Raymond Feuillatte

Mid 20th Century oil painting of 'Clown a la badine' by Feuillatte in teal

1949

Pierre Jourda (French, 1931 – 2007) Pine Trees oil on canvas 89 x 55 cm. Provenance: From the studio sale of the artist

Ewart Johns (British, 1923 – 2013) Figures In Touch, 1992 Oil on board Signed with initials and dated ‘EJ 92’ (lower left) and further signed, titled and dated (on the reverse) 4.3/4...

Jean Maurice Lasnier (French, 1922 – 2006) Les pecheurs Oil on board With studio stamp (on the reverse) 36 x 25.5/8 in. (91.5 x 65 cm.) Provenance: The studio of Jean Maurice Lasnie...

George Fullard ARA (British, 1923 – 1973) Portrait study Mixed media on paper Signed and dated ‘Fullard / Feb 56’ (lower right) 18.1/4 x 14.1/4 in. (46.4 x 36.3 cm.) After serving i...

This portrait of a clown by Maurice Kish is part from a series of carnival figures, circus clowns and carousel horses and riders that he did in the 30s and 40s. The artist uses a vibrant color palette and controlled brushstrokes to depict the subject in a realistic way. The imagery of Maurice Kish (1895-1987), whether factories or carousels, reliably subverts expectations. His vision hovers just around the unraveling edge of things, where what is solid and clear becomes ambiguous. He is fascinated, often delighted, by the falling apart. This unexpected, fresh perspective results in oddly affecting pictures of a now long-gone New York. Born Moishe in a town called Dvinsk, Russia (what is now Daugavpils, Latvia), Kish came with his family to New York when he was in his teens. The family settled in Brownsville, and for the rest of Kish’s life Brooklyn remained his home, though he moved from one neighborhood to another. He was close to his parents, who recognized his talent and supported his desire to become an artist. Kish attended the National Academy of Design as well as Cooper Union. His fellow students included many other immigrants and children of immigrants who were particularly receptive to the Modernism coming from Europe. As his career progressed, Kish himself applied different strains of Modernism to different purposes. For him, the story was held above all else. For years, Kish used the skills he acquired in art school to earn his living at a Manhattan glass...

The imagery of Maurice Kish (1895-1987), whether factories or carousels, reliably subverts expectations. His vision hovers just around the unraveling edge of things, where what is solid and clear becomes ambiguous. He is fascinated, often delighted, by the falling apart. This unexpected, fresh perspective results in oddly affecting pictures of a now long-gone New York. Born Moishe in a town called Dvinsk, Russia (what is now Daugavpils, Latvia), Kish came with his family to New York when he was in his teens. The family settled in Brownsville, and for the rest of Kish’s life Brooklyn remained his home, though he moved from one neighborhood to another. He was close to his parents, who recognized his talent and supported his desire to become an artist. Kish attended the National Academy of Design as well as Cooper Union. His fellow students included many other immigrants and children of immigrants who were particularly receptive to the Modernism coming from Europe. As his career progressed, Kish himself applied different strains of Modernism to different purposes. For him, the story was held above all else. For years, Kish used the skills he acquired in art school to earn his living at a Manhattan glass...

The Jester, Impressionist Portrait, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed by the artist on the lower left hand corner Oil...

This captivating oil painting by renowned French artist Paul Aïzpiri presents one of his beloved recurring themes — the clown — rendered with bold lines, rich textures, and a vivid t...