21st Century and Contemporary Figurative Paintings

A surrealist painting by Bernhard Martin from 2007. A dark, surrealist scene of a figure inside an hourglass set against an abstract, shadowed background. ...

Maike Kreichgauer painting "Jungle Head Marigold". Oil and egg tempera on MDF. Signed by the artist. 11.8 x 11.8 in. image.

Maike Kreichgauer painting "Spheres of Flowers with Feather". Oil on mdf. Signed by the artist. 23.6 x 17.7 in. image.

Closing Time - Oil on Canvas Abstract Figurative Painting 2022 Artwork is on supported wooden frame. Ready to hang. Tam Ess makes oil paintings that explore...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: Water, 122 x 152cm, Collaged woodblock print, acrylic inks on Somerset satin paper, 2023 Artwork Provenance: from the Artist Studio photo credits, Isabel working, black and white shots, James Brown In Isabel's own words: Water; Once upon a time there was water. It fell from the sky in clear blue droplets. It made pools and puddles on the ground. The water tasted sweet and pure, it was good to drink, to make soup, to swim in or to wash in. It made the plants and trees grow big and luscious, it was the lifeblood of everything.. Everybody loved water and no one ever questioned where it came from or that one day the rain might stop and there would be no water.  The water women went about their usual business, they made soup, they grew cabbages, they argued and laughed together. The well was always full, there was food aplenty, life thrived. It is sometimes said that ignorance is bliss, and the women did live in bliss although they did not know it. They did not know that one day the rain would stop. It was only when the rain stopped that they knew they had lived in bliss. *Please note we are happy to ship this work rolled in an art tube. Whilst the work is on heavy duty art paper and mixed media, the artist is happy that the painting will be fine rolled in a tube. This is a more cost effective and environmentally sound method of shipping. Shipping via this method is free. About Isabel Rock and her work: Taking inspiration from Japanese woodblock prints and Indian miniature painting Rock has developed a unique collage technique that combines bold structures with large-scale woodblock prints and intricate detailing. The subject is a grand mixture of humour, drama, hidden morals, fanciful characters, modern culture, mythical beings and fantastical situations. Rock creates a world that pulls you in and demands your attention. Quality of line is paramount, the drawings are created using a dipping pen and acrylic ink. An essential tool is a squirrel...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

Contemporary surrealist figure painting by Houston-based artist Scott Woodard. The work features a central abstract figure in white and yellow tones with what appears to be a halo fl...

Carmelo Niño Carolina niña con Marina, 2021 Acrylic on canvas 350 x 200 cm 137.7 x 78.7 in. The work is accompanied by a certificate of authenticity signed by the artist. Carmelo Niño, a Venezuelan artist originally from Maracaibo, Zulia State, an oil-producing region of Venezuela, is today one of the most outstanding painters in the plastic arts landscape in the country. Many years have passed since his birth in 1951 to the present, when he inaugurates this August 2022, a major exhibition at the Ascaso Gallery in Miami, with paintings from different dates resulting from the permanent and daily work of reflection, physical and intellectual, that he has always pursued in his creative life. Without neglecting a single moment of day-to-day life to be in front of the medium-sized canvas on the easel or of larger canvas hanging on a wall, he works in his large studio in the area of El Junco, outside the capital city of Caracas, surrounded by lush green vegetation, with a wonderful climate of pleasant temperature and poetic mist that invites to the reverie and glorification of his life as a painter. From a very early age Niño and his family discovered his vocation for drawing, a discipline in which he showed a special disposition and talent. From this moment on he dedicates his life to art, to the practice of painting, starting from a fantastic and strange world of fantasy, close to surrealism, unfailingly influenced by the circus of fantasy owned by his mother and a musician father. These circumstances will shape the artist's life. His traces and influences from the beginning will be present in his creative work, especially through the memories of the infinite curiosity to look, touch and be enraptured by the strange furniture and objects from his mother's circus that he knew were deposited in a room of the house. This universe of fantasy will leave an indelible mark on his subconscious and will serve as the thematic and artistic support for all his work. In an interview conducted by the critic Roberto Montero Castro in 1977, Carmelo Niño states, "the symbols of my painting come from the everyday life". His life has been one of continuous work and effort. At the age of fifteen he enrolled in the School of Arts of Maracaibo, graduated three years later, 1966, and immediately, with a scholarship, he travelled to Spain, took a few courses at the San Fernando Academy in Madrid, strengthened his preparation in art workshops and in frequent visits to the big museums of this European capital. With a sensitive gaze he penetrates the mysteries of masterpieces of the great artists who have made the universal history of art. His life as a painter has been intense, of intense study, preparation and work. With much composure and modesty he talks about his life and his artistic production, recognized not only in Venezuela, but also internationally. His participation in exhibitions began in 1969 and as early as 1970 he held his first individual exhibition at the Fine Arts Center of Maracaibo. From these dates onwards successes started to come, with the participation in collective and individual exhibitions, in Venezuela and abroad, as well as the awards from 1971, when he won the Scholarship Award at the First National Salon of Young Artists in Maracay, Aragua State; in 1972 he was awarded the Second Prize at the Regional Salon of Maracaibo. 1975 is the year of awards, he received the First Prize at the IV Salon of Young Artists in Caracas; the Aurelio Rodriguez Award at the IV Avellan Salon in Caracas and the First Prize at the Salon of Young Zulian Artists in Maracaibo; he also participated in the group exhibition of History of Painting in Venezuela, at Casa de Las Americas, Havana, Cuba; and in 1976 he was invited by Jose Gomez Sicre to take part in the exhibition of Venezuelan painting...

