Mane Katz

Farm in the Vendée

1926

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Mother and Child by BÉLA KÁDÁR (1877-1955) Gouache on paper 86 x 56.8 cm (33 7/8 x 22 3/8 inches) Signed lower right Kádár Béla This work is accompanied by a certificate of authenticity signed by Gábor Einspach on behalf of The First Hungarian Painting Expert's Office. Provenance Private collection, Israel The Hungarian artist Béla Kádár was born in Budapest in 1877 to a working-class Jewish family. Following his father’s death, he was forced to start working from an early age after only six years to primary schooling and was apprenticed as an iron-turner. In 1902, Kádár attended the Academy of Fine Arts in Budapest. After leaving the Academy, he worked at a mural painting company. Only when he visited Berlin and Paris and being exposed to the avant-garde art of the time, did Kádár direct his attention to painting once again. In 1910, the artist won the Kohner prize, and the same year he was awarded his first solo exhibition at the Hungarian National Gallery. By 1918, Kádár moved to Western Europe. Today he is one of the most famous members of the early twentieth-century Hungarian avant-garde. Over the course of his time living in Berlin, Kádár’s style changed. His expressionistic, graphic works were gradually replaced by paintings that were more romantic and delicate in nature. Incorporating and often synthesising stylistic elements of Cubism, Futurism, Constructivism, Neo-Primitivism and German Expressionism, Kádár’s decorative and metaphysical subject matter was often based upon traditional Hungarian folklore, and his subject-matter became increasingly narrative. His paintings in this period often feature surrealistic dream-like imagery, reminiscent of compositions by Marc Chagall. Despite his variety of subjects, ranging from abstracted figures and landscapes to interiors and objects, his paintings are typically rendered in a bright, jewel-toned palette and feature a fractured approach to rendering space. In 1923 in Berlin, Kádár was invited by Herwath Walden to exhibit at the highly influential Galerie Der Sturm...

Parade Mexicaine by Jean Dufy (1888-1964) Gouache on Ingres paper 45.1 x 55.6 cm (17³/₄ x 21⁷/₈ inches) Signed Jean Dufy lower centre Executed circa 1948-1950 Provenance Galerie Käte Perls, Paris/New York (titled Cirques) Christie’s New York, 26th February 1990 (titled Le Cirque) Private collection, Germany Literature Jacques Bailly, Jean Dufy Catalogue Raisonné de l’OEuvre, vol.1, Paris 2002, no J.473, p. 261 (illustrated) Born into a large family in the busy port-city of La Havre in northern France, Jean Dufy was the younger brother of the Fauvist painter Raoul Dufy. In order to please his accountant father, Jean was...

Pêcheur sur la Cure by Paulémile Pissarro (1884-1972) Watercolour and ink on paper 23 x 30 cm (9 x 11 ³/₄ inches) Signed lower right, Paulémile- Executed circa 1920 This work is ac...

Coquillage et réveil en rouge by Henri Hayden (1883-1970) Oil on paper laid down on isorel 33.5 x 46 cm (13 ¹/₄ x 18 ¹/₈ inches) Signed and dated lower le...

Le Pékinois by Georges Manzana Pissarro (1871 - 1961) Charcoal on paper 41 x 49 cm (16 ¹/₈ x 19 ¹/₄ inches) Signed lower centre, Manzana Pissarro This work is accompanied by a cer...

Petite Marine Grise by Hugues Pissarro dit Pomié (b. 1935) Oil on canvas 92 x 73 cm (36 ¼ x 28 ¾ inches) Signed lower right, Hugues Pissarro dit Pomié Titled, signed and dated on rev...

Gouache on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Ar...

