René Seyssaud

French Fauvist Bathers In Green and Mauve , Oil On Canvas, Nature et Volupte

1900s

French Mid 20th Century oil on board Fauvist view of a road in a landscape, probably near Nice in the South of France and the surrounding countryside, by Hyppolite Roger...

French fauvist Marine Landscape, probably the Mediterranean, mid century oil on board. The painting is signed bottom right but as yet undeciphered. Presented in a period chip carved ...

French Impressionist oil on board of a wooded landscape presented in a period carved wood gilt and patinated frame with trade label to the reverse for a gallery in Grenoble. A charm...

Mid 20th Century view of figure in a garden by Swiss artist Paul Hogg. The painting is signed bottom left and there is an inventory and remains of a title label to the back of the bo...

Signed oil on canvas nudes in landscape circa 1910 by Belgian neo-impressionist painter Georges Lemmen. The work depicts nude bathers on a sunny beach beside the sea. Signature: Signed lower left with the cachet of painter Dimensions: Framed: 23.5"x24.5" Unframed: 14.5"x15.5" Provenance: Olivier Bertrand (expert on the painter) has confirmed the authenticity of this work Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...

Oil on canvas by Roger GRILLON (1881-1938), France, 1914. "Bathers". With frame: 114x94 cm - 44.9x37 inches ; without frame: 92x73cm - 36.2x28.75 inches. 30F format. Signed lower lef...

Alexander Khanin (Orenburg 1955) signed oil on canvas, framed framed: 23 x 27.5 inches canvas: 21 x 25.5 inches Inscribed verso dated 1988 Provenance: private collection, Paris Cond...

Nude in the Garden Fauvist Nude Original oil on canvas Vintage Fauvist study (2006) of woman in the garden signed by Annamarina Norman, a California Monterey Bay artist (American, b...