1980s Figurative Paintings

Signed lower right, 'V.M. Di Carlo' for Vittorio Maria Di Carlo (Italian, 1939-2015) and painted circa 1980. Born in San Marco, Maria Vittorio Di Carlo...

Soft and elegant 51-screen serigraph by Joe Price (American, b. 1935). This piece has the appearance of an oil painting, due to the uncharacteristically high number of screens used i...

Woman, Dog & Spring Flowers, Large Scale Figurative Abstract with Petroglyphs by Cindy Kane Absolutely stunning large scale abstract expressionist painting titled "Bending Forward," by San Francisco and now Martha's Vineyard artist Cindy Kane (American, b. 1957). This unique monumental piece, created in 1987, has a netherworld primal quality depicting a petroglyph-like blonde woman and her animal spirit dog bending toward a flower-strewn earth. Additional petroglyph vignettes add mystery to narrative. Signed and dated "Kane '87" upper right. Unframed. Image size: 66.5"H x 84"W. Her early works were influenced by her memories of these hieroglyphs, and embellished with symbols from her dreams. “I hope [that viewers] get what I get from my work, which is enjoyment, visual satisfaction, and a story — whatever their own story is,” she said. “I can’t give them one, but I can tell my own, and the story they take with them is something personal.” Her early work was influenced by the experience of living and working at the bottom of the Grand Canyon National Park, where she had the opportunity to document Anasazi Indian pictographs in pen and ink drawings. These images would inform her work for years to come. While working in Grand Canyon National Park, she became familiar with the Anasazi Indian ruins...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Portrait of celebrity Will Rogers.

Paritosh Sen - Untitled - 30 x 22 inches (unframed size) Charcoal on paper Inclusive of shipment in a roll form.The work comes with a certificate signed by the artist himself. An il...

Medium: Oil on Canvasboard with Collage Signature: Unsigned Original Painting for British Quad Movie Poster, Published 1980. Coal Miner's Daughter- Sissy S...

Sunil Das - Confrontation Series - 57.5 x 65 inches (unframed size) Oil on Canvas Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern Indian Artis...

Wonderful figurative nude in bed of flowers of "Michel" by Berkeley artist Patricia Gren Hayes (American, 20th Century), circa 1990. Signed mid right and on verso. Unframed. Size: 29...

River,Flowers,Pink,Russian Art,Impressionist Nikolaj LATYSHENKO (Artjomovsk, Ucraina, 1937) Born in Ukraine in 1937, he first studied in Saratov and in 1957 he joined the Repin Ins...

Original painting on canvas. Hand signed on front by the artist. Stretched. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be...

Artist: Michael Knigin, American (1942 - 2011) Title: Guilded Native Year: 1988 Medium: Acrylic on Canvas, signed and dated in pencil Size: 84 x 45 inches

Artist: Michael Knigin, American (1942 - 2011) Title: So Concerned Year: 1992 Medium: Acrylic on canvas on board, signed and dated l.r. Size: 46 x 46 inches

Artist: Cundo Bermudez, Cuban (1914 - 2008) Title: Woman with Headdress and Necklace Year: 1985 Medium: Acrylic on Paper, signed and dated Size: 15 x 11...

A tongue in cheek swipe at the futility of it all. A well heeled gent (Wolf) in a Tux bays at the moon at his good fortune, by G. Lester (American, 20th Ce...

Artist: Mary Fish Title: Transmutations: A Study of Systems Substitution Year: 1980 Medium: Ink and Tempera on Paper, signed Size: 33.5 x 56 in. (85.09 x 142.24 cm)

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

An original oil on un-stretched canvas by Jackie Felix, currently featured in the exhibition at Benjaman Gallery "Over the Fence". Jackie Felix (1929-2009) earned her Bachelor of ...

Artist: David Rucli, Italian (1944 - ) Title: French Night Club Year: circa 1989 Medium: Oil on Canvas, signed u.r. Size: 52 in. x 78 in. (132.08 cm x 198.1...

