20th Century Figurative Paintings

Collective farmer. 1980, watercolor on paper, 57,5x58 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions,...

Three figures. Oil on canvas 65x60,5 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the...

First furrow. 1980. Oil on canvas, 73x54 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at...

Adam & Eve French School, late 20th century oil painting on canvas, 140c x 113cm provenance: private collection, Paris Striking and bold portrayal of these two nude lovers, entwine...

oil on canvas signed and dated on reverse. Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagination, wry wit and fearless color. His shrewd social observations often translate into eerily humorous figurative scenes and narratives. Mr. Basso’s works evoke a high level of inquiry. The fanciful, yet keenly observed characters are unpredictable and evocative. The viewer vacillates between surprise, delight, and consternation. .) Seeking emotional honesty, he looked to the work of several "mentors": Max Beckmann, Francisco Goya, Willem de Kooning , Philip Guston , Marsden Hartley and Albert Pinkham Ryder...

Enlightenment. Oil on canvas, 92x65 cm Biruta Delle (born 1944.17.I) studied in Latvia Art academy (1964 – 67) and one of her most important pedagogue’s ...

oil on stretched canvas heavy duty stretchers framing not required signed and dated on reverse Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagination, wry wit and fearless color. His shrewd social observations often translate into eerily humorous figurative scenes and narratives. Mr. Basso’s works evoke a high level of inquiry. The fanciful, yet keenly observed characters are unpredictable and evocative. The viewer vacillates between surprise, delight, and consternation. .) Seeking emotional honesty, he looked to the work of several "mentors": Max Beckmann, Francisco Goya, Willem de Kooning , Philip Guston , Marsden Hartley and Albert Pinkham Ryder...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his portraits in village landscapes with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. Art measures 25.5 x 21.25 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century, it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. For the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher, he encouraged individual expression. Baxte stated, “No pupil should ever be forced into the imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient's light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

Two Figures oil, graphite on linen canvas 40x30 framed. Jurgen Gorg was born in 1951 in​, Dernbach Germany. His formative years were spent in Koblentz, before moving to Maintz to s...

"Modern Man" is a painting by Philadelphia born Expressionist painter Bernard Harmon. The 40" x 36" oil on canvas portrait features a young African American man posing casually and s...

Artist: Gabriel Portoles Ascaso, Spanish (1930 - ) Title: Cabeza Medium: Acrylic on Wood, signed l.r. Size: 16 x 11.5 in. (40.64 x 29.21 cm) Frame Size: 22.5 x 18 inches

Still Life With Chicken, Oil on canvas singed and dated 1923, from the Collection of Bass Museum Of Art. Canvas size 14 1/5x17 1/4 framed 21 3/8 x 23 7/8 Edmund Pick-Morino was the ...

Oil on canvas, signed and dated 'EN [19]63' lower right, titled and dated to stretcher, numbered 33 and with paper label 34 to stretcher, From the family of the artist by direct des...

Self-portrait. Oil on canvas, 100x70 cm Similar work is published in the encyclopedia „Māksla un arhitektūra biogrāfijās”, Vol. 1 , - P.: „Latvijas enciklopēdija”, 1995 - G. Tidomane, on page 135. Biruta...

Blind. 1989, canvas, oil, 66x70 cm Biruta Delle (born 1944.17.I) studied in Latvia Art academy (1964 – 67) and one of her most important pedagogue’s was ...

Sister. 1991, canvas, oil, 100x70 cm Biruta Delle (born 1944.17.I) studied in Latvia Art academy (1964 – 67) and one of her most important pedagogue’s wa...

Bold and expressive oil portrait of a modernist nude figure in blue seated in profile with bright yellow flowers by Allie William “Bill” Skelton (American, 1942-1986). Signed and dated "Allie Bill Skelton '72" by the artist in the lower right corner. Unframed. Image size: 48.75"H x 32.75"W. Allie William “Bill” Skelton (American, 1942-1986) was a painter and sculptor active in San Francisco who was involved in the gay art...

Large Belgium oil on canvas Expressionist style of the early 20th century depicting a symbolist scene of a couple of ballet dancers in a forest on fire. The painting is signed on the...

