energetic patterns which formed a dancing figure. The humpbacked flute player Kokopelli, spirit of music, filled with robust trickery is a deity revered in some Southwestern Native American cultures. He aligns with my experience of the ancestors who often are mischievous in relaying their information.
- Creator:Majio (1945, American)
- Creation Year:2025
- Dimensions:Height: 60 in (152.4 cm)Width: 36 in (91.44 cm)Depth: 1.5 in (3.81 cm)
- More Editions & Sizes:nonePrice: $7,000
- Medium:
- Period:
- Condition:
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU2783216825252
Majio has training in the United State, several years in Europe with a Master’s degree from the Buddhist University of Naropa in Creation Spirituality. Her most influential training however was in Japan over a twelve year period. Her initial trip to Japan was to study Buddhist Art, but it quickly narrowed to the traditional arts of Zen and masters if that orientation in other cultural arts. It was not so much what was learned in a papermaking village, kimono dyeing studio or the making, filling and firing woodburning kilns but how to learn or, better said, how to practice. There are many words in Japanese for practice, the one here is the polishing of being. In painting, Majio has always flowed back and forth between figurative and abstract expression. The aesthetics and Cultural Arts--- like calligraphy and tea ceremony---- garnered during her apprenticeships in Japan, along with Zen practices and concepts weave many textures into her work. Majio’s pieces are created with the overarching concept that art is not a polarity between object and subject but rather, complementary, where each part works to define each other. Working from a collaborative process-with materials, with subject and with times, Majio releases herself as sole agent, even when hers are the only hands that touch the piece. This carries out to the viewer, opening a sense of participation, evoking involvement and discussion. Inviting a realization of recognizing and choosing to acknowledge a reality beyond what we have inherited provides a platform for evoking possibilities, innate joy and new vision.
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