Oil Figurative Paintings

Jaguar Motor Racing Sylvia Smith (British 20th century). signed and dated Jul. 65' oil on canvas, framed framed: 28.5 x 34.5 inches canvas: 24 x 30 inches provenance: private collec...

Small limited edition run of 49 and 6 E.A."s (Edition of the artist). Each canvas reproduction is crafted by a skilled printer under the supervision of the artist. Román Francés has...

This painting is featured in the Makk Family book, "Vision of Life on page 102. Eva Makk has been called “the world’s foremost living impressionist painter...

Antique American winter landscape oil painting. Oil on canvas. Signed. Framed. Measuring: 26 by 30 inches overall, and 20 by 24 painting alone.. In excellent original condition. Han...

Bathers by Lake French School, second half 20th century oil on canvas, framed framed: 23.5 x 31 inches canvas: 20 x 28 inches provenance: private collection, France condition: good a...

Toiling in the Fields by Fanch Lel (French b. 1930) size: 8.75 x 10.75 inches oil painting on board, unframed condition: the painting is in very good condition. It has previously bee...

OLD MASTER PISSARRO LARGE CANVAS OIL PAINTING 20th CENTURY FRAMED “Good condition" ..Piece has been cleaned good condition for age (see pictures) OLD MASTER OIL PAINTING LARGE S...

Donald Vogel was inspired by gardens throughout his painting career. Before moving to Dallas, as a student at the Art Institute of Chicago in the late 1930's, Vogel's studio was a block away from Chicago's Lincoln Park...

Edwin Child Hillside Landscape, 1896 Signed and dated lower right Oil on canvas 18 x 28 inches Edwin Burrage Child was a prominent New England portraitis...

Gordon Brown's "Defined Imagination" is an original, handmade oil painting that depicts am atmospheric landscape. "My paintings are all about light and mood," says Colorado native ...

Sunlit Country Roads Signed by Fanch Lel Size: 13 x 16 inches (height x width) Oil painting on board , unframed Condition: Good condition overall with minor surface handling marks a...

Title: French Impressionist Oil Painting of a Sunlit Village Scene By Fanch Lel (French b. 1930) Size: 5.25 x 5.75 inches (height x width) Signed: Yes Oil painting on board, unframed...

In the soft evening light, a lone figure rows a small boat across the calm water, while tall reeds fringe the quiet shoreline in the foreground. Rolling wooded hills embrace the lake...

Title: French Impressionist Oil Painting of La Vieille Ferme, Vendée, with Row Boat By Fanch Lel (French b. 1930) Size: 8.5 x 10.5 inches (height x width) Signed: Yes Oil painting on...

"The Pink Peony" was meditatively painted on a frosty winter day when the artist was dreaming about warm summer days, and the soul wanted tenderness and warmth. The artwork is painte...

Paris by Claude Marin (French 1914-2001) signed oil on canvas, unframed canvas: 24 x 28.5 inches Provenance: private collection, Paris, France Condition: very good condition Origina...

A charming depiction of The Plaza Hotel in New York City with figures walking down the street, with a horse and carriage scene in the distance. A cozy impressionistic street scene wi...

This artwork "Landscape with Barn" 1968, is an oil painting on canvas by noted California artist Bill Shaddix, b.1930. It is signed at the lower left corner by the artist. The canvas...

An exceptional impressionistic depiction of an afternoon along the Jardin des Tuileries, Paris by Jules René Hervé on a summer day with the busy activities of a family seated near th...

“Cosmos in Green Glass” is an impressionist oil on canvas painting by Maryann Lucas. It depicts a colorful bouquet of flowers in a glass vase. Signed "Lucas" in lower left corner F...

Sunlit Village Path by Fanch Lel (French b. 1930) Size: 15 x 18.5 inches Oil painting on board, unframed Condition: The painting is in good condition, with minor signs of aging. Prov...

Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic...

