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Paul Gustave Fischer
Showtime! - Realist Oil, Figure Dancing in Interior by Paul Gustav Fischer

1910

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Portrait de Madame Luce - Post Impressionist Portrait Oil by Maximilien Luce
By Maximilien Luce
Located in Marlow, Buckinghamshire
Signed and dated oil on canvas portrait by post impressionist painter Maximilien Luce. The painting is of the artist's wife, Ambroisine "Simone" Bouin, seated in a chair with a vase ...
Category

Early 1900s Impressionist Portrait Paintings

Materials

Canvas, Oil

Le Faucher - Post Impressionist Figurative Landscape Oil by Henri Martin
By Henri Martin
Located in Marlow, Buckinghamshire
Beautiful signed and dated figure in landscape oil on canvas by sought after French post impressionist painter Henri Martin. The piece depicts a view of a lone farmer standing in a v...
Category

1890s Post-Impressionist Portrait Paintings

Materials

Canvas, Oil

Le Chef de Gare - Neo Impressionist Portrait Oil Painting by Achille Lauge
By Achille Laugé
Located in Marlow, Buckinghamshire
Signed portrait oil on canvas circa 1898 by French neo-impressionist painter Achille Lauge. The piece is a beautifully textured with impasto and is a portrait of a French station mas...
Category

1890s Impressionist Portrait Paintings

Materials

Canvas, Oil

Le Secret - Art Nouveau Figures in Landscape Oil Painting by Michel Simonidy
By Michel Simonidy
Located in Marlow, Buckinghamshire
Signed and dated Art Nouveau oil on board figures in landscape by Romanian painter Michel Simonidy. The piece depicts an autumnal scene with two women standing beside a fountain at n...
Category

1910s Art Nouveau Figurative Paintings

Materials

Oil, Board

Etude de travailleurs - Impressionist Figurative Watercolor by Henri Cross
By Henri Edmond Cross
Located in Marlow, Buckinghamshire
Impressionist watercolour on paper circa 1890 by French Neo-Impressionist painter Henri Edmond Cross. The work is a rear view study of three workers in standing and kneeling position...
Category

1890s Impressionist Figurative Paintings

Materials

Paper, Watercolor

Danseuses a la barre - Impressionist Figurative Pastel - Pierre Carrier-Belleuse
By Pierre Carrier-Belleuse
Located in Marlow, Buckinghamshire
Signed figurative pastel on canvas circa 1910 by French genre painter Pierre Carrier-Belleuse. The work depicts three ballerinas wearing white tutus, warming up in a studio. Carrier-Belleuse was a contemporary of Edgar Degas and they exhibited simultaneously at the major Salons in Paris. This classic example evokes the Belle Epoque period in french history and is superbly executed. Signature: Signed lower right Dimensions: Framed: 29"x24" Unframed: 26"x21" Provenance: Private French collection Pierre Carrier-Belleuse studied at the École des Beaux-Arts in Paris under Alexandre Cabanel and the interior decorative artist Pierre Victor Galland. He started out as an oil painter and produced genre compositions, such as his Final Rendezvous. From 1885, however, he opted to work exclusively in pastel, producing a large number of sketches and portraits but always remaining faithful to his earlier genre compositions. Examples include Pierrot, Harlequin, Woman with Cat. The periodical Figaro Illustré published a large number of his sketches of dancers, a recurrent theme throughout his work. From 1875, Pierre Carrier-Belleuse exhibited frequently at the Paris Salon, receiving an honourable mention in 1887 and being awarded a silver medal at the Exposition Universelle of 1889. Museum and Gallery Holdings: Dunkirk: Dancer Adjusting her Shoe (pastel) Gray: On the Dunes; In the Sun La Rochelle: Dancer Le Puy-en-Velay: Fantasy Mulhouse: Mule's Bonnet Paris (Municipal Collection): Tender Vow (pastel) Versailles...
Category

1910s Impressionist Figurative Paintings

Materials

Canvas, Pastel

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Julius Kronberg’s Angelica – A Romantic Heroine of Renaissance Legend
Located in Stockholm, SE
Literary Origins of Angelica The subject of this painting is Angelica, a princess from the epic chivalric romances of the Italian Renaissance. She first appears in Matteo Maria Boiardo’s Orlando Innamorato (1483) and reappears famously in Ludovico Ariosto’s Orlando Furioso (1532). In these poems – part of the Matter of France cycle of Charlemagne and his paladins – Angelica’s extraordinary beauty ensnares many knights, including Orlando (Roland) and his cousin Rinaldo, sparking rivalries and adventures. Ariosto’s narrative particularly highlights Angelica’s tumultuous journey: at one point she is stripped and chained to a rock as a sacrifice to a sea monster (a scene mirroring the myth of Andromeda) before being dramatically rescued by the valiant knight Ruggiero on his winged horse. Ultimately, however, Angelica chooses her own destiny. She falls in love with a humble Saracen soldier, Medoro, whom she nurses back to health, and she returns with him to her far-off Asian kingdom – an affair that drives the heartbroken Orlando to madness. This independent resolution (marrying outside the circle of Christian knights) made Angelica an emblem of feminine agency and romantic idealism in Renaissance literature. Her story remained popular in art and literature through the centuries, symbolizing the allure and elusiveness of love. Kronberg’s Portrayal and Composition In Julius Kronberg...
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