Pierre DE MARIA

Homme d'armes, 1968, oil on canvas

1968

Andrée HONOREE (1945-1992) Untitled, 1980 Gouache on paper Signed and dated "1980" lower center 43 x 31.5 cm Born in 1945 in Tourcoing, Andrée Honoré is one of the women sculptors who have chosen wood as their main medium. For a time, she had a studio in the Passage Ricaut in the 13th arrondissement of Paris, where she worked alongside the artists Jacques Hérold (1901-1987), Edgard Pillet...

Jean-Pierre ALAUX (1925-2020) Les Copeaux oil on canvas signe lower left titled on the back 27 x 34,5 cm original frame with some small signs of use Born in La Ciotat in 1925, Jean-...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

Amand Bouvier (1913-1997) Abstract composition Oil on canvas Signed “ABouvier” lower left 72 x 60 cm Original frame with some age marks A self-taught painter born in Brittany in 191...

Tristan Fabris 1970's, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, unframed inscribed verso canvas: 32 x 24 inches private collection, France The pai...

Oil on medium size panel by the Swiss painter Guy Dessauges. Made in the 1970s using his technique of superimposing "glazes" which gives the painting depth and a magnificent relief e...

Artist: Rodolfo Opazo, Chilean (1935 - ) Title: Cabeza Year: 1983 Medium: Oil on Canvas, signed l.l. and verso Size: 39 x 32 inches

Koordinator is an artwork realized by Bernhard Gillesen (Düsseldorf 1952 - Trevi 2023) in 1976. Oil on Canvas cm. 120x100 cm. Hand signed, dated and titled on rear. Good condition...