From the Rooftops (New York City Urban Fire Drawing on Paper)

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Paul Chojnowski
From the Rooftops (New York City Urban Fire Drawing on Paper)
2013

Name: From the Rooftops (New York City Urban Fire Drawing on Paper)
Brand: Paul Chojnowski
Rating: 5 (58 reviews)

About the Item

From the Rooftops (New York City Urban Fire Drawing on Paper) by Paul Chojnowski A contemporary urban skyline at night time Made with burned and scorched paper 11 x 18 inches, 18 x 25 x 1.5 inches framed in black walnut stained wood frame Perhaps the single most fascinating thing about this painting is the artist's choice of medium: water and fire. There is no sepia tone, no pigment, no watercolor. The artist paints iconic views of New York City and other famous American cities with a wet brush on paper that he then burns with a blow torch to add contrast and hue. Bright headlights on yellow taxis illuminate the streets with such vibrancy that the work almost appears to be backlit. Throughout Chojnowski's career a distinguishing characteristic has been the use of nontraditional media and tools in his art making. His current work, images burned into paper and wood evolved as a result of his conscious effort to embrace art historical traditions while rejecting the traditional processes. Chojnowski began burning and scorching wood and paper to create his images in the early 1990’s. Since then, his fire drawings have been shown in group and solo exhibitions in art centers, museums and galleries nationally. His work was part of the set decoration on the Scott Hicks film No Reservations, starring Catherine Zeta-Jone and Aaron Eckhart and the Nancy Meyers film It's Complicated starring Meryl Streep, Alec Baldwin and Steve Martin. A documentary titled AGLOW about his life has been shown at film festivals around North America recently. In 2013 Chojnowski's work was part of exhibitions titled illuminators at OK Harris Works of Art and SUB urban at Smart Clothes Gallery both located in New York. He was selected to be the first Artist in Residence at WATERFIRE Sharon, in western Pennsylvania where an exhibition of his fire drawings took place in October 2013. In 2014 his work was selected for the inaugural exhibition Figuring In at the Berkshire Artist Museum in North Adams, Massachusetts, home of MASS MoCA. In the autumn a fire drawing acquired by the University of Arizona Art Museum will be part of the exhibition A Continuing Legacy: Gallagher Purchases. During the summer and fall of 2015 his work was in the first exhibition at the Fresh Paint Gallery, part of the Berkshire Artist Museum in North Adams, Massachusetts and in WAVELENGTH: THE ART OF LIGHT at the University of Arizona Museum of Art in Tuscon. It was followed by a solo exhibition titled New and Selected Work at the C. William Gilchrist Museum of the Arts in Cumberland, Maryland that opened in October. In 2016 the Carrie Haddad Gallery in Hudson, NY mounted a solo show titled Paper, Plywood and Light. During the summer Bright Ideas Brewing in North Adams, MA hosted an exhibition his Infrastructure Series. Both exhibitions featured new drawings on plywood and illuminated drawings on paper. Artist statement: Walking after dark in the light filled streets of American cities like Boston, New York and Chicago has been my inspiration for an ongoing series of work I call Nocturnes. As a pedestrian one is aware of being surrounded by the rich array of sights and sounds. I have no interest in a studied representation of a street scene per say. My intent with this series has always been to capture a memory, a fleeting moment of what I saw from the corner of my eye as I made my way amidst the bustling city dwellers. Visually, my subject is light: taxi headlights reflecting off wet pavement, neon blaring and shop or apartment windows aglow. I love the energy of the city after dark and I hope to some extent to have captured it in works like On the Street and Out of the Darkness. Artist CV: 2016 Paper, Plywood & Light, Carrie Haddad Gallery, Hudson, NY 2015 