Carmelo Niño Amantes con escena, 2019 Acrylic on canvas 140 x 200 cm 55.1 x 78.7 in. The work is accompanied by a certificate of authenticity signed by ...

Carmelo Niño La Jaula, 2018 Acrylic on canvas 200 x 200 cm 78.7 x 78.7 in. The work is accompanied by a certificate of authenticity signed by the artist...

Carmelo Niño Amantes con escena, 2019 Acrylic on canvas 200 x 400 cm 78.7 x 157.4 in. The work is accompanied by a certificate of authenticity signed b...

Carmelo Niño Celebrando a Kiefer I, 2021 Acrylic on canvas 200 x 126 cm 78.7 x 49.6 in. The work is accompanied by a certificate of authenticity signed by the artist. Carmelo Niño, a Venezuelan artist originally from Maracaibo, Zulia State, an oil-producing region of Venezuela, is today one of the most outstanding painters in the plastic arts landscape in the country. Many years have passed since his birth in 1951 to the present, when he inaugurates this August 2022, a major exhibition at the Ascaso Gallery in Miami, with paintings from different dates resulting from the permanent and daily work of reflection, physical and intellectual, that he has always pursued in his creative life. Without neglecting a single moment of day-to-day life to be in front of the medium-sized canvas on the easel or of larger canvas hanging on a wall, he works in his large studio in the area of El Junco, outside the capital city of Caracas, surrounded by lush green vegetation, with a wonderful climate of pleasant temperature and poetic mist that invites to the reverie and glorification of his life as a painter. From a very early age Niño and his family discovered his vocation for drawing, a discipline in which he showed a special disposition and talent. From this moment on he dedicates his life to art, to the practice of painting, starting from a fantastic and strange world of fantasy, close to surrealism, unfailingly influenced by the circus of fantasy owned by his mother and a musician father. These circumstances will shape the artist's life. His traces and influences from the beginning will be present in his creative work, especially through the memories of the infinite curiosity to look, touch and be enraptured by the strange furniture and objects from his mother's circus that he knew were deposited in a room of the house. This universe of fantasy will leave an indelible mark on his subconscious and will serve as the thematic and artistic support for all his work. In an interview conducted by the critic Roberto Montero Castro in 1977, Carmelo Niño states, "the symbols of my painting come from the everyday life". His life has been one of continuous work and effort. At the age of fifteen he enrolled in the School of Arts of Maracaibo, graduated three years later, 1966, and immediately, with a scholarship, he travelled to Spain, took a few courses at the San Fernando Academy in Madrid, strengthened his preparation in art workshops and in frequent visits to the big museums of this European capital. With a sensitive gaze he penetrates the mysteries of masterpieces of the great artists who have made the universal history of art. His life as a painter has been intense, of intense study, preparation and work. With much composure and modesty he talks about his life and his artistic production, recognized not only in Venezuela, but also internationally. His participation in exhibitions began in 1969 and as early as 1970 he held his first individual exhibition at the Fine Arts Center of Maracaibo. From these dates onwards successes started to come, with the participation in collective and individual exhibitions, in Venezuela and abroad, as well as the awards from 1971, when he won the Scholarship Award at the First National Salon of Young Artists in Maracay, Aragua State; in 1972 he was awarded the Second Prize at the Regional Salon of Maracaibo. 1975 is the year of awards, he received the First Prize at the IV Salon of Young Artists in Caracas; the Aurelio Rodriguez Award at the IV Avellan Salon in Caracas and the First Prize at the Salon of Young Zulian Artists in Maracaibo; he also participated in the group exhibition of History of Painting in Venezuela, at Casa de Las Americas, Havana, Cuba; and in 1976 he was invited by Jose Gomez Sicre to take part in the exhibition of Venezuelan painting...

