Linen Figurative Paintings

Signed, titled and dated on the back. Acquired directly from the artist. Free shipment worldwide Loïc Le Floch, also known as Fenx, is a visual artist born in the mid-1970s and bas...

An oil painting by American Painter Carl Bretzke. This waterscape was painted en plein air in Sag Harbor, NY. A boat heads away from the viewer, toward the tree-lined horizon at twi...

Samuel S.Hoskins Statement on Winter: Delving into the symbolism of winter, I painted a figure dressed in black, embracing the harvest of autumn. In my perspective, winter signifies a moment to take stock of one's life, withdrawing into a state of reflection. It's a time to gaze ahead, anticipating the promises that spring holds for renewal and growth. As a graduate of The Florence Academy of Art and a devoted oil painter, Samuel Hoskins...

Timothy Rees was fascinated with drawing throughout his youth and after high school pursued a degree in animation. The pull to painting portraits and figures was strong, however, leading him to learn the craft in the open studios of the Palette and Chisel...

Abstract figurative painting, acrylic on linen canvas.

Summer Garden Study IV by Dylan Lloyd [2022] original and hand signed by the artist Oil on Linen Board Image size: H:30 cm x W:20 cm Complete Size of Unframed Work: H:30 cm x W:2...

This work is part of an ongoing series of Mermaid by the artist. It is oil paint on linen mounted on wood panel with wooden bars suitable for hanging without framing unless desired. ...

"Flower Dance" by Lani Vlaanderen is an original handmade oil painting on stretched linen.

An oil painting by Kelly Carmody - of a seated woman writing notes in a journal. Framed in a simple .25 inch floating frame in maple wood. Framed dimensions: 21 x 25 inches, framed....

Lisa Fricker's "Inscrutable" is an original, handmade oil painting that depicts an abstract portrait of a man, it measures 8 x 10 inches. This painting is framed and ready to hang. ...

A group of uniformed soldiers gather in a grassy field. We see cannons yet must bring our own decisions about what is about to transpire. Painted in the loose style of Winslow Homer, "Union" by William Blake captures a scene in a Civil War Reenactment as the Union Army's Artist Reporter. Portraying Homer as an Artist-reporter, Blake has to be more than merely good draftsmen. He has to be an astute observer, have an instinct for story and drama, the ability to sketch quickly and accurately, and no small amount of daring, as he faces battles first hand. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. Please contact the gallery for framing options. William Blake Union, 2022 oil on linen 24h x 36w in 60.96h x 91.44w cm WIL034 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...

Sensual in it's style and subject matter, Andrew S. Conklin's still life "Duet I" explores the sexuality in both innate objects and the human form. The female figure is off to the s...

Suzy Smith's "Pink" is an original, handmade oil painting that depicts a portrait of a feminine figure, in a formal dark pink gown with a pink background. About the Artist: Suzy Sm...

Ale Casanova's "Perception in Orange" is an original, handmade oil painting that depicts a a blind folded female model with red hair holding a cut orange....

David Hare Cronus Waiting, 1990 Acrylic on linen 72 x 42 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

“Much like the human body, trees carry marks of time—scars, textures, and changes that reveal their history. For me, the older a tree is, the more interesting it becomes. Its bark is...

An original oil on linen painting by American contemporary artist A.J. Fries.

An original oil on linen painting by American contemporary artist A.J. Fries.

Immerse yourself in a vibrant yet tranquil world of impasto colors infused with meditative floral magic. My style reflects influences from abstract expressionism and modern art, empl...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

An oil painting by American Realist painter, Kelly Carmody. Framed in a simple white-washed wood floating frame, .25 inches wide. Framed dimensions: 20.25 x 24.25 inches Kelly Ca...

A contemporary oil painting on linen by American artist A.J. Fries. Artist’s Statement: These works are an extension of a small series of realistic paintings that I did of graves...

Since moving to Ubud (Bali, Indonesia) in August 2018 Lydia has been investigating the psychological phenomenon known as the Spotlight Effect. The idea of constantly being watched; u...

Oil painting of a neighborhood in the winter. A quiet, tree-lined street is sprinkled with snow. A yellow sky blends into blue and above. Frame dimensions: 32 x 44 inches Artist ...

Bruce Adams often references historical painting themes and styles in order to throw into relief western tropes in figurative art. Here as part of the artist's series Myths and Lies,...

"I work largely with the figure, concentrating on women. In awe of the strength women behold, I feel the need to express their character through my work. I can't explain how I choose...

Acrylic on linen

An oil painting of cars parked along the street, coated with snow. Christmas lights sparkle in the yard behind the cars, a modest ranch house leaves the front porch light on, welcomi...

Acrylic on linen

An original painting by American contemporary conceptual painter Bruce Adams from the artist's new Untitled series. The “Untitled,” series draws from a variety of visual and histori...

