Canvas Figurative Paintings

Coastal Seascape Landscape Painting with Boats by 20th Century French Artist, Pierre de Clausade (1910-1976). Oil on canvas, Signed on the lower ...

"Joni" - Portrait of a Girl in a Yellow Dress in Oil on Canvas Skillful portrait of a young girl by Morris Zirlin (American, 1913-1990). A young girl with wide brown eyes poses for ...

Elegant Lady in Interior next to a Bowl of Fruit by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 2...

Portrait of a young woman with a baby. Modern painting in the style of impressionism. Against a dark background, a warm light shines, the light of love and tenderness.As is typical ...

Floral Vintage Oil Painting of Wild Red Poppies in a Field in the English Countryside, by 20th Century British Artist. Art measures 16 x 12 inches Frame measures 22 x 18 inches ...

Early 20th Century English Autumn river landscape with cows drinking from a stream. Abraham Hulk Junior was born in the Netherlands in 1851 to ren...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Oil on canvas Teppei Ikehila is a Japanese artist born in 1978 who lives & works in Tokyo, Japan. He is graduated from Shimane University in 2001. Since 2000, he has held many priva...

This large figurative oil painting is a reinterpretation of a painting by Francisco de Goya, Retrato ecuestre de Fernando VII, 1808. A unique oil painting on the finest quality Belgi...

Anton Genberg’s coastal painting captures a tranquil harbor scene along Sweden’s west coast. In this 1923 oil painting, a cluster of weathered boathouses stands by the water’s edge, ...

A wonderful impressionist pastoral landscape in the Autumn season with beautiful color tones throughout. Waltsak has portrayed this piece in a most intimate, yet energetic way, and h...

In this painting, we see a minimalist room with a huge window, beyond which stretches a sky filled with fluffy white clouds. Muted colors dominate—the blue of the sky contrasts beaut...

Ìrètí—the Yoruba word for “hope”—guides this series of portraits, each one a meditation on the dreams, aspirations, and quiet resilience of African womanhood. In these works, every g...

This series of works is based on the artist's impressions and communication with old and new friends. Our future is impossible without the past. We all appreciate old stories about o...

A fine, large 18th century veduta capriccio scene with temple ruins after Gennaro Greco from the circle of Pietro Cappelli. The painting is presented in a more modern carved gilt woo...

The Country lane by Frans Hopfner (1840-1893) German signed oil on canvas, framed framed: 23.5 x 41.5 inches canvas: 18 x 36 inches provenance: private collection, UK condition: very...

Signed lower right, 'Paula Melcher' (American, 20th century) and dated 1956.

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sam...

A masterful oil painting depicting a harbor scene by British American artist John Clymer, with a view of a sailboat, and a large masted ship on the water and the village in the dista...

In this piece, the artist depicts his subject in an abstract and impressionistic way, capturing the Arc de Triomphe busy street scene from the 20th Century with much life. The artist...

The picture is painted in a light and elegant style. A composition of flowers in a fashionable vase looks impressive . In this work, the artist managed to convey a bright and at th...

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

Newborn sound #94 is a unique painting by contemporary artist Maho Maeda. This painting is made with acrylic, coloured pencil and ink on cotton canvas and carved wood, dimensions are...

Monumental Art Deco oil painting on canvas by renown Hungarian artist Arpad Bardocz. In good condition. Signed and dated. We can arrange shipping worldwide. We was born in Budape...

Zoa Ace's (US based) "City Sidewalk" is an original, handmade oil painting. About the Artist: "My work is figurative and deals primarily with human relationships. I typically use an...

No matter what life throws at you to discourage or change your good personality, or change the reflections people see on your face or identity, one should try to look beyond and ahea...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Charles Thomas Bale (British, 1845 - 1925) - Still Life of Peaches. 61 x 30 cm without frame, 88.5 x 57.5 cm with frame. Antique oil painting on canvas, within passe-partout in a c...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

'Self-Portrait of the Artist', oil on canvas, by Lilian E. Whitteker (1952). This may be the only self-portrait (or portrait) of Lilian Whitteker as her favourite subjects to paint w...

Beautiful oil painting of nude study titled "The Red Table Cloth" by Bay Area, California artist Shirley Loyst (American, b-1928), circa 1960. Exhibition...

Vintage Oil Painting of Fantasy Cottage in the Woods with Flowers & Gardens Art measures 36 x 24 inches Frame measures 40 x 28 inches

How do you feel when you know you're irreplaceable? People in general are irreplaceable in life. We are ourselves that cannot be copied in a sense of personality. Simply similar Sh...

