N. Arnold

N. Arnold - 1959 Oil, Beach View

1959

A jolly beach scene with three figures relaxing on the sand with beach umbrellas. Well presented in a contemporary wood frame with linen slip. Unsigned. On thick card.

A vibrant oil painting by the artist Harold Williams, depicting a coastal scene. Signed to the lower right-hand corner. Presented in a gilt-effect fram...

A rustic mid century painting showing a vast stretch of rugged coastline with trees and eroded cliffs to the foreground. The artist's use of restrained colour and a flash of yellow m...

Boats sail across a crystal sea in this radiant painting of a sunny coastline finished with impasto detailing. The combination of scale, vivid blues, and passive brushwork create a ...

Seaside is a modern artwork realized by Egeo Venturi. Oil painting. Hand signed on the lower margin. Includes frame.

Painting of a music trio on a windy beach. :: Painting :: Fine Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Sign...

On my way hiking, I took this shot from one of the roads looking out to Laguna Beach. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity ...

On the Beach is an artwork realized by Renzo Vespignani in 1955. Oil on Canvas, 128x102 cm. It Includes a gilded modern frame. Hand signed and date lower left. Good conditions. Renzo Vespignani was born in Rome on February 19, 1924 to Guido Vespignani and Ester Molinari, great-grandson of Virginio Vespignani, a famous architect. After the death of his father, a surgeon and cardiologist, he had to move very young with his mother to the proletarian area of Portonaccio, adjacent to the San Lorenzo district, where he grew up. He began to paint during the Nazi occupation, hiding with the engraver Lino Bianchi Barriviera, his first teacher. Other important points of reference, which influenced his artistic beginnings, were Alberto Ziveri and Luigi Bartolini while, especially in his first paintings, the influence of expressionists such as George Grosz and Otto Dix seems evident. In 1945 he exhibited his first personal exhibition and began to collaborate with various political-literary magazines (Domenica, Folla, Mercurio, La Fiera Letteraria) with satirical writings, illustrations and drawings. His work, between 1944 and 1948, describes the attempt to resurrect an Italy destroyed by the war. In 1956 he founded, with other intellectuals, the magazine Città Aperta, focused on the problems of urban culture. In 1961 he was among the winners of the Spoleto Prize; an essay was dedicated to the selected artists accompanied by large-format reproductions (black and white and four-color) of the exhibited works. In 1963 a work by him was exhibited at the Contemporary Italian Paintings exhibition, set up in some Australian cities . In 1963-64 he exhibited at the exhibition Peintures italiennes d'aujourd'hui, organized in the Middle East and North Africa. Since 1969, Vespignani has been working on large pictorial cycles dedicated to the crisis of the society of well-being: Imbarco per Citera (1969), concerning the intellectual class involved in '68; Album di Famiglia...