Items Similar to Lookout Point, Saturday Evening Post Cover
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Richard SargentLookout Point, Saturday Evening Post Cover1953
1953
$150,000
£112,272.78
€129,732.53
CA$207,999.98
A$232,986.72
CHF 121,127.19
MX$2,876,917.14
NOK 1,543,065.13
SEK 1,458,728.01
DKK 968,135.04
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
Medium: Oil on Canvas
Signature: Signed Lower Right
Original cover illustration for The Saturday Evening Post, July 18, 1953.
The Post described, “Gently, gently now, for both sides are right in this slight vacation convulsion. Papa Toury has been steering the bus for three days toward Point Lookout, and, having finally made it, is he not justified in decrying the little one’s disinterest in lookouting? On the other hand, for three days Johnny and Janey Toury have been peering at interminable scenery; so now that the car has quit jiggling and reading is possible, what is more dutiful than rejoicing in the new books that papa bought them to read? If papa, with his field glasses, should happen to spot a drive-in movie in the valley which could be reached by eventide, the children, then monopolizing the glasses, would revel in this lovely view and artist Sargent’s cris would subside. Or when do we eat?”
(The Saturday Evening Post, July 18, 1953, p. 3)
- Creator:Richard Sargent (1911 - 1978, American)
- Creation Year:1953
- Dimensions:Height: 24.125 in (61.28 cm)Width: 25.625 in (65.09 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fort Washington, PA
- Reference Number:Seller: 42891stDibs: LU38437521402
Richard Sargent
Richard 'Dick' Sargent, one of The Saturday Evening Post’s most prolific illustrators, was a Midwesterner born in Moline, Illinois, on March 26, 1911. His early career in art began just after his graduation from Moline High School when he went to work for a local printing and engraving plant. While there, Sargent attended night classes at the Moline Illinois Art School, the foundation for his future career as an artist. Sargent then studied at the Corcoran School of Art, and in 1951, he completed his first cover for The Saturday Evening Post, “Truth About Santa,” for the December 15 Christmas issue. While Sargent’s popularity grew through the exposure he received with the Post, he also did illustration work for magazines such as Fortune, Woman’s Day, Photoplay, and American Magazine among others. Americans adored Sargent and his art for his ability to show relatable, pregnant scenes with open-ended conclusions that commented on the situational comedy of life. In the late 1960s he retired to the Andalusia region of Spain and died there in 1978.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2016
127 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Shipping from: Fort Washington, PA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllSunday Afternoon Callers, Saturday Evening Post Cover, June 17, 1950
By George Hughes
Located in Fort Washington, PA
Medium: Oil on Masonite
Signature: Signed 'Hughes-' Lower Left
This work was published as the cover of the June 17, 1950 edition of The Saturday Evening Post.
Literature:
J. Cohn, ...
Category
1950s Figurative Paintings
Materials
Masonite, Oil
No Passing, Saturday Evening Post Cover
By Stevan Dohanos
Located in Fort Washington, PA
Approximate Date: 1954
Medium: Gouache on Paperboard
Signature: Signed Lower Left
Size: 26 1/8 x 20 in.
Saturday Evening Post, October 9, 1954, cover illustration.
Exhibited:
Norman Rockwell Museum...
Category
1950s Landscape Paintings
Materials
Paper, Gouache, Board
Top of the World, Saturday Evening Post Cover
By Edmund Davenport
Located in Fort Washington, PA
Medium: Oil on Canvas
Signature: Signed Lower Right
Sight Size 38.25" x 29.25", Framed 45" x 35"
Cover of The Saturday Evening Post Magazine, June 13, 1925
Edmund Davenport was a New Yorker and a successful illustrator in the 1920’s. He painted covers for Women’s Home Companion and The Saturday Evening Post, and at the same time, he worked in the art department of Paramount Studios.
At the time of this publication, a young woman’s graduation from college was a rare accomplishment, and the opportunities for employment that required a college diploma, were even rarer. Nevertheless, it was a good reason for this pretty, young woman to be sitting on top of the world in the vicinity of “cloud nine.” “Top of the World” appeared on the cover of The Saturday Evening Post on June 13, 1925.
Exhibited: Christie's New York, Illustrating America: Norman Rockwell and His Contemporaries, November 30, 2013- January, 2014
A luminous and rare Golden Age of Illustration cover...
Category
1920s American Modern Portrait Paintings
Materials
Canvas, Oil
Saturday Evening Post Cover, April 19, 1952
By Thorton Utz
Located in Fort Washington, PA
Medium: Oil on Board
Signature: Signed Lower Left
Sight Size 18.50" x 16.75", Framed 24.00" x 22.25"
Saturday Evening Post Cover, April 19, 1952
Thornton Utz liked to work out the poses of his figures with rapid, free sketches that clearly expressed the mood or mental attitude of his characters. Once this had been established, he then posed an photographed his models, as nearly as possible, in the predetermined positions. The photos furnished the details of folds and lighting which lent added factuality to his original poses.