Carmelo Niño Arlequín azul con ángel, 2015 Acrylic on canvas 177x 124 cm 69.6 x 48.8 in. The work is accompanied by a certificate of authenticity signe...

Carmelo Niño Lechera, 2014 Oil on canvas 207 x 149 cm 81.4 x 58.6 in. The work is accompanied by a certificate of authenticity signed by the artist. Carmelo Niño, a Venezuelan artist originally from Maracaibo, Zulia State, an oil-producing region of Venezuela, is today one of the most outstanding painters in the plastic arts landscape in the country. Many years have passed since his birth in 1951 to the present, when he inaugurates this August 2022, a major exhibition at the Ascaso Gallery in Miami, with paintings from different dates resulting from the permanent and daily work of reflection, physical and intellectual, that he has always pursued in his creative life. Without neglecting a single moment of day-to-day life to be in front of the medium-sized canvas on the easel or of larger canvas hanging on a wall, he works in his large studio in the area of El Junco, outside the capital city of Caracas, surrounded by lush green vegetation, with a wonderful climate of pleasant temperature and poetic mist that invites to the reverie and glorification of his life as a painter. From a very early age Niño and his family discovered his vocation for drawing, a discipline in which he showed a special disposition and talent. From this moment on he dedicates his life to art, to the practice of painting, starting from a fantastic and strange world of fantasy, close to surrealism, unfailingly influenced by the circus of fantasy owned by his mother and a musician father. These circumstances will shape the artist's life. His traces and influences from the beginning will be present in his creative work, especially through the memories of the infinite curiosity to look, touch and be enraptured by the strange furniture and objects from his mother's circus that he knew were deposited in a room of the house. This universe of fantasy will leave an indelible mark on his subconscious and will serve as the thematic and artistic support for all his work. In an interview conducted by the critic Roberto Montero Castro in 1977, Carmelo Niño states, "the symbols of my painting come from the everyday life". His life has been one of continuous work and effort. At the age of fifteen he enrolled in the School of Arts of Maracaibo, graduated three years later, 1966, and immediately, with a scholarship, he travelled to Spain, took a few courses at the San Fernando Academy in Madrid, strengthened his preparation in art workshops and in frequent visits to the big museums of this European capital. With a sensitive gaze he penetrates the mysteries of masterpieces of the great artists who have made the universal history of art. His life as a painter has been intense, of intense study, preparation and work. With much composure and modesty he talks about his life and his artistic production, recognized not only in Venezuela, but also internationally. His participation in exhibitions began in 1969 and as early as 1970 he held his first individual exhibition at the Fine Arts Center of Maracaibo. From these dates onwards successes started to come, with the participation in collective and individual exhibitions, in Venezuela and abroad, as well as the awards from 1971, when he won the Scholarship Award at the First National Salon of Young Artists in Maracay, Aragua State; in 1972 he was awarded the Second Prize at the Regional Salon of Maracaibo. 1975 is the year of awards, he received the First Prize at the IV Salon of Young Artists in Caracas; the Aurelio Rodriguez Award at the IV Avellan Salon in Caracas and the First Prize at the Salon of Young Zulian Artists in Maracaibo; he also participated in the group exhibition of History of Painting in Venezuela, at Casa de Las Americas, Havana, Cuba; and in 1976 he was invited by Jose Gomez Sicre to take part in the exhibition of Venezuelan painting...

Colorful surrealist painting by contemporary Texas artist Henry David Potwin. The work features a pair of skeleton children fighting over an orange balloon with a smiley face drawn o...

This is a one of a kind surrealist figurative oil painting titled, "Maiden of Mysticism" by San Diego artist, Margaret Chairo. Its dimensions are 60" x 48" x 2". It is unframed. A ce...

This is a one of a kind original figurative surrealist oil painting on canvas by San Diego artist, Charlene Mosley. Its dimensions are 41"x61"x1.25". I...