Olja Ivanjicki "Florence or Hell of l'Inconnue De La Seine" original oil circa 1965 Original oil on board. Dimensions 26" wide x 42" high. The frame measures 30" wide x 46" high. Signed and dated at the upper border. She has auction results over $9,000 which was earlier in 2021. Olga Ivanjicki, the daughter of Russian emigrants was born in Pancevo, Danube Banovina. She studied at the Academy of Fine Arts in Belgrade, graduated in 1957, and in the same year she was the only woman among the founders of MEDIALA Belgrade, an art group of painters, writers and architects such as Leonid Šejka, Vladimir Velickovic, Ljubomir Popovic, Miodrag Ðuric. In 1962, she received a scholarship of the Ford Foundation to pursue her art studies in the United States, and in 1978 she was a selected artist of the Fulbright program Artist in Residence at the Rhode Island School of Design. She had over ninety individual exhibitions and participated in numerous national and international group exhibitions. Ivanjicki’s painting was influenced by Symbolism, Surrealism, Pop art and Fantastic art. In the course of her career, the artist received the Vuk Lifetime Achievement Award (Vukova nagrada, 1988), the Seventh of July Award (Sedmojulska nagrada, 1988) and the Karic Award. L'Inconnue de la Seine (English: The Unknown Woman of the...

This is a large hand signed mixed media paiting on Arches French paper. A chess game encounter. Figurative Abstract Expressionist painting. Zwy Milshtein (Zvi Tzvi Milstein) BIOGRAPHY 1934 Born in Kishinev (Bessarabia) Russian, Romanian border region. He fled the Nazi Holocaust and in 1948 Arrived in Israel via Cyprus, where he studied with Rafael Ben­ Zvi. Studies in Tel­ Aviv with Mordecai Ardon, Aharon Avni, Moshe Mokadi and Marcel Janco founder of the Dada art movement. Studies at The Bezalel Art School, Jerusalem. 1956 Awarded a scholarship by the Israel​ American Fund. In 1991, Roland Topor invited him to participate in the last exhibitions of the Panique group and collaborated in the review Le Fou Parle. Select Group Exhibitions 1950­ 55 Israeli Artists​ Exhibition, Tel­ Aviv Museum 1956 Cimaise de Paris, 1958 "School of Paris", Charpentier Gallery, 1959 Les Grands et les Jeunes Aujourd ​hui Salon National 1960 Les Grands et les Jeunes d ​ Aujourd ​hui Contemporary Israeli Art, Museum of Modern Art, Paris 1961 Russian Artists of the Paris School , Ecole du Paris ​1961​ Salon de la Jeune Peinture, 1964 Salon des Indépendants, Grand​ Palais, Paris 1965 Salon d'Automne, Grand​ Palais, Paris 1966 Lauréat for the Gravure du Prix de la Critique 1967 Biennale, Paris 1970 stay with Theodor Ahrenberg, the eminent Swedish art collector. MILSHTEIN has an exhibition at ARC, in the museum of modern art in Paris. Drawings suspended in a liquid contained in a bottle thus creating a three dimensional effect. 1978 An retrospective exhibition of his etchings engravings is held at the Bibliotheque Nationale; the publication of a book illustrated with 33 drawings : Le rite du chat, on exhibit at Artcurial in Paris. Milshtein has also written several plays and has worked in etching intaglio carborundum, lithograph techniques. listed in adec artprice. He has exhibited at galleries in Germany, France and Switzerland with Theodore Theo Tobiasse, Mane Katz, Raya Sorkine, Avigdor Arikha and Abram Krol. A fine Judaica artist. Since 2007 Milshtein has had his workshop in the Rhône in Gleizé where he also lives. Personal exhibitions 1952: Tel Aviv (Israel), Studio Avni 1955: Tel Aviv (Israel), Museum 1957: Paris, Galerie Saint Placide 1958: Paris, La Cave de la Galerie Saint-Placide - Paris, Galerie Katia Granoff 1959: Tel Aviv (Israel), Museum Dizengoff House 1960: Paris, Galerie Katia Granoff 1962: Tel Aviv (Israel), Chemerinsky Art Gallery - Jerusalem (Israel), Musée National Bezalel —New York (United States), Bodley Gallery - Bat Yam (Israel), Bat Yam Museum 1963: Geneva (Switzerland), Museum of Art and History, Cabinet des Estampes 1964: Paris, Galerie Katia Granoff 1965: Paris, Librairie-Galerie Alexandre Loewy 1966: Paris, Galerie Saint-Placide - Brussels (Belgium), Galerie Le Creuset...

In the mid-1960s Joseph Solman (American, 1909 - 2008) was commissioned to create portraits of the Begg family. This is a portrait of John Begg Jr., the son of the mid-century nuclear family...

Colorful and bold impasto oil portrait with dynamic, expressive brushstrokes by Richard Lofton (American, 1908-1966). The name of the sitter, Kenneth Lucas, is inscribed along the ri...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

This is a small oil painting on on panel. A Rabbi at a Farbrengen 15.5 X 14.5 with frame. 6.5 X 5.5 painting alone Zwy Milshtein (Zvi Tzvi Milstein) BIOGRAPHY 1934 Born in Kishinev...

In the mid-1960s Joseph Solman (American, 1909 - 2008) was commissioned to create portraits of the Begg family. This is a portrait of Marian Begg, the mother in the mid-century nuclear family...

