Peruvian, likely Cuzco, mid-18th Century

A Magnificent Gilt Wood Mirrored Frame

18th Century

Provenance: Private Collection, Paraguay, for at least the last 80 years Painted in the Viceroyalty of Peru during the 18th century, the present work depicts the young Christ as the Niño de la Espina—a devotional representation of Christ as he looks down at his bleeding finger, which has been pricked by the crown of thorns resting on his lap. The subject of the Young Christ Pricked by a Thorn was especially popular in Cuzco, and the rich details and decorative elements of our work perfectly capture the essence and style of the Cuzco School of painting. In our painting, Christ wears an intricately patterned floor-length robe trimmed with gilded cuffs and a gilded collar. The delicate gilding, including the halo of golden rays emanating from his head, are executed in brocateado, an ornamental over-gilding technique that is characteristic of the Cuzco School. The red chair on which Christ sits also includes brocateado in the decorative gilt elements. The form of the chair takes inspiration from those commonly used by friars both in Spain and the Andes, known as silla frailera or sillon frailero, and was also frequently employed in related depictions of the Virgin Mary Spinning. Here the young Christ is rendered with soft, elongated features that reflect the influence of the Italian Mannerist painters who were pivotal to the formation of the Cuzco School, including the Jesuit friar Bernardo Bitti and Matteo Pérez del Alesio. Additionally, while its origins can be traced to Northern European pictorial traditions, the lush flower garland that frames the work is a signature feature of Cuzqueño painting...

Provenance: Private Collection, Uruguay, for the last 90 years. Dated 1673 on the reverse (Fig. 1), this exceptional relief is an early example of a distinctly Spanish American art...

Provenance: Private Collection, Argentina; there acquired by Mr. and Mrs. Ernest T. Harper, New York, by 1960; by descent to: Mr. and Mrs. Alan Harper, New York, until 2024. This s...

Silver was the material of choice for both ecclesiastical and domestic vessels in the New World, not only for its status as a precious metal, but also because of its abundance and du...

A lovely antique oil on linen painting from Spanish Colonial period late 18th-early 19th century. In the style of Classic Cuzco School, the painting depic...

A rare and evocative example of Spanish Colonial art from the Cusco School, this 17th-century oil on wood panel captures the iconic biblical scene of Sain...

Framework. Gilded and polychrome wood, 17th century. Presents loss in lower left area. Frame made of carved wood gilded and polychrome in certain areas that presents a decoration bas...

Placido Zuloaga, An extremely rare Spanish gold and silver damascened window frame, in the Alhambra / Islamic taste, circa 1880. The interior is lined and fitted with an orientalist artwork throughout. Signed PZ on the reverse. Placido Zuloaga was a renowned Spanish metalworker and damascene artist known for his exceptional skills in working with gold and silver and for creating intricate and ornate designs on metal surfaces using a technique called damascening. One of Zuloaga's works is this rare gold and silver damascened frame that he created in the late 19th century. The frame is decorated with intricate designs in silver and gold, creating a stunning contrast that is characteristic of Zuloaga's work. The frame is a remarkable example of Zuloaga's artistry and skill, as well as his mastery of the damascening technique. The technique involves inlaying silver or gold wire into the surface of the metal, creating intricate and detailed designs that are both beautiful and durable. Zuloaga's work was highly sought after during his lifetime and is still highly valued today. His pieces are considered to be some of the finest examples of damascene artistry in the world, and his legacy continues to inspire and influence metalworkers and artists today. His works are in private collections and in museums worldwide. Comparative Literature: James D. Lavin, The Art and Tradition of the Zuloagas, Spanish Damascene...