Abstract harbor scene with boats, in bold, vivid colors on heavy mould made paper. Hand signed and dated, 1980 22 X 30 not frame Robert Freiman, deaf from birth, was born in March 1917 in New York City. He attended an oral program near his home and later transferred to the Lexington School for the Deaf when he was six. Early in his childhood, his love for drawing, painting and studying became apparent, and as an adult, he continued his studies in New York at the National Academy of Design, Pratt Institute, the Art Students League and the Parsons School of Design. In Paris, France he studied at the Ecole des Beaux Arts. Bob Freiman was especially focused on painting portraits and figures in motion in various mediums, especially the mixed-media combination of watercolor, acrylic and pen. Among his subjects were acrobats, ballet dancers, cyclists and other athletes. He as well focused on abstracts for a time, discovering new media in his works with quick brushwork and expressive movements. In the latter part of his career, his style became abstract and surreal with images of metaphysical landscapes with architectural elements such as arches, towers, pyramids and castles floating in the air. The famed art critic Pierre Rouve wrote: “It is therefore refreshing to see them revitalized by the colourist wealth and virile handwriting of Robert Freiman, probably the best American water-colorist since John Marin. He worked in Provincetown and Nantucket and regularly exhibited there. He showed at Doll & Richards gallery of Boston alongside John Chetcuti, Lloyd Goodrich, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. His work bears the influence of the mid century school of Paris in particular Jean Carzou. He was a regular exhibitor at the Sidewalk Art...

Genre: Other Subject: Figures Medium: Other, Gouache Surface: Paper Country: United States sight size 17 X 13 inches Emigrating to Boston in 1913 from Poland with his Russian-Jewis...

In this painting the artist uses gestural brushstrokes, which causes distortion and exaggeration for emotional effect. Andre Elbaz uses as his subject three male figures with tefilin are depicted during prayer. André Elbaz (born April 26, 1934, El Jadida, Morocco) is a famous Moroccan painter and filmmaker. Elbaz studied art and theatre in Rabat and Paris from 1950 to 1961. He started painting only at the age of 21, until which age he had been interested mainly in theatre. A few years later, he managed to combine his two passions into a new approach in art-therapy, inventing together with his wife, a psychiatrist, the Pictodrame, which brought him world recognition. His first exhibition, which was very successful, took place in Casablanca in 1961 and earned him an appointment as Professor at the Beaux-Arts school in Casablanca. Years later, in 1976, he exhibited his paintings at the Tel-Aviv Museum. In parallel to his career as a painter, Elbaz is also known as a filmmaker. He produced several short films in France, Canada and the United States. One of them, La nuit n'est jamais complète (The night is never complete), won a prize at the "5th Biennale de Paris in 1967". Among the themes chosen for the many films he produced, there was a short one about the Warsaw Ghetto uprising, as well as a series of drawings entitled Seuls (Alone), with texts written by both Elie Wiesel...

In this painting the artist uses gestural brushstrokes, which causes distortion and exaggeration for emotional effect. Andre Elbaz uses as his subject figures walking in old city Jerusalem. André Elbaz (born April 26, 1934, El Jadida, Morocco) is a famous Moroccan painter and filmmaker. Elbaz studied art and theatre in Rabat and Paris from 1950 to 1961. He started painting only at the age of 21, until which age he had been interested mainly in theatre. A few years later, he managed to combine his two passions into a new approach in art-therapy, inventing together with his wife, a psychiatrist, the Pictodrame, which brought him world recognition. His first exhibition, which was very successful, took place in Casablanca in 1961 and earned him an appointment as Professor at the Beaux-Arts school in Casablanca. Years later, in 1976, he exhibited his paintings at the Tel-Aviv Museum. In parallel to his career as a painter, Elbaz is also known as a filmmaker. He produced several short films in France, Canada and the United States. One of them, La nuit n'est jamais complète (The night is never complete), won a prize at the "5th Biennale de Paris in 1967". Among the themes chosen for the many films he produced, there was a short one about the Warsaw Ghetto uprising, as well as a series of drawings entitled Seuls (Alone), with texts written by both Elie Wiesel...

Genre: German Expressionist Subject: Woman Medium: gouache paint Surface: Paper board This is hand signed lower right. Framed it measures 17.25 X 15.5, sheet 12 X 10 This came from a Jewish estate. there was no additional paperwork or provenance. Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin Jules...