Wonderfully expressive Bay Area Figurative School piece featuring a silhouette of a couple in a dynamic and colorful sunset landscape scene ...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

A strong modernist oil painting depicted in 1969 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 21.75 x 18 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

Artist: Carlos Irizarry Title: Child with Doll and Buggy Year: circa 1965 Medium: Oil on Canvas, signed l.r. Size: 30 in. x 24 in. (76.2 cm x 60.96 cm)...

Signed on recto and signed verso, titled, and inscribed Montmartre by the artist. This is a large colorful expressionist painting of a girl doll with long blonde or ginger redhead pigtails. It is titled Poupee 1925 and depicts an Art Deco era flapper girl in a beret. Roger Crusat (French Expressionist artist, poet and lithographer) is known for ballet troupe set design and theatre backdrop painting and architectural motifs. Roger Crusat was born in 1917 in Roussillon, Provence, France. Crusat's early works depict the colorful countryside of Provence in the South of France, As a young man Crusat performed many jobs in the troupe, designing costumes, and even dancing. But, most important, he painted the scenery for the troupe's performances. It was while working in this capacity that he learned the essentials of scenery painting that remain evident in his mature work. Crusat was a student of Andre Fons-Godail at Beaux-Arts in Perpignan when he was called to serve in World War II. After being wounded in 1940, he returned to study under Rene Jaudon at Beaux-Arts in Paris. Crusat was known by his contemporaries as "the Catalan painter of Montmartre" where he lived with his wife until his death in 1994. Cracked and peeling walls framed by rusting water pipes are a common sight in Montmartre. What others considered unnecessary, Crusat included. Water pipes were his cherished motif. Supposed by some to be a symbol of decay and monotony, Crusat's Impressionist water pipes like arteries in the body, convey life. Crusat won the prestigious Prix Populiste for his "Descente d'Eau" (Water Pipes) in 1956. Crusat's mature work retains the essentials of good scenery painting. Intricate detail will not be found, but broad, solid abstract shapes abound. His subtle colors, dense in texture, are meant to compliment his subjects, not distract from them. The critics considered him a lyric expressionist and a "painter of Man" in his portrayal of the anguish of daily life and the regrets of the past. Crusat exhibited at many of the same Salons as the post-impressionists and expressionists. Salon des Independants was co-founded by Georges Seurat. Degas had only one exhibition during his lifetime, and it was at the Galerie Durand Ruel in Paris. Gauguin had also exhibited his Tahitian paintings. Crusat's works were exhibited there in 1955. SELECT AWARDS 1954 Le Prix de la Jeune Peintre 1955 Prix des Amateurs d'Art & des Collectionneurs, Galerie Gazette des Beaux Arts, 140 rue Faubourg St. Honore, Paris Les Jardins des Abbesses purchased by the Republic of France, Prix de la Ville de Marseilles, Prix Othon Friesz 1956 Prix Populiste, Prix de Amedeo Modigliani 1957 Grand Prix International de Vichy, Prix de la Fondation Greenshields 1959 IVeme Grand Prix de Peinture du Festival de Vichy 1967 Le Prix des Amis de Brantôme, Perigord, France 1970 Prix de la Critique Academy de Vernet a Vichy,"La Nuit, Premiere Etude" Roger Crusat, Half-closed shutters , poems enriched with four original lithographs (175 numbered copies) drawn on Henri Deprest's presses on February 13, 1975 , Éditions Matignon 34, 1975. Personal exhibitions Durand-Ruel Gallery, Paris, 1955 [ 1 ] . Galerie Rivière, Paris, november 1958 [ 4 ] . Le Roux and Mathias, auctioneers in Paris, Sale of the Roger Crusat workshop , Hôtel Drouot , Paris, Thursday October 27, 1994 [ 5 ] . Jack's American Bistro, Glens Falls , September- october 2004 [ 6 ] . Collective exhibitions Galerie Roger, Lyon , October 1946 [ 7 ] . Salon des Indépendants , Paris, from 1952 [ 8 ] . Exhibition Discover , Galerie Charpentier , Paris, 1955. Populist Salon, Paris, 1956. Salon des Amis de Brantôme, 1957. Hundred painters and oil - Exhibition on the occasion of the centenary of the first oil drilling , Musée Galliera , october 1958 [ 9 ] . “An artist from Roussillon whose invoice calls for a flattering comparison with that of a Soutine or a Rebeyrolle . Indeed, following their example, he focuses on familiar scenes: Girls on the balcony or in the basket , Laundresses weighing heavily on the iron, draft horses or plucked turkeys, who stand next to a magnificent portrait of a man in a red dressing gown . Hasn't the Prix Populiste already crowned its merits? " - Jean Jacquinot SELECT EXHIBITIONS Galerie La Gentilhommiere, Paris La Salle Arago, Perpignan, Salon des Indépendants, Salon d'Automne Biennale de Menton, Menton Galerie des Jacobins, Lyon Galerie Durand-Ruel, Paris Salon de la Nationale Galerie Bassano, Paris Salon Populiste Salon de Romans Galerie Motte, Geneva, Switzerland Exposition à Quiberville sur Mer - Normandie Galerie Charpentier Salon Confrontation: Bernard Buffet, Roger Crusat, Jean Jansem, Franck Innocent, Jean-Jacques Morvan...

