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Philip Letsu"Jane on Jane" - Colorful Figurative Painting by Ghanaian Philip Letsu, 20222022
2022
$7,500
$10,00025% Off
£5,761.97
£7,682.6325% Off
€6,620.44
€8,827.2525% Off
CA$10,549.68
CA$14,066.2425% Off
A$11,852.09
A$15,802.7925% Off
CHF 6,192.74
CHF 8,256.9825% Off
MX$144,660.32
MX$192,880.4325% Off
NOK 78,629.66
NOK 104,839.5525% Off
SEK 74,013.26
SEK 98,684.3525% Off
DKK 49,404.19
DKK 65,872.2525% Off
About the Item
This large vertical painting measures 60 inches high and 48 inches wide. The sides are a continuation of the dyed linen. This artwork is stretched and ready to hang.
Philip Letsu is a Ghanaian artist currently living and working in Ho, Ghana.
Komla’s practice is driven by the significant need to document urban lifestyles and culture. Focusing on the power memories and imagination in relation to representation and identity formation, Philip creates paintings that confronts issues surrounding representation with the intention to document that which is neglected.
In his words, Letsu expresses, “My greatest inspiration is the innermost satisfaction derived after a quiet time, when I take some time off to explore positive energies found within to make paintings that feed the visual need and breed the admiration from people."
Philip Letsu studied in the prestigious Ghanatta College of Arts and design in Ghana in 2016 - the same school that has produced many significant artists like Amoako Boafo, Otis Kwame, Key Quaicoe, Kwesi Botchway and the likes. He has participated in a number of local exhibitions in the country.
- Creator:Philip Letsu (Ghanian)
- Creation Year:2022
- Dimensions:Height: 60 in (152.4 cm)Width: 48 in (121.92 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:West Hollywood, CA
- Reference Number:1stDibs: LU1758211633682
Philip Letsu is a Ghanaian artist currently living and working in Ho, Ghana. Komla’s practice is driven by the significant need to document urban lifestyles and culture. Focusing on the power memories and imagination in relation to representation and identity formation, Philip creates paintings that confronts issues surrounding representation with the intention to document that which is neglected. The artist uses both colors in his subjects, the attire they wear, and the places inhabited to evoke a sense of urban lifestyle and culture, while focusing on the power of memories and imagination. His artistic journey confronts issues surrounding representation with the intention to document that which is neglected: the power of innocence. In his words, Letsu expresses, “My greatest inspiration is the innermost satisfaction derived after a quiet time, when I take some time off to explore positive energies found within to make paintings that feed the visual need and breed the admiration from people." Philip Letsu studied in the prestigious Ghanatta College of Arts and design in Ghana in 2016 - the same school that has produced many significant artists like Amoako Boafo, Otis Kwame, Key Quaicoe, Kwesi Botchway and the likes. He has participated in a number of local exhibitions in the country.
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This large vertical painting measures 60 inches high and 48 inches wide. The sides are a continuation of the dyed linen. This artwork is stretched and ready to hang.
Philip Letsu is a Ghanaian artist currently living and working in Ho, Ghana.
Komla’s practice is driven by the significant need to document urban lifestyles and culture. Focusing on the power memories and imagination in relation to representation and identity formation, Philip creates paintings that confronts issues surrounding representation with the intention to document that which is neglected.
In his words, Letsu expresses, “My greatest inspiration is the innermost satisfaction derived after a quiet time, when I take some time off to explore positive energies found within to make paintings that feed the visual need and breed the admiration from people."
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Komla’s practice is driven by the significant need to document urban lifestyles and culture. Focusing on the power memories and imagination in relation to representation and identity formation, Philip creates paintings that confronts issues surrounding representation with the intention to document that which is neglected.
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Komla’s practice is driven by the significant need to document urban lifestyles and culture. Focusing on the power memories and imagination in relation to representation and identity formation, Philip creates paintings that confronts issues surrounding representation with the intention to document that which is neglected.
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