Mitzy Renooy

Step by step - 21st Century Contemporary Painting of a boy standing on a log

2024

Peter Durieux Overgrown Tree 27 x 60 cm * (Framed in silver metallic wooden frame, included, 34 x 67 cm) This painting is made by Dutch artist Peter Durieux. Painting in his studio in Groningen he feels like he is back in the Ardèche in France. There, sitting on a tiny chair...

Peter Durieux The road to Maij 28 x 45 cm *( Framed in silver metallic wooden frame, included, 32,5 x 49,5cm) This painting is made by Dutch artist Peter Durieux. Painting in his studio in Groningen he feels like he is back in the Ardèche in France. There, sitting on a tiny chair...

Mitzy Renooy Step by step 80 cm Ø Frame included in price, size with frame: 95 cm Dutch artist Mitzy Renooy, a former camera woman for national television, did follow art academy to...

Mitzy Renooy The Sea 120 x 100 cm Frame included in price, size with frame: 130 x 110 cm Dutch artist Mitzy Renooy, a former camera woman for national television, did follow art aca...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...