Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 12

Oliver Samsinger
Christ Pantocrator" After an Icon in the style of the Moscow School

$2,154.91
£1,589.58
€1,800
CA$2,985.74
A$3,239.98
CHF 1,716.91
MX$39,736.84
NOK 21,246.59
SEK 20,076.91
DKK 13,706.66

About the Item

"Christ Pantocrator". After an Icon in the style of the Moscow school (15th century). Somewhat similar to that of Rublev. Author: Oliver Samsinguer Egg tempera and gold leaf on gesso and on wood. Dimensions; (H) 42 x (W) 33.5 x (D) 3.5 cm. (H) 16.54 x (W) 13.19 x (D) 1.38 in. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24-carat gold . Now, the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger (Vienna, 1968) began to take an interest in icons in 1990. He undertakes several trips to Bulgaria, Greece, and Cyprus to see in situ the original works treasured in these three countries. This experience will be crucial in his life since the studies carried out in Sofia, the Bulgarian capital, and his stay on Mount Athos constitute his greatest impulse and motivation to dedicate himself to making his own works, in a self-taught way, inspired by the models Russians and Byzantines that he had seen so closely, applying all his technical and artistic skills to his creations. Oliver studies the ancient tradition for the realization of icons: wooden support, egg tempera paint, gold leaf, special varnishes ... it is a long and very elaborate procedure by means of which he makes very personal replicas of important icons of the orthodox church. His icons have been exhibited in the Diocesan Museum of Vienna; also in the old Carmelite Church (KarmeliteKirche) and the Villa Wertheimstein in the same city between 2003 and 2006, and have also had successful presentations in Spain.
  • Creator:
    Oliver Samsinger (1968, Austrian)
  • Dimensions:
    Height: 16.54 in (42 cm)Width: 13.19 in (33.5 cm)Depth: 1.38 in (3.5 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Segovia, ES
  • Reference Number:
    1stDibs: LU744310366922

More From This Seller

View All
Christ Pantocrator after an Russian icon of the 15th Century
Located in Segovia, ES
Christ Pantocrator after a Russian icon of the 15th Century. Tempera and gold leaf on gesso over a wooden board. Measurements in centimeters: 38 x 29.5 x 3 cm. / In inches: 14.96 x 11.8 x 1.18 " This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold. Now does the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger (Vienna, 1968) began to take an interest in icons in 1990. He undertakes several trips to Bulgaria, Greece, and Cyprus to see in situ the original works treasured in these three countries. This experience will be crucial in his life since the studies carried out in Sofia, the Bulgarian capital, and his stay on Mount Athos...
Category

1990s Byzantine Mixed Media

Materials

Gold Leaf

Saint John The Forerunner after a Russian Icon from the 16th Century
Located in Segovia, ES
Saint John, The Forerunner, after a Russian Icon from the 16th Century. Tempera and gold leave on gesso over a wooden board. Dimensions: (H) 33 x (W) 25,5 x (D) 4 cm. Photos are included with the icon exposed to very different lighting, but all of them are natural. John, The Forerunner, is depicted as an ascetic desert saint with a tousled beard and a coat made from camel hair. The expression that transmits his beautiful face is very intense. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterward, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold . Now does the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...
Category

1990s Byzantine Mixed Media

Materials

Gold Leaf

Christ, the Great High Priest. Greek-Italian style Icon with silver oklad
Located in Segovia, ES
Christ, the Great High Priest. Greek-Italian style Icon with silver filigreed oklad. Egg tempera, over gesso on wood with a silver cover, "oklad", with pol...
Category

1990s Byzantine Figurative Paintings

Materials

Silver

The archangel Saint Michael, after an icon of the 14th century
Located in Segovia, ES
Archangel Saint Michael after an icon from Constantinople of the 14th Century. Artist: Oliver Samsinger Technique: Egg tempera on gesso and wood, with application of gold leaf Dimens...
Category

2010s Byzantine Figurative Paintings

Materials

Gold Leaf

Icon of The Holy Virgin of Tenderness (Korsunskaya).
Located in Segovia, ES
Icon of THE KORSUN VIRGIN (KORSUNSKAYA), egg tempera, and gold leave on gesso, over a piece of wood. Dimensions: (H) 26.5 x (W) 23.5 x (D) 3 cm. Also called The Holy Virgin of Tenderness, represents the Mother of God and infant Christ in a tender cheek-to-cheek embrace. The Virgin's hands tenderly surround the head and hands of the Child Jesus while he takes the cloak of the Mother of God with his left hand and plays with the fingers of his right hand, between his mother's neck and his own. Two very old icons, from the 12th and 13th Centuries, painted on the same theme, are respectively in the Uspenskii Cathedral in Moscow and in the Russian Museum in St. Petersburg. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterward, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold. Now, the actual process of painting begins. Egg tempera is made fresh from egg yolk, water and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...
Category

1990s Byzantine Figurative Paintings

Materials

Gold Leaf

"The Archangel Gabriel" (after a 10th-century Icon from Hilandar Monastery).
Located in Segovia, ES
"The Archangel Gabriel", after a 10th‑century icon from the Hilandar Monastery on Mount Athos Artist: Oliver Samsinger. Technique: Egg tempera on gesso and wood, with gold leaf appli...
Category

2010s Byzantine Portrait Paintings

Materials

Gold Leaf

You May Also Like

Christ Pantocrator, a Silver-Gilt and Cloisonné Enamel Russian Icon
Located in London, GB
Christ Pantocrator, A silver-gilt and cloisonné Enamel Russian Icon Moscow, 1892 Icon: 23.5cm high x 20cm wide x 4cm depth. Case: 26.5cm high x 23cm w...
Category

Antique Late 19th Century Russian Religious Items

Materials

Silver, Enamel

19th Century Orthodox Icon - The Pantocrator
Located in Madrid, ES
Presenting a magnificent 19th-century Orthodox icon depicting The Pantocrator. This piece is painted in tempera on a wooden panel, exemplifying traditional religious artistry from th...
Category

Antique Mid-19th Century Paintings

Materials

Wood

Antique Russian Icon Christ Pantocrator Gilt 84 Silver with Kiot
Located in Malmö, SE
Antique Russian Orthodox icon of Christ Pantokrator hand - painted with tempera on canvas stretched on wooden panel with velvet textile backing. Icon is covered with original Gilt 8...
Category

Antique Early 1900s Russian Modern Decorative Art

Materials

Gold, Silver

19th Century Orthodox Icon The Pantocrator
Located in Madrid, ES
Presenting a magnificent 19th-century Orthodox icon The Pantocrator. This piece is painted in tempera on a wooden panel, exemplifying traditional religious artistry from this era. ...
Category

Antique 1850s Paintings

Materials

Wood

19th Century Orthodox Icon :The Pantocrator
Located in Madrid, ES
Presenting a magnificent 19th-century Orthodox icon:The Pantocrator. This piece is painted in tempera on a wooden panel, exemplifying traditional religious artistry from this era. ...
Category

Antique 1860s Paintings

Materials

Wood

Fine Antique Russian Vermeil Silver, Enamel Christ Pantocrator Icon, Moscow 1848
Located in New York, NY
Superb Moscow School antique Russian vermeil silver and enamel icon of Christ Pantocrator, All Powerful, Sustainer of the World Moscow, 1848 The icon of Christ Pantocrator is one of ...
Category

Antique 19th Century Russian Religious Items

Materials

Silver, Enamel