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Oliver Hazard
Lord of the Center - Original Artwork of Highly Detailed Symbolic, Surreal Scene

2018

$5,800
£4,306.80
€5,058.13
CA$8,069.42
A$9,034.53
CHF 4,737.10
MX$111,627.23
NOK 59,690.41
SEK 56,345.37
DKK 37,739.82
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About the Item

This painting, like each of the paintings in the Purple Dawn series, is based on an earlier work that was lost or destroyed in the course of time. Feeling that I wanted to finish what I started I reconstructed the lost works from photographs and memory, adding new elements as I saw fit. For a number of reasons, I’ve assembled this series of works under the name of “Purple Dawn”. Since the 19th century a model of physics and cosmology has developed that is seperate to the now established worldview. The peculiarity of this “other” cosmology is that it is reconcilable with the bizarre stories common in mythology and the miraculous events described in religious literature. One of the recent outgrowths of this the cosmology is the notion that until recently our planet was a satellite of the planet Saturn. At the time, Saturn was a star that glowed with gentle, purple colored light. Hence “Purple Dawn”. The paintings are not intended as descriptive of a cosmology or as illustrations of any mythical or religious system. They have been created with the inner sense that there was once, and there still is a perfect state of being.—Oliver Hazard Benson Oliver Hazard Benson Lord of the Center acrylic on panel 18h x 25w in 45.72h x 63.50w cm Oliver Hazard’s paintings are produced directly from his imagination and deals with a mixture of imagery he has witnessed in his travels, dreams, and read about in literature. The artist is influenced by Taoism and European occultism, especially the movements of the late 19th and early 20th century. Hazard is also inspired by Surrealism and the Viennese school of Fantastic Realism imagery as well as the technique and practice of old Tibetan painting and that of Renaissance Europe. His imagery comes from his imagination within and doesn't rely on specific models whether visual, literal or otherwise cultural; but also does not avoid the appearance of recognizable figures (such as a specific god or goddess) should one of them appear.
  • Creator:
    Oliver Hazard (1968, American)
  • Creation Year:
    2018
  • Dimensions:
    Height: 18 in (45.72 cm)Width: 25 in (63.5 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    Seller: OB01121stDibs: LU55433085623

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The figure in this painting is like the popular but at the same time oddly obscure Taoist god called “Longevity Star”. Apparently he was an historical figure born bald and grey like ...
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Return of the Goddess - Original Painting of Surreal, Symbolic Goddess Figure
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As is generally the case with my paintings, this work proceeded from a place of unknowing. The specificity of imagery and technique belie the non-specific character of the ideas and narratives presented. The imagery is not tied to any pre-existent source (textual or other). It is not preconceived by the artist, rather it is produced spontaneously in the process of painting. That said, it seems both easy and sensible to connect the imagery in this painting to common cultural material, especially that from very ancient sources. The central figure is very much like a totemic Neolithic goddess- the sort of which seem to be among the most ancient artistic works, examples are extant from eras stretching back tens of thousands of years. A lot has been written about figures of that kind but of course no one can reasonably claim to truly understand them. Here the great goddess appears with wings and entwined serpents. Crowned also with a glowing orb she has become an emblem of a matristic hermetica. The smaller figure may be less evidently archetypical. She is a younger goddess, a daughter like Persephone to Demeter. She lifts the breasts of her mother signifying perhaps how the presence of the child evokes the nurturing qualities of the mother or how Persephone’s seasonal ascent from the underworld awakens in her mother the impulse to again give life to the world. The cluster of gynomorphic figures contained by the crescent moon at the center of the painting refer to the balanced transformations of the lunar cycle and their mysteriously harmonic physical manifestation in the vital cycles of a woman’s body. At their axis is the cycloptical abdomen of the figure enthroned on the moon. The entire totem rises from a terrestrial gateway into an open landscape. In the background megaliths obscure the horizon. They represent a first boundary in time- the beginning of history. Below is the gateway, the opening to an inner earth...
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