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Peter LupkinPortrait of William, April, 2020, Seated Male Wearing Gray Hoodie, Original Oil2020
2020
$4,200
£3,177.59
€3,667.43
CA$5,866.23
A$6,522.13
CHF 3,413.94
MX$79,991.75
NOK 43,468.10
SEK 41,039.04
DKK 27,367.56
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About the Item
Waiting - it is what we all have been doing during this tumultuous year. Artist Peter Lupkin is no different. In his work entitled "Portrait of William, April, 2020" a family member becomes the only subject Lupkin has readily at his disposal. William has a calendar above his shoulder as if just waiting to check off a few more days of solitude. Arms crossed and glasses at his knee, begging to ask the question - is there really anything to see right now?
Peter Lupkin
Portrait of William, April 2020
oil on canvas
36h x 24w in
91.44h x 60.96w cm
PLU045
The artwork I create is a visual statement of my moral philosophy. The language I use to convey this philosophy in my pieces is one of traditional symbolism, this being indoctrinated into my personality through an apprenticeship into a traditional stained glass studio at the age of 14 and continuing to the present day. I seek to create scenes and narratives that are at the same time realistic and fantastical. I often use pre-existing stories when I am developing an image. I will then take these narratives and expose a less studied side of them, or try to bring them into a contemporary context.
Ultimately my goal is to use modern imagery in conjunction with traditional techniques and connect them with contemporary society, showing both the narrative’s and the method’s continued relevance.
- Creator:Peter Lupkin (1986, American)
- Creation Year:2020
- Dimensions:Height: 36 in (91.44 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:Seller: PLU0451stDibs: LU55436594512
Peter Lupkin
The artwork I create is a visual response to my upbringing and influences. My work is a combination of historical symbolism and modern experience. Historical symbolism has been indoctrinated into my visual language through an apprenticeship into a multi generational stained glass studio at the age of 14 and continuing to the present day. With this as a background language I embrace modern concerns, methods and techniques and seek to connect my own experiences with contemporary society.
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