Board Figurative Paintings

Bilateral: In Cafe 1920s, oil on cardboard, 60x45 cm Fishermen houses 1930s, oil on cardboard, 45x60 cm Both pieces, "In Cafe" and "Fishermen Houses," are unique in their subject matter and showcase the artist's individual style and interpretation of the chosen themes. As separate artworks, they each carry their own narratives and evoke different emotions or perspectives for viewers to appreciate and enjoy. Aleksandra Belcova...

Porth Chapel, West Cornwall by Sian McGill. Acrylic on board  Unframed  41cm x 51cm 

High Over Madurai

Two. Bilateral. Cardboard, tempera, 56x47 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Rig...

Todd Carpenter's (US based) "Post Progress" is an oil painting that depicts a black and white vast landscape with telephone poles overrun with brush and dense foliage, and mountains in the distance Bio/artist statement: Todd Carpenter is a Los Angeles based artist who uses black and white paint to explore the perception of space and beauty. Carpenter's formal education is in science - he holds a MS in Neuroscience from UCSD and a BS in Psychobiology from UCLA - and he brings this background into service when making art. His paintings explore the mechanisms of perception and aesthetics, examining among other things how the depiction of light can impart realism and convey emotion. Like his paintings bridging art and science, Carpenter's career has similarly straddled the two fields, and he has taught subjects ranging from neuroscience and environmental science to photography and painting. Artist Statement As a painter, I am particularly interested in how the depiction of light contributes to our experience of paintings. Painting, as with any visual art, is obviously dependent on light. But painting can also have a more specific connection in that the accurate depiction of light is crucial for achieving realism. Realism in paintings largely arises from the portrayal of depth - perceiving a painting as being realistic is equivalent to seeing its subject as existing in more than just the two dimensions of the picture plane - and one of the mechanisms by which humans perceive depth is through lighting cues. Light creates features such as shading, shadow, and contrast that tell us about the three-dimensional arrangement of our surroundings, and artists often use these features to impart realism to paintings. Light also factors in to the emotional impact of paintings. The differential illumination of our surroundings can evoke different moods, as evidenced by the influence sunsets, candlelight, and darkness can have on us. Such effectssuggest that our perception of light could be tied to primitive instincts, with light signaling factors such as shelter, nightfall, and warmth, which were once crucial for survival. The depiction of light in...

During flowering. Cardboard, oil, 23x28 cm

Wings Of Dawn and The Water & Horizon No.4 diptych by Rachel Painter Overall size cm : H40 x W30 Wings Of Dawn Original Landscape Painting Oil On Board Image Size: H 20cm x W 15cm ...

Sunny face. Bilateral. Cardboard, tempera, 53x35.5 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga in a Russian-Polish-German family. Vladimir Glushenkov...

Mechanical mask. Cardboard, tempera, 56x47 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Ri...

Fiona Carver Summer in St Ives Original Contemporary Painting Oil on Panel Image size: H 11cm x W 16cm Framed size: H 24cm x W 29cm Sold in a hand painted wooden frame (Please note t...

Beautiful Mid 20th century oil painting in the manner of Judaic masters Huvi, Tully Filmus and Isaac Holtz, signed in hebrew l.r. artist unidentified.

Signed impressionist figurative pastel on board circa 1895 by sought after French impressionist painter Jean Louis Forain. The piece depicts a man asleep in a bed while a woman stands at the foot of the bed getting dressed. The room is dimly lit by the bedside lamp. Signature: Signed upper right Dimensions: Framed: 22"x26" Unframed: 15"x19" Provenance: Galerie Jean-Claude Bellier Jean Forain was the son of a painter and decorator and was apprenticed to a visiting card engraver. He studied briefly under Gérôme and Carpeaux at the École des Beaux-Arts in Paris and regularly visited the Louvre, where he copied works by the masters. It is said that for a time he made a precarious living by selling small drawings in the style of Grévin. He went on to collaborate on various publications as a draughtsman and columnist, starting in 1876 on La Cravache and then collaborating on the newspapers Le Journal Amusant, Le Figaro and L'Écho de Paris. This introduced him to the diverse worlds of Paris society - the world of the theatre, of shows, and of literature - where he wryly noted the habits and shortcomings particular to each. This led him to follow a route very characteristic of this period, already seen in the work of Steinlen, Caran d'Ache and Toulouse-Lautrec in the journals La Pléiade, La Vogue and La Revue Blanche. His work draws a picture of the society of the period, not in a strictly imitative fashion but in the form of the 'dessin-charge' or mild caricature. In 1880 he illustrated Parisian Sketches...

