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Natasha LelencoBlue Migration Panel – 2024, Acrylic on Wood, Conceptual Figurative Portraits2024
2024
$1,029.44
$1,310.6321% Off
£763.57
£972.1421% Off
€864
€1,10021% Off
CA$1,409.65
CA$1,794.6921% Off
A$1,567.26
A$1,995.3621% Off
CHF 820.37
CHF 1,044.4521% Off
MX$19,221.94
MX$24,472.3821% Off
NOK 10,445.35
NOK 13,298.4721% Off
SEK 9,861.64
SEK 12,555.3321% Off
DKK 6,576.40
DKK 8,372.7321% Off
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About the Item
This set of four original works by Natasha Lelenco belongs to the "Exchange Currencies" series, a project that reflects on migration, foreignness, and the human experience of displacement. Each piece is meticulously painted on treated circular pine wood, highlighting the artist’s exploration of identity and belonging through portraiture. The portraits, titled "Currency #208," "Currency #243," "Currency #216," and "Currency #195," feature anonymous faces accompanied by evocative texts in different languages, addressing themes of alienation, cultural identity, and the shared human experience. By pairing these emotive texts with vibrant colors and detailed acrylic painting, Lelenco blurs the line between the natural and digital, as well as the personal and universal.
This product consists of artworks that can also be purchased individually on our storefront. The set, offered at a more economical price than purchasing separately, will only be available as long as all individual pieces remain available.
Technically, these artworks are crafted on sculptural wooden panels, with a 2cm thickness that emphasizes their dimensionality and tactile presence. The edges of the pieces have been worked on as part of the composition, allowing them to function individually or as part of a larger panel arrangement. The series challenges traditional notions of coinage, replacing symbols of power and nationalism with anonymous, empathetic figures, each conveying the emotional weight of migration and the complex layers of human connection.
This panel of four offers a dynamic and thought-provoking narrative when displayed together, emphasizing the universality of the themes they address. Natasha Lelenco invites the viewer to engage with these works not only as art but as artifacts of shared human experience, making them ideal for collectors interested in contemporary art, migration, and identity.
Keywords: Natasha Lelenco, original paintings on wood, Exchange Currencies series, migration art, foreignness themes, anonymous portraiture, contemporary art set, human identity, cultural displacement, sculptural wooden panels, collectible art.
- Creator:Natasha Lelenco (1982, Spanish, Moldovan)
- Creation Year:2024
- Dimensions:Height: 0.99 in (2.5 cm)Width: 22.84 in (58 cm)Depth: 22.84 in (58 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:FISTERRA, ES
- Reference Number:1stDibs: LU2626215527932
Natasha Lelenco
Natasha Lelenco, born in Chișinău, Moldova in 1982, is a prominent Moldovan painter and contemporary artist who has been residing in Galicia, Spain, since 2008. She is especially known for her figurative work, particularly in the realm of portraiture. Holding a degree in Fine Arts from the University of Cluj-Napoca in Romania, her art has been featured in numerous international exhibitions and art fairs. Natasha Lelenco's art has been showcased across exhibitions in Spain, Germany, Denmark, Portugal, Mexico, and beyond. Natasha Lelenco's approach is figurative, primarily centered on the human form, which she understands as an integral part of life rather than its core. Her themes encompass identity, self-awareness, and the role of chance in shaping the value of things and life itself. Her artistic journey has given rise to self-contained series where narrative and format harmonize, often springing from a playful interplay of repetition, color juxtapositions, deformations in pursuit of psychological realism, and a selective use of elements and resources available in her studio. A recurring motif in her work is the creation of panels, which, through repetitive use of representations, weave a narrative. The visual motif of repetition, especially in the portrayal of faces, represents a graphic fixation that captures a world characterized by seriality. To depict this, she frequently draws inspiration from popular art, advertising, and kitsch. The resulting imagery often strikes a tragicomic chord. She finds solace in project-based work, and virtually all her endeavors since dedicating herself professionally to artistic creation revolve around narratives materializing in pieces that often seek to function both collectively and independently.
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