New & Selected Work, Gilchrist Museum of the Arts, Cumberland, MD 2013 Fire Drawings, James E. Winner Jr. Arts Culture Center, Sharon, PA 2012 NIGHT I LIGHT, James Gallery, Pittsburgh 2011 Searchlights & other works Carrie Haddad Gallery, Hudson, NY 2008 Town and Country, Hubert Gallery, New York Selected Work, Mason Murer Fine Art, Atlanta 2007 Natural and Unnatural Disasters, Kidder Smith Gallery, Boston 2005 More Pictures About Buildings and Food, Naoussa Gallery, Tyringham, MA 2004 New Work, Jeffrey Coploff Fine Art Ltd, New York New Work, PLUM Gallery, Williamstown, MA Nudes and Nocturnes, Smart Duval Gallery, Aspen 2003 Threadlines, Naoussa Gallery, Tyringham, MA collaborations Scott Sandell 2002 Atlanta Hartsfield International Airport Atrium Gallery 2001 Revealed by Fire, Bridgewater/Lustberg & Blumenfeld Gallery, New York and Macon & Co. Fine Art, Atlanta 2000 Jan Cicero Gallery, Chicago Spencertown Academy, Spencertown, NY Macon & Co. Fine Art, Atlanta 1999 Bridgewater/Lustberg & Blumenfeld Gallery, New York 1997 Macon & Co. Fine Art, Atlanta 1996 Chattahoochee Valley Art Museum, LaGrange, GA 1995 AGIARY, Macon & Co. Fine Art, Atlanta, collaboration with Kevin Haller Albany Museum of Art, Albany, GA, collaboration with Kevin Haller 1993 New Work, Macon & Co. Fine Art, Atlanta Berkshire Artisans Gallery, Lichtenstein Center for the Arts, Pittsfield, MA 1991 Butters Gallery, Portland, OR 1989 Butters Gallery, Portland, OR Group Exhibitions 2018 Landscapes: Capturing the View, Carrie Haddad Gallery, Hudson, NY 2016 IS 183 Faculty Show, Williamstown, MA 2015 WAVELENGTH: THE ART OF LIGHT, University of Arizona Art Museum, Tucson, AZ Fresh Paint, Berkshire Artist Museum, North Adams, MA Fence Select, Arts Center of the Capital District, Troy, NY 2015 CITYSCAPES, Carrie Haddad Gallery, Hudson, NY 2014 Figuring In, Rudd Art Museum, North Adams MA 2013 SUBurban, SMART CLOTHES Gallery, New York illuminators, OK Harris Works of Art, New York The Abstracted City, Hubert Gallery, New York 2012 WORKS ON PAPER, Carrie Haddad Gallery, Hudson, NY 2011 BLACK & WHITE, Dolby Chadwick Gallery, San Francisco 2010 Pulp Friction, James Gallery, Pittsburgh Painted City, Carrie Haddad Gallery, Hudson, NY 2009 Great Pretenders: An Exhibit of Art Fakery, Carrie Haddad Gallery, Hudson 2008 Turn and Burn, The Gilchrist Gallery, Cumberland, MD 2006 New Visions, The Harrison Gallery, Williamstown, MA 2005 NEW AMERICAN TALENT the twentieth exhibition, curated by Dan Cameron, Arthouse, Austin, TX Berkshire Biennale, The Contemporary Artists Center, North Adams, MA The City, Contemporary View of the Built Environment, Lehman College, Savoir Affair, Nemacolin Woodlands, Farmington, PA Mapped, from here to there, Margaret Thatcher Projects, NY 2004 Night New York, Elizabeth Harris Gallery, NY UNnatural, Full Spectrum Gallery, Lakewood, NJ 2003 flicker, Jeffrey Coploff Fine Art, New York FLORA, Plum Gallery, Williamstown, MA Painted City, Carrie Haddad Gallery, Hudson, NY 2002 Hot Art: Burning Images, Paul Chojnowski, John Cage and Andrew Bennett University of Arizona Museum of Art, Tucson ON THE MOVE: Transportation Imagery in Art, Swan Coach Gallery, Atlanta FIREWORKS, 55 Mercer Gallery, New York Fire, KGA Compound, Houston 2001 BURN: Artists Play with Fire, Norton Museum of Art, West Palm Beach 1999 Westside Inaugural Exhibition, Macon & Company Fine Art, Atlanta 1998 Ink Jet, Contemporary Artists Center, North Adams, MA Earthly Visions, Jan Cicero Gallery, Chicago, IL 1998 National Juried Exhibition, No BIAS Gallery, Bennington, VT 1997 National Endowment for the Arts Visual Arts/Southern Arts Federation Fellowship Exhibition, Southeastern Center for Contemporary Art, Winston-Salem, NC 1997 New Artists, a baker’s dozen, Spazi Contemporary Art, Housatonic, MA Naked Landscape, Spazi Contemporary Art, Housatonic, MA New Prints, Jan Cicero Gallery, Chicago, IL Berkshire Photography, Contemporary Artists Center, North Adams, MA Figure 8, Spruill Center for the Arts, Atlanta 1996 17 Days of Olympic Art, Hartsfield International Airport, Atlanta Texaco