Nandor Vydai Brenner

the Rabbi's Cheder Test Hungarian Judaica Oil Painting

Genre: Impressionist Subject: People Medium: Oil Surface: Panel Frederick Serger (given name Frederick Bedrick Sinaberger) was born in 1889 to a family of Jewish manufacturers in the village of Ivancice near Brno Moravia, a province of Czechoslovakia. Showing artistic talent at a young age, he attended art schools in Brno, Vienna, and Munich. During World War I, Serger joined the Austrian Army...

Rare Judaica Art. Jewish genre scene. In the tradition of Moritz Oppenheim, Isidor Kauffman and Maurycy Gottlieb and later of Tully Filmus, Zalman Kleinman and Itshak Holtz the artist captures this Jewish scene with a particular sensitivity. Part of the Ecole De Paris The term "School of Paris" was used in 1925 by André Warnod (fr) to refer to the many foreign-born artists who had migrated to Paris. School of Paris artists were progressively marginalized. Beginning in 1935 art publications no longer wrote about Marc Chagall, just magazines for Jewish audiences, and by June 1940 when the Vichy government took power, School of Paris artists could no longer exhibit in Paris at all. The artists working in Paris between World War I and World War II experimented with various styles including Cubism, Orphism, Surrealism and Dada. Foreign and French artists working in Paris included Jean Arp, Joan Miró, Constantin Brâncuși, Raoul Dufy, Tsuguharu Foujita, artists from Belarus like Michel Kikoine, Pinchus Kremegne, and Jacques Lipchitz, the Polish artist Marek Szwarc and others such as Russian-born prince Alexis Arapoff. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The "core members were almost all Jews, and the resentment expressed toward them by French critics in the 1930s was unquestionably fueled by anti-Semitism." One account points to the 1924 Salon des Indépendants, which decided to separate the works of French-born artists from those by immigrants; in response critic Roger Allard (fr) referred to them as the School of Paris. Jewish members of the group included Emmanuel Mané-Katz, Chaim Soutine, Adolphe Féder, Chagall, Moïse Kisling, Maxa Nordau...

Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Péczely Antal Anton 1891 - 1963 Known for his Jewish genre scenes, Chess scenes and other early 20th Century salon style paintings. In the tradition of Moritz Oppenheim...

Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Péczely Antal Anton 1891 - 1963 Known for his Jewish genre scenes, Chess scenes and other early 20th Century salon style paintings. In the tradition of Moritz Oppenheim...

female bathers by visionary artist Stephen Basso

EMILIO GRAU SALA Spanish, 1911 - 1975 INTERIEUR AUX FLEURS JAUNES signed "Grau Sala" (lower left) signed again, located, dated and titled "Grau Sala, Paris 61, Interieur aux fleurs jaunes" (on the reverse) oil on canvas 15 x 18-1/4 inches (38 x 46 cm.) framed: 23-1/2 x 26-1/2 (59.5 x 67 cm.) PROVENANCE Private Parisian Collection Interieur aux fleurs jaunes This interior with two female figures where also the plans made in different colors are drawing the composition. The abundant pictorial material distributed in geometric portions, gives life to the tablecloth and mother and daughter figures, in black and white colors of the jacket, while the black line takes care of the environments so as not to separate them. The fruit bowl and flowers give a cheerful touch with their pastel tones. Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, ​​geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land. He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it. All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...

EMILIO GRAU SALA Spanish, 1911 - 1975 ESPAGNOLES, 1971 signed "Grau Sala" (lower left) signed again, dated and titled "Grau Sala, 1971, espagnoles" (on the reverse) oil on canvas 1...

EMILIO GRAU SALA Spanish, 1911 - 1975 PADDOCK signed "Grau Sala" (lower right) oil on canvas 21-1/3 x 25-1/2 inches (54 x 65 cm.) framed: 27-1/2 x 32 inches (70 x 81 cm.) PROVENANCE...