Robin Cole's (Us based) "The Light on Jupiter" is an original, handmade oil painting that depicts a man in foliage in dappled sun. Nature and those that ...

An original painting by American contemporary conceptual painter Bruce Adams from the artist's new Untitled series. The “Untitled,” series draws from a variety of visual and histori...

Medium: Oil on Linen Signature: Signed and Dated Lower Right This painting is accompanied by a typewritten letter from Falter, dated May 23, 1974.

Girl with horse. 2004. Oil on canvas, 65x75 cm

Major. (from series Music) 2011. Oil on linen, 70 x 80 cm

Summer Garden Study II by Dylan Lloyd [2022] original and hand signed by the artist Oil on Canvas Image size: H:30 cm x W:24 cm Complete Size of Unframed Work: H:30 cm x W:24 cm x D:...

An original oil on linen painting by American contemporary artist A.J. Fries.

Teofimo was painted over several days in the artist studio in Florence, Italy. The painting measures 16 x 12 with a handmade frame from Italy. This is oil on a linen panel which mos...

“Himal Women” by Carole Einser is part of the artist's SouthEast Asia series following her travels to the region in the late 1980s. Inspired by the women she met and many sights she saw along the way, this acrylic painting features the portrait of two women sitting alongside a road, wrapped in traditional, brightly patterned clothes.

This work is a unique piece. It is a gilded oil painting on linen canvas with 12 carat gold leaf. CS Art comprises of two artists, one French, the other Norwegian. They have been p...

Daud Akhriev's (EUR and US based) "Evening Light, Florence" is an original, handmade oil painting that depicts a street within the terracotta lined walls of an Italian city. Artist Biography: The Soviet educational system singled out 8-year-old Daud Akhriev for special arts training. He painted and drew under the best painters and instructors for the next fourteen years. This culminated in a master’s degree from the Russian Academy in Leningrad (sic), after an obligatory two years in the Russian army. Though representational in orientation, Russian Academic philosophy encourages sampling, experimenting, and referencing styles and techniques from all of art history. The Russian academic training at its best imparts an artist a wide array of abilities honed to such that technical struggle is greatly reduced, leaving more time for experimentation and creativity. Akhriev, who enthusiastically cultivated all skills and styles while at the Academy, is an artist with public works in mosaic, oil on linen, water media, cast bronze monumental sculpture and ceramics. He is comfortable working in decorative styles, designing fabrics and patterns, and is equally at ease switching into Old Master oil painting. He admires Rembrandt and Schiele, Moser and Mailloll, Velasquez, Sargent and Sorolla. Akhriev is a Master Signature member of Oil Painters of America, the Artists Union of Russia, as well as the Association of Pastel Painters of Spain, the British Association of Modern Mosaicists, and the Society of American Mosaic Artists. He has won numerous prizes from the Salon International and International Masters Exhibitions in Texas, and at OPA regional and national exhibitions. He won Grand Prize from Pastel Magazine’s international 100 competition in 2015 and was twice honored again in 2017. Erlanger Hospital awarded Akhriev and team the creation of their non-denominational chapel which won “Ten Best Mosaic in Situ” in 2016 from the Society of American Mosaic Artists. He is an internationally renowned instructor of figurative and landscape painting and drawing. His work is published in several art books in Russian, Chinese and English. Magazines such as Fine Art Connoisseur, Pastel Journal and Artists Magazine have large features on his work. Currently his pastel paintings are at the Ming Gallery of Pastel Painting in Suzhou, China, by invitation, and are going to be in the inaugural exhibition of the new Chinese museum pastel painting throughout history through the present day. He has served as a juror for Oil Painters of America, and he frequently teaches masterclasses in Italy. The artist is a huge sports fan and loves film and travel. He speaks Russian, Ingush, English, basic Spanish, and can communicate using hand gestures in any other language. His extracurricular passion is teaching young artists. He resides in Tennessee and Andalusia, Spain with his artist wife, Melissa Hefferlin.

"Saint Valentin" is a painting by the French artist Maestro Florence Metge. Through her art, she has a very sharp and unique style of bright and colorful expression. About the artw...

LOOK FOR FREE SHIPPING AT CHECKOUT Summer Afternoon is an oil on linen painting by Cuban-American artist Edel Lugones who lives in Miami, Fl. It is 20 x...

Andrew S. Conklin Lily in Blue Tights on Pluff Chair oil on linen 24h x 18w in 60.96h x 45.72w cm ACK012 Andrew S. Conklin Artist Statement—Motion Capture Studio Series Andrew S. ...

This is a recent oil on linen canvas mounted on cradled wood panel signed and dated on reverse . Created earlier this year, the artist has titled it in response to the current politi...

Playing Guitar 1964 Signed by the artist “S. Kahn” in the upper right hand corner Susan B. Kahn was born in (1924 -2010) New York. American painter pr...