Olympic Art Exhibition, King Plow Art Center, Atlanta 1996 New American Talent, Austin Museum of Art, Austin, TX New Prints, Jan Cicero Gallery, Chicago, IL 1995 Revival of the Figure, City Gallery East, Atlanta Vantage Point-Abstraction, Jan Cicero Gallery, Chicago, IL 1994 Brenau University National Invitational, Gainesville, GA Art in Motion, Richards and Westbrook Galleries, Georgia Institute of Technology, Atlanta 1992 Printmakers, Jan Cicero Gallery, Chicago, IL Works on Paper, Trinity Gallery, Atlanta, GA 1991 Naked People Show, 800 EAST, Atlanta, GA LaGrange National XVI, Chattahoochee Valley Art Museum, LaGrange, GA Dwight Merrimon Davidson Print Exhibition, Elon College, Elon, NC 1990 Artists in Georgia, Albany Museum of Art, Albany, GA 1987 eARTh, Novus Gallery, Atlanta, GA Grants, Awards and Commissions 2009 Work selected for the set of a feature film by Nancy Meyers 2006 Work selected for the set of No Reservations, a feature film by Scott Hicks 2004 Emerging Artist, selected for publication in Art & Antiques Magazine 1998 Artist’s Resource Trust, Berkshire Taconic Community Foundation 1996 Visual Art Fellowship, National Endowment for the Arts and the Southern Arts Federation Award of Recognition, Contemporary Artists Center, North Adams, MA 17 Days of Olympic Art, City of Atlanta, Bureau of Cultural Affairs 1994 Alternate Visions, National Endowment for the Arts with funding from the Rockefeller and Andy Warhol Foundations Individual Artist Grant, Georgia Council for the Arts. Bibliography Wasseran, Nadine, "Paul Chojnowski's images are made with a propane torch," (review), Pittsburgh City Paper, 1/2/13 (reproductions) Shaw, Kurt, "Chojnowski's fleeting glances create memorable works of art," (review) Pittsburgh Tribune, 12/15/13 (reproductions) Shaw, Keith, “Challenges in balancing light and shadow,” (review), Berkshires Week, 7/26/12 Daniel, Ana “Nude,” PORTFOLIO, (essay) The Southampton Review, Volume VI No.2, Summer 2012 (reproductions) McQuaid, Cate, “Brilliant drafting shines in Groz’s smaller works,” (review), The Boston Globe, 8/9/07 (reproductions) Newbound, Chris, “Coming to a Theater Near You”, (feature), Berkshire Living, 7/07, (reproductions) Koper, Rachel, “Oh, Give Me a Home,” (review), The Austin Chronicle, 7/1/05. Chen, Alan, “New Contemporary Artists at Arthouse,” (review), austinist 6/27/05. Keeler, John, “Artwalk Exhibits now open,” (review), Register Star, Hudson, NY 10/04. Brickman, David, “Bought and Sold,” (review), Metroland, Albany, NY 10/04 Pollock, Will, Emerging Artist, (feature), Art & Antiques, 9/04, (reproductions) Ernst, Eric, “Digital Works Proves Technology Liberates,” The Southampton Press 5/20/04 (reproduction) Portwood, Pamela, “Smoke and Mirrors,” review, Tucson Weekly, 8/8/02. Felf, Sophie, “Paul Chojnowski,” (review), The New Yorker, 9/25/01. Cullum, Jerry, “Light and Darkness Revealed by Fire: Notes on the Work of Paul Chojnowski,” (catalog) 9/01 (reproductions). Cook, Dan, “Creative Fire,” Free Times, Columbia, SC (feature), 7/01, (reproduction). Watson, Neil, “Close Cover Before Striking,”(museum catalog), Norton Museum of Art 4/01 (reproductions) Schudel, Matt, “FIRE WORKS.” (review), The Sun Sentinel, 4/22/01 Helender, Bruce, “Burning Down the house,” (review), Palm Beach and The Naples Times, Summer ‘01 Russell, Candace, “How hot can you get?” (review), Fort Lauderdale Weekly, 5/22/01 Bonenti, Charles, “Selling Art in Cyberspace,” The Berkshire Eagle, 5/21/2000 Connally, Siobhan, “Paul Chojnowski - Playing With Fire,” (feature),The Artful Mind, 3/5 00 (reproductions). Bergman, J. Peter, “Chojnowski carries torch for art,” (review), The Independent, 4/13/00 (reproduction). “new american PAINTINGS, No. 26’’ The Open Studios Press, 1/00, (reproductions). Cullum, Jerry, “Last Chance,” (review), The Atlanta Journal Constitution, 2/25/00 (reproduction). Smolen, Marguerite, “The Printmaking Partnership,” (feature), Digital Fine Art Magazine, Summer 1999 (reproduction). Rolph, Peter, “So Many Moods-Artistic Impressions of Seneca Lake,” (feature). The Pultney Street Survey, Fall 1997 (reproduction) Fox, Catherine, “Paul Chojnowski adds color to his repertoire,” (review), The Atlanta Journal Constitution, 11/28/97 (reproduction). Schaub, Eve, “No BIAS national juried exhibition,” Manchester Journal, 11/6/97. Jette, Rosemary, “First Photo Show at CAC,” North Adams Transcript, 6/5/97. Basney, Lionel, “Technolatry Unmasked.’’ (reproduction), The Other Side, 6/97. Patterson, Tom, “Several works stand out in fellowships exhibit,’’(review), Winston-Salem Journal, 3/23/97. THE SOURCE-Poetry and Artwork, Poets, Artists & Madman, 3/97, (reproductions). “new american PAINTINGS, No. 19’’ The Open Studios Press, 2/97, (reproductions). Laughinghouse, Amy, “Go Figure,’’ (review), Topside Loaf, 2/22/97. Locke, Donald, “Group Effort- IVAC at City Gallery East,” (review), Creative Loafing, 11/13/96 (reproduction). Fox, Catherine, “Critic’s Notebook- IVAC at City Gallery East,” (review),The Atlanta Journal Constitution, 11/15/96. Close, Tim, Essay for National Endowment for the Arts/Southern Arts Federation 1996 Visual Arts Fellowship Catalogue, 1/96 (reproduction). Price, Mark, “Fire Drawings,” (review), ART PAPERS, 8/96 (reproduction). Schwartz, Carolan, “Agiary,”(review), ART PAPERS, 2/96 (reproduction). Philips, Lisa, “New American Talent,”(museum catalog), Texas Fine Art Association, 6/96 (reproduction). “17 Days of Olympic Art,”(catalogue), City of Atlanta Bureau of Cultural Affairs. 7/96 (reproduction). Cullum, Jerry, “Revival is anything but conventional,” (review), The Atlanta Journal Constitution, 9/29/95 (reproduction). Cullum, Jerry, “Fiery Agiary is a shining light,” (review), The Atlanta Journal Constitution, 9/22/95 (reproduction). Morton, Victor, “Fire and Brimstone, Museum displays exhibit with flames an religious icons” (feature), The Albany Herald, 8/8/95 (reproductions). Cullum, Jerry, “Blowtorch technique conveys Chojnowski’s dark themes,” (review), The Atlanta Journal Constitution, 11/7/93 (reproduction). Matthews, Karen, “Atlanta artist with local ties has exhibit in Pittsfield gallery,” (feature), The Advocate, 8/11/93 (reproductions). “Artists in Georgia” (museum catalogue), The Albany Museum of Art, 11/90. Cook, Jay, “Paul Chojnowski at Butters,” (review), Reflex, 9/89. Perry, Pam, “One Man’s Art,” (review), Creative Loafing, 4/3/90. Perry, Pam, “Urban and Endangered Landscape,” (review), Creative Loafing, 12/8/87. Selected Corporate Collections Delta Airlines, Atlanta Merrill Lynch, Raleigh, NC Koloa Hawaii, Inc., Honolulu, HI Clorox, Oakland, CA Barnett Bank, Jacksonville, FL King & Spalding, Atlanta Saks Fifth Avenue of America Kilpatrick, Stockton, LLP, Atlanta Selected Corporate Collections (continued) Landmarks Group, Atlanta Johnson & Higgins, Los Angeles Littler Mendelson, San Francisco Jones, Day, Reavis & Pogue, Chicago First National Bank of Sycamore, IL Tektronix, Incorporated, Portland, OR Gilreath & Associates, Nashville, TN Bruce & Associates, San Francisco Gipson, Hoffman & Pancione, L. A. Rock and Leitz, PC, Atlanta Fannie Mae, Atlanta Union Camp Corporation, Atlanta Lewis Clark & Graham, Atlanta Sietro, Woodland Hills, CA Hunton and Williams, Atlanta Shimizu, Incorporated, Atlanta Snea Lauben, San Francisco Southernet, Atlanta USAA Insurance Company, Tampa, FL Tucker Wayne, Atlanta Atlanta Gas Light Company, Atlanta Halstead Industries, Greensboro, NC Spectrum Equity Investors, Boston IXIS Asset Management, Boston Endurance Specialty Insurance Weil, Gotshal & Manges, Boston Hamilton, Bermuda Caldwell, Heggie & Helton, Chattanooga Selected Public Collections University of Arizona Museum of Art, Tucson Hartsfield International Airport, Atlanta Education B.A., Hobart College, Geneva, NY Kansas City Art Institute, Kansas City

Creator:
Paul Chojnowski (American)
Creation Year:
2013
Dimensions:
Height: 18 in (45.72 cm)Width: 25 in (63.5 cm)Depth: 1.5 in (3.81 cm)
Medium:
Archival Paper
Movement & Style:
Contemporary
Period:
2010-
Condition:
Gallery Location:
Hudson, NY
Reference Number:
1stDibs: LU2272762343

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