Contemporary Impressionist Oil Painting of a Spanish Flamenco Dancer in a Red Dress. Stunning study of a Spanish Flamenco Dancer striking a pose in...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2] Early life and training Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10] Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11] Career in art In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15] Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46] After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54] Artistic style (1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches (2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches (3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches (4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches (5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches (6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches (7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches (8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56] Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57] Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above). An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3). Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred. Illustrator (9) Ann Brockman, cover, March 12, 1917, Every Week magazine (10) Illustration of an article, "The Taking of a Salient" by Henry Russell...

Leigh Ann Van Fossan's "The Inlet" is an original, handmade oil painting that depicts a group of sailboats docked in the darkness as their lights cast glimmering reflections on the i...

Title: French Impressionist Oil Painting of Still Life of Pink Roses in a Vase By Fanch Lel (French b. 1930) Size: 9 x 7 inches (height x width) Signed: Yes Oil painting on board, un...

"Saint-Malo Sailboats" is a plein air painting created in Northwestern France. A pair of sailboats rest along the harbor's wharf, their masts intersect the warm atmostphere, and thei...

Lady Sewing French Impressionist, late 19th century indistinctly signed lower front corner oil on canvas, unframed canvas : 29 x 36 inches Provenance: private collection, Northern F...

Gerald Coulson was an English painter in the mid to latter part of the 20th century. Gerald Coulson has been painting professionally for over 47 years ...

Portrait of an Elegant Lady by Pio Santini (French 1908-1986) signed oil on canvas, framed framed: 34 x 28 inches canvas: 26 x 20 inches Provenance: Private collection, Lyon, France ...

Title: Women by the Sea Artist: José Royo (Valencia, 1941) Date: 1986 Medium: Oil on canvas Dimensions: 73 × 60 cm (28.7 × 23.6 in) Signature: Signed and dated lower right: Royo ’86...

A fine antique oil painting by Wilfred Constant Beauquesne (1847-1913), of a French cavalry soldier on horseback, 1883. The painting titled "The Despatch Bearer", depicts a French cavalry soldier riding his horse frantically to deliver despatches to the front. The soldier in full uniform with his cavalry trooper's sword hanging from his sadle & the horse hair from his Cuirassier helmet...

Title: French Impressionist Oil Painting of Boat on River with Cathedral Spires by Fanch Lel (French b. 1930) Size: 8.25 inches (height) x 8.25 inches (width) Oil painting on cardboa...

The Man with the Moustache signed by Louise Alix (French, 1888-1980) *see notes below oil painting on canvas unframed measures: 18 inches high by 23.5 inches wide condition: overall ...

A charming depiction of Snow on 5th Avenue New York City with figures walking and cars in the distance. A cozy impressionistic street scene with colors of cobalts, light pink, whites, and burnt sienna's. An iconic street scene with beautiful brushwork and whimsical details, this piece captures the essence of New York in snow. This work is a following of Guy Wiggins. This painting is signed by the artist lower right and it comes housed in a beautiful antique ornate gold tone giltwood frame with hanging wire on verso ready to be displayed. Art measures 13 x 8.5 inches Frame measures 17.5 x 13 inches Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best recognized for her series ‘Brides’, ‘Dripping Dots’ and ‘Hearts’, as well as her ‘Plein-Air’ street scenes of quintessential New York locations. Shaoul’s works can be found in hundreds of private and corporate collections worldwide. Since her first group show at Parsons School of Design in 2009, her work has been showcased internationally – from Italy to South Korea – and has been shown at various art fairs nationwide including Miami, Palm Beach, Dallas, and New York. Shaoul has had numerous solo exhibitions and has garnered the attention of notable celebrities such as Emma Roberts, Lily Collins, Ashley Park, Catherine Deneuve and John Malkovich. Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9-foot colorful, abstract mural in her mother’s art...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 2001 Title: Fantasy Size: 27.5" x 20" x...