Alexandra Manukyan's "The Wrinkled Sea Beneath Her Crawls" is an original, handmade oil painting that depicts a female figure balancing on one foot as blue waves swirl behind her in ...

Ulrich Gleiter's (EUR based) "Midnight Sun on the Karelian Lakes" is an oil painting that depicts the view looking out from a wooden porch into the sunset. Bio/Artist Statement: German-born artist Ulrich Gleiter (b. 1977) is noted for his landscapes. His style is sometimes reminiscent of German expressionism and the Russian impressionists. He first studied at the Dresden Academy of Arts and later at the Repin Academy in Saint Petersburg, Russia. His work has been recognized with awards in the USA and in Russia and been featured in books and magazines. "Ulrich Gleiter is a citizen of the world. Born in Saarbrücken, Germany, he pursued his undergraduate studies at Dresden’s Academy of Fine Arts, where he learned to paint with the bold, colorful strokes handed down from the early 20th-century German expressionists. Students there prioritized their individuality — no one but you could have made this picture, they were told. Gleiter then absorbed a different view of artistry during his exchange year at Moscow’s Surikov Institute, followed by six more years at the Repin Institute in St. Petersburg. Today Gleiter divides time between Germany, Russia, and the United States, where he has become much admired among plein-airists in such scenic places as Colorado, California, and Wyoming. In our era of diplomatic tensions, when Crimea and Russia appear regularly in the headlines, Gleiter feels a renewed appreciation for nature’s timelessness — for its inspiring capacity to rise above the ins-and-outs of man-made problems. Today, he says, “I often think about the history of an area where I am painting, about how many troubles and beautiful things may have happened there. Most importantly, I am humbled to observe how natural forces never stop moving.” Gleiter turns his searching eye not only to wilderness, but also to the banalities of urban life — to parked cars, the glinting sprawl of an automobile dealer’s lot, retail stores, and even cargo ships. There, too — as in his portraits, nudes, and still lifes — he manages to find abstracted beauty and emotional significance in the interactions of light, color, and air." ( by Peter Trippi, Fine Art Connoisseur Magazine, 01/2017) SOLO- AND TWO-PERSON EXHIBITIONS 2018: SANDAU&LEO Gallery, Berlin. 2017: Gallery 1261...

"The Skeptic" is a realist oil on linen painting. It depicts a man with long golden red hair and beard in a coat. His eyes gaze to the side of the viewer, eyebrows furrowed. Frame ...

Daud Akhriev's (EUR and US based) "Fondamenta de l'Osmarin" is an original, handmade oil painting that depicts a cityscape of a European City's channel encircled by a historic archit...

Maria Mijares' "Lincoln Tunnel (Dash)" is an original, handmade acrylic painting that depicts an urban landscape of city lights and motion blurs glaring ye...

Trevor Taylor's "Nebula One" is an original, handmade oil painting that depicts a nude female model angling her shoulders forward as her hair transforms and blends into the outer spa...

Contemporary Portrait Painting, Oil on Linen, BB Dreaming, Jed Jackson, Realism Jed Jackson was born in Fayette, Arkansas. Throughout his education, he studied under artists such as...

A solitary figure, hat in hand, bows his head in contemplation of what has just taken place or what is about to take place. "Palm Sunday" channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake Palm Sunday, 2022 oil on linen 36h x 24w in 91.44h x 60.96w cm WIL033 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...

This whimsical work is an oil on linen canvas mounted on a cradled wood panel suitable for framing. It is signed and dated by the artist on reverse side. The colors are warm greens a...

This is an oil on linen canvas mounted on a 1/4 inch plywood panel. It is signed and dated on the reverse side

Zampighi's "Ammirando i Piccioni" Admiring the Little Ones Signed lower left Artist: Eugenio Zampighi (Italian, 1859-1944) Medium: oil on linen Dimensions: 29 1/2 in. x 41 1/2 in framed "National Association of Artists, Piazza Pitti, Florence, Italy" labels on stretcher and reverse of frame, Born in Modena, Italy, Eugenio Zampighi entered the local Academy of Design at 13. He eventually became one of the most decorated students, and in 1869, he was awarded a scholarship and spent the next three years in Rome. By 1884, having settled in Florence, he had begun to paint the genre works that eventually placed him with the leading artist’s of Italy.

Zampighi proceeded to devote his career to painting simple Italian domestic life, centring on the figures he saw around him and usually depicted in jovial company, similar to the Spanish court...

Recreation of business partners in the city park of a big city... • Linen canvas, high-quality oil paints. • Two coats of protective gloss varnish were applied to protect the painti...

You will receive this painting stretched, with painted edges and completely ready for hanging. Framing is not obligatory and depends only on your preference. The "Spring" series c...

The Champ was painted over several days in the artist studio in Florence, Italy. The painting measures 16 x 12 with a handmade frame from Italy. This is oil on a linen panel which ...