The figurative surrealistic paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing in a Russian governed academia setting. This presence exposed Franci...

Abstract surrealist collage of a man by contemporary Houston artist Scott Woodard. The work features a portrait of a man from behind assembled out of magazine cuttings. Currently hun...

Joseph Broghammer Not Quite the Winner Oil on Canvas Year: 2020 Size: 36 x 36 in Signed by hand COA provided ------------------------------------- Each...

In his "Effect" series, we see how Plusch gives location - places and spaces resembling the world around us - the same treatment once reserved for his abstract human forms. Effective...

In Plusch’s "Room" series, we see the impression of a human figure against a background composed of imagery suggesting the assembly of an ordinary room. The treatment of the backgrou...

In his "Effect" series, we see how Plusch gives location - places and spaces resembling the world around us - the same treatment once reserved for his abstract human forms. Effective...

In his "Effect" series, we see how Plusch gives location - places and spaces resembling the world around us - the same treatment once reserved for his abstract human forms. Effective...

In this work, the horizontal flowing of paint alongside material possessions seems to insinuate some connection with notions of ownership. Household objects before morbid symbolism d...

In his "Immortality" series, Plusch explores how notions of beauty and deformity, eternal and momentary, and life and death intermingle and blur together. This work expresses how all...

In his "Immortality" series, Plusch explores how notions of beauty and deformity, eternal and momentary, and life and death intermingle and blur together. This work expresses how all...

In Ivan’s "Room" series, we see the impression of a human figure against a background composed of imagery suggesting the dressings of an interior space. The treatment of the backgrou...

In Ivan’s "Room" series, we see the impression of a human figure against a background composed of imagery suggesting the dressings of an interior space. The treatment of the backgrou...

In Ivan’s "Room" series, we see the impression of a human figure against a background composed of imagery suggesting the dressings of an interior space. The treatment of the backgrou...

In this work, the horizontal flowing of paint seems to insinuate some connection with the illusion of our material world. Although the scene appears precise in its rendering, there r...

Presenting a just completed original oil painting by Azerbaijani artist Fidan Kim. Into the Light, depicts a man rediating his own light, while the women above floating over his umbrella would all like to bask in his light. Only one canb join him as his true love, and she bears the read heart. Directions, is an original oil on canvas, signed, 2021 with an image dimension of 48 x 24 inches, just completed by the artist, the painting is currently unframed. Please contact the gallery for additional information, pricing and availability. About Artist Fidan Kim: Fidan Kim was born in Baku, Azerbaijan on the 21th of August 1997. 2014-2018 – BA FINE ARTS AZERBAIJAN STATE ACADEMY OF FINE ARTS 2018-2020 – MA FINE ARTS AZERBAIJAN STATE ACADEMY OF FINE ARTS August 2009 – “Young Talents Exploring Visual Arts” summer art courses at the Edinborough Art College August 2010 – “Art al Sole” summer art courses in Italy August 2011 - “Art al Sole” summer art courses in Italy October 2013 – a solo exhibition “The last day of the childhood” November 2014 – a solo exhibition “”Paradoxes” March 2015 – participation at a master class given by a renowned artist, Professor Inge H. Schmidt from the Berlin University of the Arts, Germany organized by ADRA June 2015 – VI International Art Festival June 2016 – an art exhibition “Futurismo Ora” at the “Lamborghini” salon October 2016 – participation at the Shopping festival Carrousel du Louvre Art in Paris December 2016 – art courses at the Georgian State Academy of Art within the exchange program Art) February 2017 – Gave art classes at Yarat contemporary art space April 2017 – an art exhibition “Live Life” in Moscow May 2017 – an art exhibition at the Embassy of Turkey in Azerbaijan May 2017 – an art exhibition Live Life organized in Geogria by Idea community June 2017 – Master Class given by Fidan Kim at Yarat Contemporary Art Centre Member of the Union of Artists May 2018 – solo exhibition in Shanghai Cooperation Organization in Beijing, China November 2018 – Participation in Shanghai art...

Presenting a just arrived original oil painting by Azerbaijani artist Fidan Kim. Studio Fidan, is an original oil on canvas, signed, 2020 with an image dimension of 43 x 35 inches,...

Oil and 3 mirrors on 9 canvases

Heather Farrell Title : Royal Palms Materials : Acrylic on canvas Date : 2019 Dimensions : 4' x 5'. (48 x 60 in.) Signed, COA provided Heather Farrell wor...

