Nicholas Turner

White Table, Oil on Canvas, Figurative Still Life Painting, 2022

2022

Roses in a White Jug, 2024 oil on canvas unsigned 45.5 x 35.5 cm 17 7/8 x 14 in Martin Yeoman was born in 1953, and studied with Peter Greenham at the Royal Academy Schools, London,...

Early Autumn, Salisbury Plain, 2024 oil on canvas 70 x 54.5 cm 27 1/2 x 21 1/2 in Martin Yeoman was born in 1953, and studied with Peter Greenham at the Royal Academy Schools, Londo...

Birch was a landscape painter in oils and watercolour, born in 1869 in Egremont, Cheshire. He began working as an office-boy, before doing industrial design work for Lancashire cotto...

Landscape oil on canvas 31 x 46 cm 12 1/4 x 18 1/8 in Stephen Bone was a 20th century landscape, mural and portrait painter. He was born in London, the son of the artist and etcher Sir Muirhead Bone. The family lived in Italy between 1910 and 1912, before Stephen returned to attend Bedales School. He went on to study at the Slade School of Art, which now forms part of University College London, from 1922 to 1924 under Henry Tonks. Bone won a gold medal for wood engraving in the Paris International Exhibition the year after his graduation. The rest of 1925 was spent touring Spain with his father and travelling to France, Greece and Scandinavia. In 1929 he married his fellow artist, Mary Adshead, who had been a student with him at the Slade. In the early years of their marriage, the two travelled around Greece, Italy and the British Isles together. An exhibition of Bone's work, alongside works from Robin Guthrie and Rodney Burn, was held at the London Goupil Gallery in 1926. In 1932 Bone became a member of the New English Art Club, having exhibited with them since around 1920. During the 1930s, he exhibited landscapes and portraits at the Royal Academy, the Fine Art Society, the Lefevre Gallery, and the Redfern Gallery, including a solo exhibition in 1938. An exhibition at Ryman's Galleries, Oxford, in 1936 included oil paintings of forty-one British counties that Bone had created during his travels. During his time in Stockholm in 1936-37, Bone produced many works and had a number of exhibitions. Though Bone is most recognised for his landscape paintings, he was also an illustrator, portraitist and mural painter. In 1925 his woodcuts illustrated the book 'Of the Western Isles...

This oil on canvas painting is an example of the artist's fascination with the moments just before something unexpected happens. The painting gives a scene often enacted in Northeast...

Provenance: Santambrogio Antichità, Milan; sold, 2007 to: Filippo Pernisa, Milan; by whom sold, 2010, to: Private Collection, Melide, Switzerland De Primi Fine Art, Lugano, Switzerland; from whom acquired, 2011 by: Private Collection, Connecticut (2011-present) Literature: Ferdinando Arisi, “Ancora sui dipinti giovanili del Panini,” Strenna Piacentina (Piacenza, 2009): pp. 48, 57, 65, fig. 31, as by Panini Ferdinando Arisi, “Panini o Ghisolfi o Carlieri? A proposito dei dipinti giovanili,” Strenna Piacentina, (Piacenza, 2010), pp. 100, 105, 116, fig. 101, as an early work by Panini, a variant of Panini’s painting in the Museo Cristiano, Esztergom, Hungary. This architectural capriccio is one of the earliest paintings by Giovanni Paolo Panini, the preeminent painter of vedute and capricci in 18th-century Rome. The attribution to Panini has been endorsed by Ferdinando Arisi, and a recent cleaning of the painting revealed the artist’s signature in the lower right. Like many of his fellow painters working in Rome during his day, Panini was not a native of the Eternal City. He first trained as a painter and stage designer in his hometown of Piacenza and moved to Rome at the age of 20 in November 1711 to study figure painting. Panini joined the workshop of Benedetto Luti (1666-1724) and from 1712 was living on the Piazza Farnese. Panini, like many before and after him, was spellbound by Rome and its classical past. He remained in the city for the rest of his career, specializing in depicting Rome’s most important monuments, as well as creating picturesque scenes like this one that evoked the city’s ancient splendor. The 18th century art historian Lione Pascoli, who likely knew Panini personally, records in his 1730 biography of the artist that when Panini came to Rome, he was already “an excellent master and a distinguished painter of perspective, landscape, and architecture.” Panini’s earliest works from this period still show the evidence of his artistic formation in Piacenza, especially the influence of the view painter Giovanni Ghisolfi (1623-1683). However, they were also clearly shaped by his contact in Rome with the architectural capricci of Alberto Carlieri...

"Abstract Visage I" Portrait Oil Painting 24" x 20" inch by Ashraf Zamzami ABOUT A characteristically bold and optimistic palette does not belie the inescapably pensive nature and a...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...