Artist: Jaimendes, Brazilian (1939 - ) Title: Veiled Girl Year: 1983 Medium: Oil on Canvas, signed and dated l.r. Size: 25.25 in. x 21.25 in. (64.14 cm x 53.98 cm)

Artist: David Rucli, Italian (1944 - ) Title: Scarecrow II Year: circa 1989 Medium: Oil on Canvas, signed u.l. Size: 50 in. x 32 in. (127 cm x 81.28 cm)

Delightful gouache fashion sketch of a ballerina style dress in a deep forest green. Fabric swatch attached upper right. Signed lower left. Original ...

Acrylic on black paper showing the death of an individual, most likely the artist himself. The lead figure top right is his wife Irene. This is one of the artist's last paintings as ...

Date: 1982 Medium: Oil on Board Dimensions: 18.00" x 15.50" Signature: Signed Lower Right Cover of "Away from Home," Rona Jaffe, Dell Books

Here for your consideration is one of the last paintings done by the well known Russian/American artist, Nahum Tschacbasov. Acrylic on canvas; signed lower right and dated, 1980. Ti...

Date: 1983 Medium: Oil on Board Dimensions: 28.50" x 19.00" Signature: Signed "Lettick" Lower Right Original poster design for Showtime Cable Network, 1983

Date: 1982 Medium: Oil on Board Dimensions: 22.13" x 26.50" Signature: Signed Lower Right Cover Illustration for When Dragons Dance written by Elliot Tokson, Avon Books

Date: 1984 Medium: Oil on Board Dimensions: 29.00" x 20.00" Signature: Signed Lower Right This illustration was published as the paperback cover of, L...

Tea at Sunset Vibrant Oil On Canvas, Signed and title. Born 1945 in Poland, lives and active in Canada. His work was exhibited in galleries and Museums of Fine Arts in Canada.

Date: 1988 Medium: Gouache and Acrylic on Paper Dimensions: 9.50" x 26.00" Signature: Signed Lower Right Image of performers in front of the word "Variety." TV Guide, April 16, 1988.

An original acrylic on panel by American female artist Catherine Koenig. This stunning work created in 1980 is part of the Draw Near exhibition on view at Benjaman Gallery

Bold French gouache fashion sketch of a flowing wrap dress in deep red with floral detailing. Signed lower right. Original artwork on paper displayed on a white mat with a gold bor...

Signed lower left, 'Lavallen', dated 1987 and titled verso 'Mujer Dormida' (Woman Sleeping). A large figural oil painting of a young woman shown reclining on a sofa. Julio Lavallen...

An oil painting by Ernst Neizvestny from 1984. An abstract modernist depiction of two figures in a dramatically expressive scene of pathos. Artist: Ernst Neizvestny Title: Kepmovr?...

Artist: Mark Kostabi Title: John Waters Year: 1989 Medium: Acrylic on Canvas, signed l.l. and verso Size: 48 x 54 inches; 121.9 x 137.2 cm

Modern abstracted figurative painting of a man walking in a beige suit “Tan Suit IV” painted by William Clutz in 1987 30 x 20 inches in a natural wood floater...

We are proud to present the original paintings of American artist Robert Branham (1926-2012.) Robert Branham was born in 1926, in Louisville, Kentucky. He attended the Art Institute of Cincinnati from 1946-1948. Robert Branham began his professional career as an illustrator in Chicago including important illustrations for Playboy magazine, and his continued into the Hollywood entertainment industry. In the later portion of his life, Robert Branham turned his artistic attention to creating fine art paintings and soon thereafter his work began to be exhibited. During this time he completed a prolific legacy of original paintings that we are now presenting for sale; many are now being seen for the first time. This will be the first time that these personal works will be exhibited since the artist’s death.. “Fan Dance...

Colette Lumiere, better known as Colette is a multimedia artist known for her pioneering work in performance art, street art and the constructed photograph. She is also known for her...