Melbourne Brindle

Scoop Boat, Saturday Evening Post Illustration

1944

Original cover for The Saturday Evening Post, published March 30, 1929. J.C. Leyendecker's holiday covers, particularly his iconic New Year's baby, were instrumental in driving The...

Medium: Oil on Illustration Board Signature: Signed Lower Left

"Tramp," by Rudolf Kosow, is a whimsical painting that delights in its surreal juxtaposition of scale and serenity. At the center is a beagle's face, depicted with lifelike detail and expressiveness, eyes glistening with a calm intelligence that beckons the viewer into a state of contemplation. Positioned against the backdrop of the dog's vast visage, a small, solitary figure strums a guitar. The musician, dressed in casual attire, appears as a wandering troubadour, his music resonating with the quietude of the scene. This miniature man, though diminutive in size, plays a significant role in the narrative, providing a sense of companionship and shared experience. The painting's title, "Tramp," suggests a free spirit, both in the itinerant musician and the beagle, known for its adventurous and exploratory nature. Kosow's piece is an ode to the wandering souls and the moments of unexpected harmony they encounter. Through "Tramp," we are reminded of the melodies that score our journeys and the silent kinship we find along the way. It is an invitation to embrace the music of life, to find connection in the tranquility of existence, and to acknowledge the symphonies that unfold in the presence of kindred spirits, regardless of their size or form. keywords; painting on canvas, surrealist painting, animal vs human, americana, nature, man, man vs nature, surrealism, giant animal...

Carol creates a range of subjects—landscapes, figures, portraits and still life. Whatever the subject, all are imbued with her strong sense of design; luscious brushwork; love for 19...