Jim Beckner's (US based) "Cruise Room #8" is an original, handmade oil painting depicting a Denver landmark born the day after the repeal in 1933. The Cruise Room is Denver's longest...

This beautiful Scottish Impressionist Edwardian architectural oil painting is by noted artist James Kay. Painted circa 1900 the painting is of Exeter Cathedral in Exeter in Devon in ...

This painting depicts an impressionistic scene of a summer day at the Jardin De Tuileries in Paris with beautiful brushwork and whimsical colors. The work is a following of Jules Her...

Seth Winegar's (US based) "Prism Sky" is an original, handmade oil painting that depicts a landscape with a brilliant sunset illuminating a cloudy sky. Bio/artist statement: Seth W...

Brian Keith Stephens' "Wild Things Return Act III" (2020) is an original oil painting capturing the essence of a bison with expressive and vibrant brushwork. Painted on Artefex ACM p...

Alexander Charles Stuart The Attack of the Merrimac Signed lower left Oil on artist board 13 3/4 x 23 1/4 inches Alexander Charles Stuart, a Scottish-born painter of ships and marin...

EDWARD HENRY POTTHAST (American, 1857-1927) Wading oil on board signed E. Potthast, l.l. 11 1/4 x 15 1/2 in. (18 1/2 x 22 1/2 in.) Provenance: Traxel Art Galleries, Cincinnati,...

Dale Bessire Winter Landscape Signed lower right Oil on canvas 20 x 24 inches A founding member of the Brown County Art Gallery Association, Dale Bessire was a native of Indianapol...

Signed figures in interior oil on canvas circa 1920 by sought after French impressionist painter Edouard Leon Cortes. This charming and nostalgic work depicts a family in a typical Breton kitchen scene. An elderly lady is seated at the table with her back to the artist and a young girl also sits at the table beside a bowl of oranges and a carafe of red wine. Another lady stands at the table under the light of the lamp. Signature: Signed lower right Dimensions: Framed: 29.5"x34" Unframed: 21.5"x26" Provenance: Salon des Independants - 1922 exhibition Galleries Maurice Sternberg - Chicago Original artists label with title and number "9" on the reverse. Edouard Leon Cortes, the son of the painter Antonio Cortès, was sent to the front during World War I to sketch enemy positions. In civilian life, his base was in Lagny in the former studio of Cavallo-Peduzzi. Although he travelled extensively in France. Notably in Normandy, Brittany, the Champagne region and Savoy painting...

Pauline Palmer Ladies' Sketch Club Signed lower left Oil on board 20 x 24 inches Pauline Palmer (1867 - 1938) was one of Chicago's early twentieth-century portrait and landscape pa...