Acrylic on canvas.

Acrylic on canvas.

Nathan Cartwright is a Los Angeles-based, mixed media artist and acclaimed founder/curator for The Hive Gallery and Studios, in downtown Los Angeles (founded in 2005). As an artist, ...

Born in 1954 in São Paulo, Brazil, Claudio began his artistic life early. At 4 years old, he already began to model small clay animals with great ease and that was when his uncle Ber...

‘Security Checked’ is a large vertical contemporary surrealist figurative oil on canvas painting created by Vietnamese artist Dinh Y Nhi in 2008. Featuring a vivid palette made of red, orange, pink and black tones, the painting depicts a frontal view of an angular nude figure, bending her knees down. The pink tones of her skin stand out dramatically on the red painted background made of large strokes contrasted with black fields that seem to frame the subject. This piece exemplifies Y Nhi's style of paintings as her success with two-colors; red, blue or black and white, addresses modern themes and issues devoid of gender. Her figurative surrealism style of stick figures is warped and elongated, stretched out of proportion. Each figure tilts and twists at painful angles. They bring to mind the famous harrowing faces in Edward Munch's ‘The Scream’, or the difficult distorted ones from the portraits of Francis Bacon. But most of the faces Y Nhi paints are miniature ones devoid of details, deceptively random and simple brush strokes. There is a playfulness that reflects the outer images the painter projects of herself. Her style also allows her to convey complex textures, and emotions, in her images. Dinh Y Nhi is a graduate of Hanoi's School of Fine Arts. Her work has been exhibited in many shows in Vietnam. She is receiving much notice among the Vietnamese press and art patrons in the United States, Australia and Asian countries. With its strong presence and large proportions, this surrealist oil on canvas painting will be a definite conversation piece in any home, whether placed above a sofa, console table or enfilade. Exhibitions 2011: Group Exhibition Art Asia Miami, Florida, AiBo Fine Asia Art 2011: Portrait, Dinh Y Nhi & Le Thiet Cuong...

‘Security’ is a large framed contemporary surrealist figurative oil on canvas painting of vertical format, created by Vietnamese artist Dinh Y Nhi in 2010. Featuring a cold palette mostly made of grey and black tones, accented with blue and beige touches, the painting depicts a frontal view of a nude figure. This piece exemplifies Y Nhi's style of paintings as her success with two-colors; red, blue or black and white, addresses modern themes and issues devoid of gender. Her figurative surrealism style of stick figures is warped and elongated, stretched out of proportion. Each figure tilts and twists at painful angles. They bring to mind the famous harrowing faces in Edward Munch's ‘The Scream’, or the difficult distorted ones from the portraits of Francis Bacon. But most of the faces Y Nhi paints are miniature ones devoid of details, deceptively random and simple brush strokes. There is a playfulness that reflects the outer images the painter projects of herself. Her style also allows her to convey complex textures, and emotions, in her images. Dinh Y Nhi is a graduate of Hanoi's School of Fine Arts. Her work has been exhibited in many shows in Vietnam. She is receiving much notice among the Vietnamese press and art patrons in the United States, Australia and Asian countries. With its powerful presence and great proportions, this surrealist oil on canvas painting will be a definite conversation piece in any home, whether placed above a sofa, console table or enfilade. Set inside a frame, the painting is titled in the lower section. 1967: Born in Hanoi, Vietnam 1989: Graduated from Hanoi Fine Art University Exhibitions: 2011: Group Exhibition Art Asia Miami, Florida, AiBo Fine Asia Art 2011: Portrait, Dinh Y Nhi & Le Thiet Cuong...

Presenting an original oil on canvas by American artist Darren LeGallo. "Equanimity: Pusher Love Girl", is one of the lifetime masterpieces by American artist Darren LeGallo, and it has just been released for sale, This painting was conceived and executed in the studio while the song, "Pusher Love Girl", was being recorded for, the 20/20 Experience album by Justin Timberlake.. “Equanimity: Pusher Love Girl”, was exhibited at the premiere solo exhibition of American artist Darren LeGallo, “Darren LeGallo: Nothing You Don’t Know”, a retrospective of original oil paintings and drawings, February/March 2013. The exhibition was produced by Trigg Ison...

An exceptional early oil on canvas by American artist Karen Kiefer. Karen Kiefer continues to paint and teach fine art in Hawaii, the focus of her pain...