Musical mood. 1998. Oil on cardboard, 74x60 cm

A colorful oil painting of the crowd entering Churchill Downs for the Kentucky Derby horse race by American artist John Potter Wheat (1920-1980). Wheat...

Nathan Hoffman The Beach Estate stamped on the reverse Oil on artist's board 10 1/4 x 14 inches Provenance: Estate of the artist Born in Russia, the s...

Unframed this piece is 6 x 6 Presenting "Dancing Zinnias" by Millie Gosch, a stunning petite framed fine art painting in oil on linen panel. This captivating piece showcases seven v...

In Geri's own words: "My love for art began in my early teens when I signed up for art class in high school and soon discovered that I had a passion for drawing and oil. Growing up i...

Charles Verbrugghe Bruges 1877 – 1974 Paris Belgian Painter 'Terrace View dei Cappuccini, Convento di Amalfi' Signature: signed middle right Medium: oil on board Dimensions: image ...

William Baxter Closson was born in 1848 in Vermont. He went to Boston as an apprentice wood engraver with Samuel S. Kilburn and studied drawing at the Lowell Institute. Closson worke...

"Rain on Windshield: Rosie's Diner II" (2021) by Dianne L Massey Dunbar is a mesmerizing oil painting on board that depicts Rosie's Diner through a rain covered car windshield. This ...

A fun genre painting with students in a classroom being students by American artist George Henry Story (1835-1923). Story was born in New Haven, CT, and after studying a year in Euro...

"La Place au Bistro des Filles" by Gerard Valtier is an original oil on canvas that measures 35x46 inches. The bright colors of this impressionistic painting create a lively evening scene of people walking and dancing outside of the shops along a canal. Empty gondola's float on the water, lit by the street lamps. Many appreciate the energetic work of the brush to describe the foliage or the luminous backgrounds irradiated with numerous vibrant colors. Seething with colors, sparkling, blazing, molten gold: the whole mystery of Gerard Valtier’s painting lies in the working of this colorful living chemistry, where the thickening cover of the glaze catches the reflections of the light, which progressively becomes incandescent. The contrasting blue and yellow, basically naturalistic colors - characteristic of the impressionist palette - create a feeling of bedazzlement which send out their own light, directly imitating the natural effects of light itself. Thus, the property of the color, the interaction of colors as well as their power to create some light, definitely are the basis of Valtier’s work. The artist can paint everything: barges along the quay, the busy crowds, Venice and its carnival, the bride and her procession - his whole painting is under the sign of the feast. Unlike Renoir or Cezanne, Valtier does not hesitate to use black as a true color, not one designed to soften or drain the pure color, as in the shadows. One will also appreciate the energetic work of the brush to describe the foliage or the luminous backgrounds irradiated with numerous vibrant colors. Valtier has had exhibitions throughout the world and has received many awards. He paints from his studio in Arles, France. He is listed in Mayers, Akoun, La Cote des Peinteres, Bordas International, and Financial Art.

Welcome to Heritage, our carefully curated collection of French vintage and antique paintings. We scour the flea markets and fairs for these gems: poignant portraits of long-gone Me...

Child,Children,,Offer Free Shipping,Newborn GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in Europe, Japan, ...

Carnival. Oil on cardboard, 36,5x29,5 cm

Campy and sexy illustration of two French chorus girls for the mid-century Avon paperback Les Girls. Story of the Folies Bergere Unsigned and unframed. George Ziel...

Original painting on board. Hand signed on front by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered.

Mary Cassatt 1844–1926 American Girl with a Banjo Signed (lower right) Pastel on board This important pastel entitled Girl with a Banjo by Mary Cassatt is a true masterwork from ...

Flight Into Egypt by Louis Carl Hvasta (1913-1993) Unframed: 24" x 36" Framed: 31.25" x 43" Signed and Dated Lower Left Frame was hand made by the ar...