Procession with elephant, expressionist style oil painting, signed and dated. George Russin was born in New York, he attended the High School of Music and Art to pursue both fields o...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

A strong modernist oil painting depicted in 1962 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his portraits in countryside landscapes with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. Art measures 21.25 x 25.5 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century, it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. For the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher, he encouraged individual expression. Baxte stated, “No pupil should ever be forced into the imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient's light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

Original mixed media on paper. Hand signed on front by the artist. Framed. Additional images available upon request. Studio Certificate of authenticity included. Artwork in excellen...

"Ete Indien" by Armand Rottenberg (French 1903-2000) inscribed verso, oil painting on board, framed board: 52 x 39 inches frame: 53 x 40 inches Stunning original French expression...

Original oil on canvas painting. Hand signed on front; signed and titled on verso by the artist. Canvas is stretched. Artwork is in excellent condition. Stretched. Certificate of au...

Original oil on canvas painting. Hand signed on front; signed and titled on verso by the artist. Canvas is stretched. Artwork is in excellent condition. Stretched. Certificate of au...

This is original hand carved wood carving used to produce a woodcut print. Hand colored with painting. signed woodblock (unique piece, not a print) by Jacob Steinhardt 1887-1968 "Reuben Offering Food and Drink to Joseph" Hand carved and painted surface, painted in relief. Signed LR, dated LL. In thin wood painted frame, woodcut panel approx. 1/2" thick, raised on frame. panel within gold painted wood liner 16"H x 12.5 framed 22.5 x 18.75 Judaica biblical scene. Steinhardt, Jakob, Painter and Woodcut Artist. b. 1887, Yaacov Steinhardt was born in the then remote, largely Polish town of Zerkow in the Posen District of Germany. (poland/german) Immigrated 1933. Studies: 1906 School of Art, 1906 Studied in Berlin Arts and Crafts School. Berlin; 1907 painting with Lovis Corinth and engraving and etching with judaic etching master Hermann Struck; advanced studies, 1908-10 Paris, with Henri Matisse and Steinlen; 1911 Italy...

AKOS BIRO (HUNGARIAN 1911-2002) Oil painting on canvas, framed Framed size: 26.5 x 33 inches Beautifully colourful, original oil painting by the very popular and highly regarded Hun...

This work is hand signed by the artist "Kikoine" in the lower right. This work was painted in circa 1950-1955. Literature: Cassou, Jean, Roditi Edouard, Mann, Mendel & Yankel, Jac...

Original oil on canvas painting. Hand signed n front; signed and titled on verso by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity i...

Signed lower left "d'Anty" for Henry d'Anty (French, 1910-1998), titled verso "La Gondole" (The Gondola) and painted circa 1955. A vibrant view of the Grand Canal painted alla prima...

Still Life with ham, oil on canvas signed a wonderful example of the artist's work, from the Collection of Bass Museum Of Art. Canvas size 16 3/4 x 22 1/5 framed 23 x 29. Edmund Pick...

CELSO LAGAR Spanish, 1891 - 1966 NATURE MORTE signed "Lagar" lower left oil on canvas 18-1/4 X 21-3/4 inches (46 X 55 cm.) framed: 23-3/8 X 27-1/8 (59 X 68.5 cm.) PROVENANCE Privat...

"Head of Woman" is a wonderfully exciting example of Mid-20th century Expressionist art. This vibrant portrait is reminiscent of Matisse's Fauvist female...

A strong modernist oil painting depicted in 1971 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his landscape paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 18 x 21.75 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett, were the winners. In his 1924 naturalization application, he indicated that he was sometimes known as “Michael Posner Baxte.” One of the witnesses to his application was Bernard Karfiol, a Jewish American artist. That’s when Michael may...

A strong modernist oil painting depicted in 1963 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his figures in water landscapes with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 18 x 21.75 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett, were the winners. In his 1924 naturalization application, he indicated that he was sometimes known as “Michael Posner Baxte.” One of the witnesses to his application was Bernard Karfiol, a Jewish American artist. That’s when Michael may...

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Original oil on canvas painting. Hand signed on front; signed and titled on verso by the artist. Canvas size 24 x 36 in. Framed. Artwork is in excellent condition. Certificate of a...

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