This artwork "Seascape, California Coast" is an oil painting on canvas by noted California artist Willam Henry Blackman, b.1930. It is signed at the lower left corner by the artist, also stamped signed in the back. The canvas size is 23.75 x 48 inches. It is in excellent condition. About the artist: William H. Blackman was born February 2, 1930 in San Diego. He spent most of his early years in West Los Angeles. He became interested in art at about the age of 12 when he painted his first oil painting. In high school he majored in art so he could experiment with various mediums to find ways to interpret his ideas. In December of 1948 he joined the Navy and was stationed in Hawaii. After his tour of duty he returned to California and attended Woodbury College to learn about advertising and the graphic arts. While there, he met his wife Shirley, who coincidentally came from the Big Island of Hawaii. They were married on June 11, 1955 in her home town of Honokaa. When they returned he began his career in the graphic arts. In 1960 they began their family and moved to a new home in the San Fernando Valley. Meanwhile, Bill had become interested in the fine arts again. His position as an advertising production manger put him in contact with art directors and they would lunch together and then visit various art galleries in the area. He began oil painting again as a hobby. In 1964 he made an important contact through an associate at his agency. This person was a vice-president at Aaron Brothers Galleries and purchased paintings for them. They had showrooms in various major cities and sold original framed paintings to art galleries and furniture stores. He said they could possibly sell some of his seascapes so Bill began painting in his spare time. Gradually, they sold more than he could produce so Bill made the decision to leave the advertising business and devote his time to painting. In 1965 the Blackman's moved to Thousand Oaks, California. He began his career as a fine artist and to this day resides in Thousand Oaks. He contracted with Aaron Brothers to be his exclusive agents and began specializing in seascapes. After a few years he added landscapes and some other subjects. Bluebonnet landscapes and Padre Island seascapes were popular in the Dallas showroom. He and his family vacationed frequently in Hawaii and that became another source of inspiration. There, he was represented by the Davis Gallery in Honolulu. A good relationship with "Barney" Davis continued after the closing of the Aaron Brothers Wholesale Division in 1980. He painted for the Davis Gallery for about 8 years until they closed due to illness. Afterwards, he was contacted by Kobayashi Art Enterprises and has been represented by them. In 1980 he began teaching in private studios around the country, demonstrating his method of painting various subjects. During the latter part of the 80"s he was approached by Susan Scheewe Publishing to author and illustrate a book showing his way of painting. The first was published in 1990 and he has authored four other books since then. He demontrated six different instructional video tapes that were produced by his artist friend Gary Jenkins. Gary, who was helpful introducing Bill to the teaching business, was also an artist for Aaron Brothers Galleries. William Blackman is a published artist. Twenty subjects have been lithographed, six being limited editions, when he was with Aaron Brothers. One of his Hawaiian paintings...

A stunning depiction of a boat sailing along. Nemethy uses a bold impressionistic technique with thick use of paint and wonderful impressions. With unique colors, we can feel the moo...

Mediterranean Painting of Lake Como in Italy by 20th Century American Artist, J W Wagner Art measures 28 x 20 inches Frame measures 33 x 25 inches Professionally cleaned and re-framed in a high quality shabby chic off-white moulding Early 20th Century Vintage Original Painting...

Parisian Boulevard Scene signed oil on canvas, framed Framed: 13.5 x 15.75 inches Canvas: 9 x 11 inches Provenance: private collection Condition: very good condition Description: ...

Signed oil on canvas figures in riverscape circa 1910 by sought after French impressionist painter Pierre Eugene Montezin. The work depicts bathers in a river on a sunny summer's day...

Mischievous Child, Impressionist Portrait, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed by the artist on the lower right hand corner Oil painting on board...

Artist/ School: French School, mid 20th century, signed lower corner Title: The Sleepy Fishing Town, south of France Medium: oil on canvas, framed (orig...

Michael Carson's (US based) "Italian Chair" (2024) is an original, handmade oil painting and is framed in a black float frame. About the Artist: Mike Carson is a Minneapolis painte...

A charming depiction of Snow on 5th Avenue New York City with figures walking and taxis in the distance. A cozy impressionistic street scene with colors of cobalts, light pink, white...

Justus Lundegård grew up in the Swedish village Hörby. He started his art studies at the Royal Swedish Academy of Fine Arts 1880–84 and later in Munich and Paris where he switched to an Impressionist style. In this painting, we can see his later talent for painting white light...

Title: French Impressionist Oil Painting of Montmartre with Sacré-Cœur Basilica By Fanch Lel (French b. 1930) Size: 10.5 x 8.75 inches (height x width) Oil painting on board, unframe...

The Artists Model Portrait of a Nude Lady reclining French School, circa 1970's indistinctly signed oil painting on card, unframed size: 25 x 18 inches condition: overall very good,...

Mom, Daughter, Little Girl, Orange Shipment is included in the price everywhere ALEKSEJ and SERGEJ TKACHEV (Chuchunovka, Brjansk, 1925 and 1922) 特卡乔夫兄弟 Works by the Tkachev brot...

François Charles Cachoud (born in 1866 in Chambéry, Savoy and died in 1943) is a painter known today for his night effects and his chiaroscuro...