Nancy Patterson

Folk Art Painting, British Canadian artist, Morocco Kasbah Fields Water Egrets

2007

This vibrant Folk Art painting on board is by the wonderful British Canadian artist Nancy Patterson. It comes from her series ‘Days in the Desert Sun, ...

This evocative Folk Art painting on board is by the fabulous British Canadian artist Nancy Patterson. It comes from her series ‘Days in the Desert Sun,...

This vibrant Folk Art painting on on board is by the fabulous British Canadian artist Nancy Patterson. It comes from her series ‘Days in the Desert Sun...

This captivating Folk Art painting on wood is by the wonderful British Canadian artist Nancy Patterson. It comes from her series ‘Days in the Desert Su...

This atmospheric Folk Art painting on board is by the fabulous British Canadian artist Nancy Patterson. It comes from her series ‘Days in the Desert Sun, Nights Under the Magical Moon’ , a compelling set of paintings in the Folk idiom, made by Nancy about her life on the edge of the Desert in Southern Morocco. The paintings tell the narratives, the tales of the community that over the past eighteen years has become her home. Artwork details: Nancy Patterson, 'The Desert Fox', acrylics on mahogany plywood, unframed 24cm x 25cm, 2005. Initialed on the front. Provenance, directly from the artist studio. Condition: in excellent condition. There is something very comforting about the term Folk Art, derived from the idea that a work of art is firmly rooted in the community it depicts. Folk Art can initiate feelings of splendid joy. It is often misjudged as holding less regard that some of its fine-art cousins but we need look no further than the fabulous British artist Alfred Wallis or the captivating Canadian painter Maud Lewis to understand that Folk Art can be just as complex in its formal arrangements, compositions and choice of colour palette. Another myth, possibly by those who could not explain the beauty in the Folk Art form, is that this type of art is the sole premise of artists who have had no formal training. There is something intriguing about paintings by the moonlight. Nancy uses the effect to emphasis the three main characters, herself, Daoud and the fox! Nancy narrates the painting, 'Daoud on his way to meet a local Elder, known as the Desert Fox, while a four legged Fox lurks about the background. Most men in the desert area around Mhamid wear traditional garments- a Gandoura (on Daoud) or a Djellaba (on the Fox) which look elegant when the wearer is just standing around or sitting on a camel, but a little strange on a bicycle or motorbike with a Shesh (turban) flowing in the breeze. A Shesh makes any man look good, and provides protection from sun and wind; almost all Moroccan men wear a Shesh most of the time, except when donning an unsuitable for the climate, western suit...

This captivating Folk Art painting on on board is by the fabulous British Canadian artist Nancy Patterson. It comes from her series ‘Days in the Desert Sun, Nights Under the Magical Moon’ , a compelling set of paintings in the Folk idiom made by Nancy about her life on the edge of the Desert in Southern Morocco. The paintings tell the narratives, the tales of the community that over the past eighteen years has become her home. Artwork details: Nancy Patterson, 'The tale of Bouderbala of Bounou, Part 3', acrylic on board, with frame 29.5cm x 38cm, 2014. Signed on the front. Professionally framed in a painted wooden shadow boxed. Ready to hang. Provenance, directly from the artist studio. Condition: in excellent condition. There is something very comforting about the term Folk Art, derived from the idea that a work of art is firmly rooted in the community it depicts. Folk Art can initiate feelings of splendid joy. It is often misjudged as holding less regard that some of its fine-art cousins but we need look no further than the fabulous British artist Alfred Wallis or the captivating Canadian painter Maud Lewis to understand that Folk Art can be just as complex in its formal arrangements, compositions and choice of colour palette. Another myth, possibly by those who could not explain the beauty in the Folk Art form, is that this type of art is the sole premise of artists who have had no formal training. This painting is an excellent example of a lyrical tale. It is as if with our gaze we traverse the painting, joining in the energy and movement of those in the painting. Nancy explains the tale, 'Bouderbala is the Happy Wanderer, a Pied Piper in Rags and Patches who travels carefree, alone or with his companions. He is one of the seven main Spirits in a Gnawa Leila Ceremony; he dances in a clownish loose-limbed way, but sometimes adds surprising acrobatic moves. Daoud is always cheerful like Bouderbala, as well as rather unpredictable. In his younger days his family wanted him to study Law, but he opted for Gymnastics. One day when we were out in the dunes and came across three Nomad kids playing Spin the Hoop with an old bicycle...

View of the Towers of Chartres Cathedral in Acrylic on Artist's Board Colorful, idealistic representation of Chartres Cathedral and the surrounding area by Ben Venezky (American, 18...

This exquisite painting was presented at Hana Pietri's May 2022 Chicago exhibition titled: Maurice Sullins: Force of Nature (May 20 - June 30, 2022). T...

Large Naïve acrylic on board attributed to a French artist named Le Bris as the work was bought with another painting signed by the artist. The painting is presented in a gilt wooden baton frame. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. The characteristics of naïve art have a challenging relationship to the formal qualities of painting, especially as they tend not to respect the three rules of the perspective (such as defined by the Progressive Painters of the Renaissance): 1. Decrease of the size of objects proportionally with distance, 2. Muting of colours with distance, 3. Decrease of the precision of details with distance. The results are: Effects of perspective are geometrically erroneous (distinctive aspect of the works, like the drawing of a child...

Traditions are important in Wales. This painting from Therese takes a peek at the Sunday morning outing to chapel. Wearing their Sunday best the villagers head out and catch up on al...

Acrylic paint on box canvas. Ready too hang Signed

Acrylic on canvas, signed and framed