Oil size 54x81 cm. Frameless

This painting depicts a colorful Mid Century Street in Paris France, a popular subject of the times painted by many important impressionist 20th Century painters. This piece is a bol...

William Edward Bloomfield Starkweather Bathing Hour, Belle-en-Mer, France, 1908 Signed lower left Signed, titled and dated on verso Oil on canvas 27 x 36 inches Provenance Estate of...

Signed lower right, 'Fiedler' (20th century) and painted circa 1965. A sensitively realized study of a young boy dressed for a costume party as Arlequino and shown gazing directly t...

Swedish Hamlet in a Snowy Winter Landscape with Birch Trees by Danish Artist, Jens Christian Bennedsen (1893-1967). Art measures 38 x 26 inches Frame measures 44 x 32 inches An oi...

Alpine Mountain Hut - Vintage Landscape Painting by 20th Century German Artist, Fritz Haupt Art measures 11 x 9 inches Frame measures 15 x 13 inches This exquisite painting by F....

Mountain landscape , 110x89cm, oil on canvas

Vintage Oil Landscape Art of Redwood National Park Forest in California by 20th Century Artist, Tobias Everet Spence Art measures 14 x 17 inches Frame measures 21 x 24 inches Th...

This splendid mid-19th-century oil painting by English artists William Shayer (1787-1879) and Edward Charles Williams (1807-1881) depicts an assortment of travellers outside a roadsi...

Hjalmar Sandberg (1847-1888) Sweden Harvest Time, 1876 oil on canvas canvas size 14.96 x 18.11 inches (38 x 46 cm) frame 18.70 x 25.59 inches (47.5 ...

"In the Wildflowers" is an oil painting where the artist's passion meets serene natural beauty. This piece blends impressionism with realism, capturing a tender moment with soft colo...

Wonderful Impressionist view of St. Marks Square, Venice. Pam Masco was an American from Massachusetts, and a graduate of the School of the Boston Museum of Fine Arts (1976). She was married to the English artist John Heseltine. Her work is in well-known private and corporate collections and has been shown at the Royal Society of British Artists, the Royal Watercolour Society and other London Galleries as well as in the Provinces. She travelled throughout the U.S.A. and Europe and painted American and European subjects, portraits, landscape and figure compositions, still life and interiors. From 1978 she was involved in drawing, painting, technical painting courses, watercolour and graphic design. She illustrated for major British and American publishers until 1988. Authors include Bruce Chatwin...

Painting of Chrysler Building New York City by Contemporary British Artist Angela Wakefield Art measures 31.5 x 31.5 inches Frame measures 36 x 36 inches This vibrant cityscape by Angela Wakefield captures the electric energy of New York City with cinematic intensity. Featuring the iconic Chrysler Building rising majestically in the distance, the composition pulls the viewer into a dynamic streetscape alive with glowing streetlights, bustling traffic, and the saturated hues of an evening sky. Aesthetic Appeal: • Color Mastery: Angela’s bold use of color creates an emotionally charged atmosphere. The deep reds, warm oranges, and luminous yellows against cool urban blues evoke a sense of both movement and warmth. • Perspective & Depth: The central vanishing point draws the eye forward, enhancing the feeling of stepping into the painting. The architectural precision paired with expressive brushwork creates a rare balance of realism and stylized interpretation. • Urban Romance: There’s a nostalgic, cinematic quality to the work—like a scene from a classic film. It captures not just the physicality of New York, but its energy, its pulse. Why It’s Valuable and Investable: • Signature Style: Wakefield’s distinctive visual language—urban realism infused with vibrant expressionism—has made her a recognized and collected artist on both sides of the Atlantic. • Market Appeal: Cityscapes, especially those depicting iconic locations like NYC, have universal appeal. They resonate with collectors who seek both emotional connection and cultural significance. • Proven Artist: With over two decades of success and international recognition, Angela’s work continues to appreciate in value. Her paintings are held in private and corporate collections worldwide. • Timeless Subject: The fusion of architecture, light, and motion ensures this piece remains relevant and impactful for generations. This painting isn’t just a beautiful addition to any space—it’s a piece of urban history told through the eye of a masterful contemporary artist. Angela Wakefield has twice been on the front cover of ‘Art of England’ and featured in ARTnews, attracting international attention and critical acclaim with her urban landscape paintings of New York, London & the North of England. The style of painting has been described as ‘contemporary realism’, and is often favourably compared with Edward Hopper by collectors and art critics. Angela’s work is held in private collections in Europe and the USA, including the British Royal Family. Her admirers include leading figures in international business, filmmaking and the media. PROVENANCE: Ascot Studios...

