Peter Kolin

Atlantis, Large Surrealist Oil Painting. Viennese Fantastic Realism

1980

Rina Sutzkever Calderon (Russian/Israeli, b. 1945), Fly Away Oil on canvas, signed at lower left, presented in a gilt frame with linen liner. Frame dimensions 56 x 46 in. Rina Sut...

Provenance: Galeria Durban Cesar Segnini, Caracas Venezuela. Emerio Dario Lunar was born on January 27, 1940 in Cabimas, Zulia state. Self-taught ...

Atlantis, A large spectacular nautical, marine magic fantasy. (without the frame it is 32X39 inches) The roots for Peter Kolin’s fascinating world of Surrealist Fantasy, Magic Realist images can be traced back to the art of Mannerism, a brief period - approximately 1520 to 1610 - between the Renaissance and Age of the Baroque. In Mannerist paintings composition had no focal point and space could be ambiguous. Surreal figures could be characterized by athletic bending and twisting with distortions, exaggerations, elastic elongation of the limbs, bizarre or graceful posturing and the rendering of the heads as uniformly small and oval. (reminds me very much of some of the compositions of Salvador Dali) The composition was full of clashing symbolist colors very unlike the balanced, natural and often dramatic colors of the High Renaissance. Mannerist works presented instability and restlessness and also showed a fondness for allegories with lascivious undertones. Kolin, an exceptionally gifted painter within this tradition, creates gorgeous and mysterious fantasies of Surrealism with each work opening a new and more exciting fantastic world. His narrative world of images and symbols is presented in his own metaphorical language but with a visual accuracy solidly rooted in technical perfection. Today Kolin is a widely acclaimed artist of the Vienna School of Fantastic Realism. (Together with, Arik Erich Brauer, Ernst Fuchs, Rudolf Hausner...

Two Women. Colorful Surrealist Portrait Genre: Surrealism Subject: woman Medium: Oil Surface: Canvas Country: Israel Simon Avissar, painter, born 1948, Morocco. Moved to U.S.A. Wo...

"Happy" by Rudolf Kosow is a surreal and dreamlike composition that transforms an ordinary dessert into an expansive, otherworldly landscape. A woman rests peacefully, partially subm...

Rudolf Kosow’s Last Hit presents a striking surrealist vision, blending elements of vintage Americana with an eerie sense of absence. The golfer, depicted in muted monochrome tones w...

In VINCENT'S NIGHTMARE, a melancholic black Labrador dominates the composition, its sorrowful eyes reflecting an unspoken tragedy. The rich, textured fur contrasts with the crisp blue sky, creating an atmosphere of quiet despair. A small yet striking figure—a sheriff—stands before the dog, separated by yellow crime scene tape. His posture, with a hand wiping his face, conveys exhaustion, grief, or perhaps regret. The contrast in scale between the enormous, mournful dog and the diminutive officer suggests themes of loss, injustice, or powerlessness. The surrealist juxtaposition of law enforcement with an innocent, grieving creature invites interpretation: is the dog a witness, a victim, or a symbol of something greater? Vincent’s Nightmare evokes an emotional response, urging viewers to contemplate responsibility, empathy, and the weight of unseen sorrow. keywords; painting on canvas, surrealist painting, americana...

An exceptional early oil on canvas by American artist Karen Kiefer. Karen Kiefer continues to paint and teach fine art in Hawaii, the focus of her pain...