Nicolas Barerra

“Can Can Girls”

Circa 1945

Original colored lithograph by the Argentina born artist Zule Moskowitz. Signed “Zule” bottom right. Condition is excellent. Circa 2000. Gallery label verso. Under glass. Beautifull...

Original acrylic on canvas painting by the well known Russian/American artist Nahum Tschacbasov. Unsigned. Circa 1975. Artist inventory label verso top right. Estate stamp verso. P...

Oil paint on heavy illustration board by the Spanish artist, Cecilio Pla. Signed lower right. Titled and signed verso. “Tipos” means types; different type...

Original oil on canvas painting of a Parisian street scene done in post impressionist style by the Portuguese artist, Hilario Roberto. Street scene complete with iconic Parisian flo...

Born in well-to-do nobility in Sweden, Allan Osterlind (1855-1938) moved to Paris at age 22 to pursue his artistic ambitions. He quickly became part of the Nordic artistic community there, becoming friends with the likes of Ville Vallgren, Christian Skredsvig, August Strindberg...

The is a composition of three Flamenco dancers ( Lurdes, Anastasia and Izabel) :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by...

This painting by Charles Shaw depicts a group of Latin women dancing on a dance floor wearing traditional dresses. The environment of the scene is obscured in the composition. 20" x ...

"Folle Soiree Musicale" by Gerard Valtier is an original oil on canvas that measures 47x47 inches. The impressionistic painting uses an array of bright colors to create a fun, musical image. The evening is young at a musical show in Paris. Ballerinas dance on stage to a man playing the piano and two violinists creating music of its time! Many appreciate the energetic work of the brush to describe the foliage or the luminous backgrounds irradiated with numerous vibrant colors. Seething with colors, sparkling, blazing, molten gold: the whole mystery of Gerard Valtier’s painting lies in the working of this colorful living chemistry, where the thickening cover of the glaze catches the reflections of the light, which progressively becomes incandescent. The contrasting blue and yellow, basically naturalistic colors - characteristic of the impressionist palette - create a feeling of bedazzlement which send out their own light, directly imitating the natural effects of light itself. Thus, the property of the color, the interaction of colors as well as their power to create some light, definitely are the basis of Valtier’s work. The artist can paint everything: barges along the quay, the busy crowds, Venice and its carnival, the bride and her procession - his whole painting is under the sign of the feast. Unlike Renoir or Cezanne, Valtier does not hesitate to use black as a true color, not one designed to soften or drain the pure color, as in the shadows. One will also appreciate the energetic work of the brush to describe the foliage or the luminous backgrounds irradiated with numerous vibrant colors. Valtier has had exhibitions throughout the world and has received many awards. He paints from his studio in Arles, France. He is listed in Mayers, Akoun, La Cote des Peinteres, Bordas International, and Financial Art.