He used this approach effectively for his humorous Saturday Evening Post covers as well as for the more serious fiction illustrations for Cosmopolitan, McCall’s, The Ladies’ Home Journal, Redbook, and Good Housekeeping.
Utz participated in the Society of Illustrators Air Force Art Program and received a citation from General Curtis LeMay for documenting the airlift of Hungarian refugees. Utz also received the Governor Bryant of Florida Award for his freedom posters.
He was born in Memphis, Tennessee, and studied under Burton Callicott in Memphis. He also attended the American Academy of Art in Chicago and late taught at the Chicago Art Institute. Utz eventually concentrated on paintings and commissioned portraiture, which included President Carter...
Category
1950s Other Art Style Paintings
Materials
Oil, Board
Future President, Saturday Evening Post Cover
By George Hughes
Located in Fort Washington, PA
Approximate Date: 1948
Medium: Oil on Board
Signature: Signed Lower Left
Size: 20" x 16", Framed: 26" x 22"
Original cover illustration for The Saturday Evening Post, September 25 1...
Category
1940s Figurative Paintings
Materials
Oil, Board
Flat and Chat, Saturday Evening Post Cover
By George Hughes
Located in Fort Washington, PA
Medium: Oil on Canvas
Signature: Signed Lower Left
The Saturday Evening Post Magazine Cover, May 21, 1949.
The irritated tire-changer? Why, that's artist George Hughes himself. The...
Category
1940s Other Art Style Paintings
Materials
Canvas, Oil
You May Also Like
Love Story, Illustration for the Saturday Evening Post
By Bruce Bomberger
Located in Miami, FL
An illustrator for Time, Life, Look, True, True West, Saturday Evening Post, Good Housekeeping, Readers Digest, and others, he also painted for adverti...
Category
1950s American Realist Figurative Paintings
Materials
Gouache
Love Story, Illustration for the Saturday Evening Post
By Bruce Bomberger
Located in Miami, FL
An illustrator for Time, Life, Look, True, True West, Saturday Evening Post, Good Housekeeping, Readers Digest, and others, he also painted for adverti...
Category
1950s American Realist Figurative Paintings
Materials
Gouache
U. S. Census Saturday Evening Post original 1940 vintage poster
By Norman Rockwell
Located in Spokane, WA
Original poster: THE SAURDAY EVENING POST. Artist: Noman Rockwell. Size: 21.75" x 28". Archival linen backed in very fine condition. The painting for this original poster ...
Category
1940s American Realist Portrait Prints
Materials
Offset
$1,960 Sale Price
20% Off
Saturday Evening Post cover, August 29, 1959. - Americana
By John Ford Clymer
Located in Miami, FL
This classic Post cover combines the vastness of the American West landscape with the intimacy of iconic Americana: two kids swimming in a rura...
Category
1950s American Realist Landscape Paintings
Materials
Oil, Board
The 11 Gauge Shotgun - Saturday Evening Post illustration
By Amos Sewell
Located in Miami, FL
Saturday Evening Post interior illustration
Signed lower right
Category
1950s American Realist Figurative Paintings
Materials
Oil, Board
Mid Century Golden Age of Illustration- Narrative Art - Norman Rockwell School
By Alex Ross
Located in Miami, FL
“Graduation Day” is emblematic of mid-century American Illustration.
But the real story of this storytelling work is that it embodies the lost art of portrait painting and graphic design.
Alex Ross borrows on the classical tradition and flaunts his skills as a narrative painter. In “Graduation Day”, he paints a complex composition involving at least thirteen portraits. The subjects are beautifully rendered and lit. They are set against a dark grey background and jump off the surface at the viewer. The composition is complexly designed. The future graduate in the red jacket engaging with a girl photographer is a compositional device that leads the viewer's eye to the main subject - a father congratulating his son on graduating from medical school. Creating art that relies on facial expressions and body gestures is a talent absent in contemporary art. Why? It’s very hard to do and takes years and training and practice to get it right. Despite Alex Ross's folksy subject matter, this work is a high example of naturalism and representation by an important member of the Golden Age of American Illustration.
Signed lower right
Born in the town of Dunfermline, Scotland, Alexander Sharpe Ross (1908-1990) moved with his family to Pittsburgh, Pennsylvania in 1911. After attending Carnegie Tech (now Carnegie Mellon University), Ross moved to New York and joined the Charles E. Cooper Studio, where he worked among such notable illustrators as Ward Brackett, Stevan Dohanos, J. Frederick Smith...
Category
1940s Figurative Paintings
Materials
Gouache