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Rebecca Tait
Duplicity

2015

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Old Gods Almost Dead (2021), oil on linen, waterscape, skyscape, sunflowers
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The Painted Word: Wander
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Time
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Inspired by the quote "Time is a dressmaker specializing in alterations." - Faith Baldwin In her recent series, "The Painted Word," Vera Barnett has turned to the written word for...
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In/Out
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Eve of Destruction - Modern Interpretation of the Garden of Eden, Original Oil
By Rose Freymuth-Frazier
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Once the innocence is gone, the true character of Eve is revealed in Rose Freymuth Frazier's painting entitled "Eve of Destruction". Complete with a tattooed belly and a necklace that reads "Bitch", this interpretation of Eve after her expulsion from the Garden is a truly modern one. She has a cigarette hanging from her mouth, is carving that poison apple with seemingly not a care in the world as a beautifully colored snake makes itself at home around her neck. This piece is framed in a heavy black wooden frame measuring 60 x 40 inches Rose Freymuth-Frazier Eve of Destruction, 2021 oil on canvas 54h x 34w in 137.16h x 86.36w cm RFF057 Rose Freymuth-Frazier Employing the techniques of the past in the service of contemporary exploration, I seek to add a fresh voice to the sometimes venerable, sometimes dusty and archaic tradition of large-scale figurative painting, while subtly addressing the mythology, objectification and subjugation of women. My subjects are at first glance close to home-new mothers, friends, lovers, artists, dancers-but are then quickly placed at a distance via edgy modification, rigorous technique, minimal contexts and composition, and idiosyncratic use of color. I am also interested in social presentation, artifice, and simulation as they relate to my subjects. I hope to peel away a gossamer thin layer of reality, not just to document the real but also to reveal what might be. BIOGRAPHY Given my restless history, it is curious that I became a figurative painter in New York City. My maternal Grandparents fled Hitler's Germany in the late 1930's. After being refused entry to the United States, they were welcomed into the Dominican Republic, where they happily resided in a small orderly bungalow of their own design and made their living as studio photographer and cheese maker...
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Dust Ford King
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In this series of portraits, Birch materializes enigmatic, ectoplasmic figures in his psychologically charged canvases linking sympathies between external forces and interior emotion...
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