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Norman Rockwell
Maxwell House Coffee Illustration
1924

Name: Maxwell House Coffee Illustration
Brand: Norman Rockwell
Rating: 5 (26 reviews)

About the Item

Signed by Artist Lower Right Maxwell House Coffee Illustration Few artists have ever pulled on our nation's heartstrings, particularly in reference to family and generations, as adeptly as Norman Rockwell. From his earliest advertisements to his patriotic World War II subjects, Rockwell's virtuoso was in his ability to capture the essence of American culture and a view of a more innocent time in our country's history. Rockwell states: "I was showing the America I knew and observed to others who might not have noticed. And perhaps, therefore, this is one function of the illustrator. He can show what has become so familiar that it is no longer noticed. The illustrator thus becomes a chronicler of his time." (as quoted in Norman Rockwell: A Definitive Catalogue, Stockbridge, Massachusetts, 1986, p. xii) Recognizing the need for reminiscence from young and old alike, Rockwell effectively captures a timeless scene: Here, two old friends gingerly and jovially play a game of chess, sipping coffee as they wait for their furry friend to make the next move. The work is executed in Rockwell's signature descriptive style of finely drawn, clear realism with a wealth of fascinating detail. In discussing his career, Rockwell commented, "I was showing the America I knew and observed to others who might not have noticed. And perhaps, therefore, this is one function of the illustrator. He can show what has become so familiar that it is no longer noticed. The illustrator thus becomes a chronicler of his time." (as quoted in Norman Rockwell: A Definitive Catalogue, Stockbridge, Massachusetts, 1986, p. xii) Rockwell seemingly utilizes one of his favorite models in the present work-James K. Van Brunt. The artist recalled his initial meeting with Van Brunt in 1924 in New Rochelle, New York: "I remember it was June and it was terribly hot. I was working in my underwear and not getting along too well because my brushes were slippery with perspiration. Suddenly the downstairs door banged and I heard someone come up the stairs treading on each step with a loud, deliberate thump...A tiny old man with a knobby nose, an immense, drooping mustache, and round, heavy-lidded eyes stamped bellicosely into the studio. 'James K. Van Brunt, sir,' he said, saluting me and bowing all at once. 'Five feet two inches tall, sir. The exact height of Napoleon Bonaparte!' And he pushed out his thin little chest, which was encased in a fawn colored vest. 'I have fought the Confederate Army at Antietam, Fredericksburg, and in the Wilderness,' he said. 'I have battled the nations of the Sioux under Dull Knife, Crazy Horse and Sitting Bull. I have fought the Spaniards, sir, in Cuba.' And he rapped his cane on the floor and looked at me very belligerently. Then, having ascertained that I wasn't going to contradict him, he took off his gloves and his wide brimmed hat, laid them on a chair, and patted his mustache. 'This mustache, sir,' he said, 'is eight full inches wide from tip to tip. The ladies, sir, make much of it.' And he winked at me and walked over to my mirror to stare at his mustache." (My Adventures as an Illustrator, New York, 1994, p. 206) Van Brunt was a consummate professional as a model, carefully practicing his poses in the mirror in advance of a session and, at times, inspiring the idea for the cover illustration. Rockwell stated that he used to suggest a cover almost every time they saw one another and referred to the day when Van Brunt first showed up at his studio as "one of the luckiest days of my life." (My Adventures as an Illustrator, p. 206) James K. Van Brunt appeared in ten Post covers by Rockwell, as well as countless other paintings used as advertisements, such as the present work. Given Van Brunt's distinctive visage with his mustache, the editor at the Post, George Horace Lorimer, complained. "Rockwell recalled, 'Mr. Lorimer said to me, 'I think you're using that man too much. Everybody's beginning to notice it. Maybe you'd better stop for a while. That mustache of his is too identifiable.' Rockwell informed Van Brunt of the problem, 'If you take off your mustache I can use you again...Otherwise I just can't.' Two weeks later Van Brunt visited. If Rockwell gave him ten dollars, he said, he'd shave off his mustache. 'It upset me,' the artist recollected, 'it was like the feeling of a great oak or the toppling of a statue which had been for years a monument to a man.'" (Telling Stories: Norman Rockwell from the Collections of George Lucas and Steven Spielberg, New York, 2010, p. 67) After Van Brunt removed his mustache, Rockwell found creative ways to include the model whose lower lip proved to be more distinctive than his big mustache. Van Brunt continued to pose for the artist, even dressing as three women in Rockwell's 1929 Post cover Gossips.

Creator:
Norman Rockwell (1894 - 1978, American)
Creation Year:
1924
Dimensions:
Height: 14.5 in (36.83 cm)Width: 37.25 in (94.62 cm)
Medium:
Oil
Period:
1920-1929
Condition:
Gallery Location:
Fort Washington, PA
Reference Number:
Seller: 46361stDibs: LU384312318192

Shop All Norman Rockwell

Norman Rockwell

Norman Rockwell is among the most revered painters of the 20th century. His figurative and portrait paintings reflect an innocent and idyllic America described by the artist as "life as I would like it to be." For nearly 50 years, he illustrated the covers of The Saturday Evening Post in a rich and emotive style that gave distinctive personalities to his imagined characters. In total, Norman Rockwell created more than 4,000 works of art over the course of his life.

Rockwell was born in 1894 in New York City. His artistic aspirations took shape early on, and when he was 14 years old, he took classes at the New York School of the Art, which is now the Parsons School of Design. Later, he attended the Art Students League of New York, where he studied under influential painters Thomas Fogarty and George Bridgman. While still a teen, Rockwell became art director of the Boy Scouts of America publication Boys' Life.

At 21, Rockwell moved to New Rochelle, New York, and opened a studio with fellow illustrator Victor Clyde Forsythe. He created illustrations for magazines like Literary Digest and Life before his first cover for The Saturday Evening Post was published when he was 22. In 1939, after moving to Arlington, Vermont, Rockwell pivoted to making the nostalgic paintings of small-town and iconic America for which he is best known — scenes of Christmas dinner, children playing in the street and national treasures like Ruby Bridges and Rosie the Riveter.

In 1943, a speech previously given by President Franklin Roosevelt inspired Rockwell to create his most famous series, “The Four Freedoms,” which was exhibited all over the United States. The series included four pieces entitled Freedom of Speech, Freedom to Worship, Freedom from Want and Freedom from Fear.

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