Aragbada Stephen

Traveler (blue cloth ) 2

2022

"Traveler" is an artwork that embodies the spirit of exploration, adventure, and the quest for new experiences. The title itself suggests a sense of movement, curiosity, and the desi...

This expansive blue sky we all share is a global symbol of togetherness. It was set in motion by a group of women in Afghanistan ready to be heard. In 2008, a small group of brave women from a group called RAWA” gathered in war-torn Khandahar wearing a blue scarf to publicly pray for peace and justice in Afghanistan. A surprising 1500 more brave women joined to begin the Blue Scarf movement. In 2009, thousands more women joined the movement with organizing help from Unifem. With this peaceful hike, a global movement was born, blue scarves...

"Blue Towel" is an artistic composition that demands our attention. The woman wrapped in the titular blue towel stands as a metaphor for the delicate nature of the human condition. The choice of a towel, an item commonly associated with comfort, adds a layer of paradox, suggesting that beneath the surface, vulnerability and uncertainty may reside. The color blue further amplifies the artwork's emotive power. Blue, often associated with tranquility, introspection, and depth, offers a subtle insight into the subject's state of mind. It prompts us to consider the significance of self-reflection and the search for personal meaning that lies beneath the facade we present to the world. Bello's "Blue Towel" invites viewers to delve into the multifaceted nature of vulnerability and identity. The woman's posture and gaze suggest introspection as if she is immersed in deep thought, grappling with the layers that make up her sense of self. The vulnerability expressed in her body language encourages us to reflect on our own journeys of self-discovery and the masks we wear to shield our vulnerabilities from the world. The blue towel enveloping the lady can also be interpreted as a symbolic cocoon, representing a transformative stage in her life. It alludes to the moments of introspection and self-exploration that are essential for personal growth and understanding. Just as a caterpillar retreats into a cocoon before emerging as a butterfly, the woman in the artwork may be undergoing her own metamorphosis. Olamilekan Bello...

"Blue Towel" is an artistic composition that demands our attention. The woman wrapped in the titular blue towel stands as a metaphor for the delicate nature...

Chidy Wayne (b. 1981, Spain) is an artist based in Barcelona. Over the years, he has established himself as a recognized figure in the art world, developing a personal artistic langu...

Artist works with a palette knife. The colors are Prussian blue, cinnabar, white, black. Painting is varnished Image 19.5 x 29.5

"Beauty in Blue” Painting 25.5" x 25.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and th...

"Woman in Blue” Oil Painting 53" x 27.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan Gallery, Cairo: Annual exhibitions from 1999 to 2018 Galerie la Sirène, Le Mans 2010 Galerie Ghislaine Eonnet-Dupuy, St Briac 2008 2009 Green art gallery Dubai 2009 Galerie La Medina, Tunis 2001 Italian Cultural Institute, Cairo 1999 Gallery Lézard d'Ailleurs 1998 Influence Gallery 1997 Bruno Delarue Gallery Etretat 1997 Jolymont workshops in Brussels 1996 Gallery Lézard d'Ailleurs St Rémy de Provence 1995 Etienne Causans Gallery 1995 Gallery Art 50 1994 Gallery Art 50 1993 Anne Vignial Gallery 1992 Galerie Escalier Rouge, Ouagadougou 2002 City of Arts, Florence Foundation 1992 Galerie Peinture Fraiche...