Large oil on canvas by Edouard GOERG (1893-1969), France, 1955. LES 3 BRUNES. With frame : 114x95cm - 44.9x37.4 inches ; without frame : 92.2x73 cm - 36.3x28.75 inches. Format 30F. S...

Selvas Negras n°2 is a unique pencil and charcoal on canvas painting by contemporary artist Calo Carratalá, dimensions are 200 cm × 300 cm (78.7 × 118.1 in). The artwork is signed, ...

This work is framed. Unframed size: 90x120 cm, framed 95x125 cm Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicol...

Academic style figurative painting on canvas of a family and red tractor against a classic American farm field "Prosperous Family", painted by Mark Beard under his fictitious persona, Bruce Sargeant 84 x 58 inches unframed, 91 x 65 x 3 inches with a gold painted wood frame Excellent condition, ready to hang as is This Academic style figurative oil painting on canvas was painted by Mark Beard as Bruce Sargeant, a pseudonym in homage to the fashion photographer, Bruce Weber, and figurative painter, John Singer Sargeant. Here, the artist captures a blue collar American farming family in their field with an old red tractor. The man and woman stand stoically with their young child, dressed in simple white garments, perhaps to symbolize their purity. Rolling mountains...

"Seclusion" is a captivating artwork created by Kehinde Oyafajo that depicts a lady sitting on the floor with her hand resting on a stool. The lady is dressed in a sensual way and is...

James Taylor Harwood Wasatch Range, Utah Inscribed "Wasatch Range, Utah" on the stretcher Oil on canvas 16 x 31 inches Provenance Blanche M. Swan Private Collection James Taylor Ha...

Initialed lower left, 'J.P' for Julius Paulsen (Danish, 1860-1940) and painted circa 1910. A dramatic, early twentieth-century work by this notable Post-Impressionist painter and th...

Margrete Levy 1881-1962 Levy was a Danish artist; she worked in Paris from 1905-1911. Levy was niece to the Danish master painter Kristian Zartmann. She married French author Louis Nicolai Levy in 1911. She applied for technical school at Charlotte Sode and Julie Meldahl's school before applying for admission to the Academy of Fine Arts for Women, where she studied at Viggo Johansen 1900-1902. In 1902 she traveled to Florence as a nanny for a Danish family, giving her the opportunity to study the old masters of the art collections. When she returned home, she continued her education in 1904-05 at Bertha and Dorph's painting school. In 1905, she traveled to Paris and taught at various drawing schools while studying the collections of the Louvre, especially Leonardo da Vinci, who inspired her for the symbolic painting Five Sisters , 1905, which she debuted at the Charlottenborg Spring Exhibition the following year. 1906-07 she was a student at the French Academy in Rome. With a few interruptions she exhibited at Charlottenborg's Spring Exhibition 1913-43, and on several occasions she also participated in Charlottenborg's Autumn Exhibition and the Artists' Autumn Exhibition. She had several personal exhibitions, including 1910 in Ole Haslunds Hus, 1919 and 1923 in Kunstforeningen, 1927 at Møntergården and 1945 in Alfred Andersen's Art Shop. She participated in several foreign exhibitions, for example Modern Danish Artists in Brighton, England 1912, and Exposition présentée par le Club international Féminin , Paris 1958. She was often represented at exhibitions reserved for women, for example Nine Painters in Admiral Gjeddes Gaard, in 1936 and Nordic Artists in Stockholm 1948. She participated in the Women's Artists Retrospective Exhibition in 1920, which was organized by the Women's Artists Society, on whose board she sat. Along with 18 other members, including Anna and Helga Ancher, Christine Swane, Elisabeth Neckelmann and, Olivia Holm-Møller, she exhibited at the Kunstforeningen in 1930. For the painting Three Sisters , she was awarded 1931 Carlson's Prize by the Academy. The painting shows both back to the old masters and to the new realists such as Niels Strøbek...

Artist/ School: British School, second half 20th century, signed lower left 'Champion' Title: a copy after de Loutherbourg's 1795 painting of Lord Howe's action of 1 June 1794 in th...

LADY IN BLACK - Oil on canvas painting, Eugenio De Blasi, Italy, 2011 This is his reinterpretation of a greatest old master painting by Giovanni Boldini. Gold leaf gilded and mohogan...

The Tooth-Puller is a superb original oil painting on canvas, realized by an anonymous artist, a follower of Caravaggio, in the first half of the X...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

A Mid-20th Century charming oil painting depicting a seated nude woman in a whimsical interior scene, Ducaire was known for her charming intimate figurative scenes portraying female ...

Antonio Bellucci (Venice 1654 - Soligo 1726) - Diana and Endymion. 122 x 152 cm unframed, 142 x 172 cm framed. Oil on canvas, in a carved and lacque...