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Pietro Sassi
Calvary - Large 19th Century Oil Painting Jerusalem City & Crucifixion of Jesus

Circa 1870

$67,675.11List Price

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Important 18th Century Royal Academy Oil Painting of Georgian London Festival
Located in Gerrards Cross, GB
‘St. James’ Day’ by Richard Morton Paye (1750-1820). This large and important 18th century oil on canvas depicts a diverse crowd of Londoners at an oyster stand on a summer’s eveni...
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1780s Old Masters Figurative Paintings

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Spectacular Large 19th Century Italian Oil Painting of Jerusalem & Crucifixion
By Pietro Sassi
Located in Gerrards Cross, GB
'Calvary' by Pietro Sassi (1834-1905). This monumental exhibition oil painting – which depicts the Light of Heaven shining upon Christ at Calvary with thousands of people outside t...
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Mid-19th Century Old Masters Figurative Paintings

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Oil

Diana Nemorensis - 19th Century NeoClassical Oil Painting Ancient Roman Goddess
By Max Nonnenbruch
Located in Gerrards Cross, GB
‘Diana Nemorensis’ by Max Nonnenbruch (1857-1922). The painting – which depicts the Roman Goddess Diana of the Woods beside Lake Nemi – is signed by the artist and presented in a fi...
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Late 19th Century Pre-Raphaelite Figurative Paintings

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Fabbriche di Careggine - Mid 19th Century Oil Painting of Tuscany Hills Italy
By Edmund John Niemann
Located in Gerrards Cross, GB
‘Fabbriche di Careggine’ by Edmund John Niemann (1813-1876). Fabbriche di Careggine is the name of a Italian ghost village that today lies beneath Vagli di Sotto, a man-made lake in Tuscany. Prior to its flooding in 1953 the village was home to a community of subsistence farmers who raised sheep and Garfagnana goats. The painting depicts one of these goatherds and a young woman riding out from the village at sunrise. It is not uncommon for paintings by one member of famous family of artists to be mistakenly attributed to a relative; a picture by “the Elder” is erroneously credited as being by “the Younger” and the work of one brother is confused with another, and so on. In 19th century British art...
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1840s English School Landscape Paintings

Materials

Oil

19th Century Oil Painting of St Mark's Square in Venice from the Ducal Palaca
By Edward Pritchett
Located in Gerrards Cross, GB
‘Piazza San Marco from the Palazzo’ by Edward Pritchett RWS (1807-1876). The painting – which depicts St. Mark’s Square and the Campanile seen from the Porto della Carta entrance to...
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Mid-19th Century English School Landscape Paintings

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Oil

Fortress of Charlemont - 19th Century Oil Painting River Landscape French Castle
By George Clarkson Stanfield
Located in Gerrards Cross, GB
‘The Fortress of Charlemont’ by George Clarkson Stanfield (1828-1878). The painting – which depicts the 16th century stronghold built by Emperor Charles V at the French town of Giv...
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Mid-19th Century Victorian Landscape Paintings

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This fantastic Flemish 17th century Old Master oil painting is by Thomas Van Apshoven. It was painted circa 1650 and depicts a village with figures outside a tavern, eating, drinking and dancing. Beyond are more dwellings, villagers and animals, all under a blue summer's sky. The detail, brushwork and vibrant colouring are superb. This is an excellent example of Apshoven's work and a typical subject he loved to paint. Provenance. Leominster estate. Wax stamp verso. Condition. Oil on panel, 22 inches by 17 inches and in good condition. Frame. Housed In beautiful gilt frame, 30 inches by 25 inches and in good condition. Thomas van Apshoven (1622– 1664) was a Flemish painter known for his landscapes with peasant scenes and genre scenes in interiors. His genre scenes depict village festivals, the interiors of taverns, village scenes or landscapes with peasants engaged in various activities, singeries, guardroom scenes and laboratories of alchemists. Some still lifes have also been attributed to him. His themes and style are close to that of David Teniers the Younger. He was born on 30 November 1622 in Antwerp as the eldest son of Ferdinand van Apshoven the Elder and Leonora Wijns. His father was a painter who had studied with Adam van Noort and had become a master of the Antwerp Guild of Saint Luke in 1596. No paintings by his father are known. His younger brother Ferdinand van Apshoven the Younger became also a successful painter. Thomas studied under his father. Some sources state that he became a pupil of the prominent genre painter David Teniers the Younger. It is more likely, however, that he was an imitator of Teniers. He was registered as a 'wijnmeester' [son of a master] in the Guild of St. Luke of Antwerp in the guild year 1645–1646. He married Barbara Janssens on 22 March 1645. The couple had four children. The godfathers of the children included the painters Victor Wolfvoet...
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