Pietro Bardellino

Madonna con Bambino e San Giovannino Olio su tela di Pietro Bardellino

Circle of Carlo Cignani (Bologna, 1628 - Forlì, 1719) Allegory of Charity, by Nicola Vaccaro (Naples, 1640 - 1709) Oil on canvas, 119 x 93 cm Framed, 137 x 110 cm Bologna-born p...

Enea Salmeggia known as Talpino (Bergamo, 1565 - 1626), second decade of the 17th century Ecce homo Oil on canvas, 84 x 61 cm Framed, 103 x 77 cm The work presented here depicts ...

Antonio Tibaldi known as the Count (Rome, 1633 - documented until 1675) Still life with musical instruments, sheet music and riser with sweets Oil on canvas, cm 120 x 169 Frame, 1...

Attr. to Karel Breydel, known as the Knight of Antwerp (1678 - 1733) Battle with knights and landscape in the background Oil on canvas, cm 44.5 X 36.7 Frame 52.5 x 45 cm The pain...

The Opium Smoker; The Opium Eater by N.C. Wyeth was created in 1913. The painting is signed upper right. Dedication lower left that reads "To Swayne / Fro...

Exhibited: London, Royal Academy, 1800, no. 93 What was happening in British history painting in around 1800? In recent discussions of the emergence of a British School of history painting following the foundation of the Royal Academy in 1768, this is a question which is rarely posed and one which is not easily answered. Examination of surviving Royal Academy exhibition catalogues reveals a profusion of artists’ names and titles, few of which remain immediately recognizable, whilst endeavours to explain the impact of exhibition culture on painting - such as the 2001 Courtauld show Art on the Line - have tended to focus on the first and second generation of Royal Academician, rather than young or aspiring artists in the early nineteenth century. This makes the discovery and identification of the work under discussion of exceptional importance in making sense of currents in English painting around 1800. Executed by Edward Dayes...

"Half Way 8", an Oil on Canvas painting of Sienna and very pale aqua-blue. Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our...

"A58" is 72” x 66”. The electric blues on black stand out from the figure on a mixed background of medium earth tones and heavy textures. Frank Arnold’s paintings exhibit the highest...