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Ritchelly OliveiraJardim dos Sonhos, Ritchelly Oliveira2025
2025
About the Item
“Jardim dos Sonhos” (2025) is a charcoal and acrylic on canvas painting measuring 90 x 67 cm (35.43 x 26.38 in) by the artist Ritchelly Oliveira. The work depicts a monochromatic figure whose upward gaze suggests a moment of near-meditative transcendence, surrounded by delicately colored flowers set against a dark background. In Oliveira’s artistic language, these flowers symbolize overcoming hardship—each bloom stands for a step in the journey of growth, transformation, and personal renewal. The contrast between the dramatic grayscale portrait and the gentle pastel flowers creates a powerful tension that immediately draws the viewer in, while the interplay of shadow and light adds depth and visual interest. Technically, the artist’s skillful use of charcoal offers a velvety, intense finish, harmonizing with the brightness of the acrylic to bring both nuance and texture to the composition. This piece reflects the artist’s ongoing exploration of the human figure enveloped in natural elements as a metaphor for processes of healing and self-discovery. From a collector’s standpoint, the painting not only represents a distinctive example of Ritchelly Oliveira’s growing body of work but also carries an emotional resonance that transcends mere decoration. The delicately rendered petals, the subtle interplay of colors, and the figure’s serene expression all weave a narrative of resilience and hope.
- Creator:Ritchelly Oliveira (1993, Brazilian)
- Creation Year:2025
- Dimensions:Height: 35.44 in (90 cm)Width: 26.38 in (67 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Porto, PT
- Reference Number:1stDibs: LU2214215673342
Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enter visual arts at the Federal University of Goiás (UFG), he found
human figure a margin to present his speech about what he
understands the deeper aspects of emotional relationships. He works about what he suspects to be love and, believing that this is a universal feeling. Believing that affective relationships are built from the individual and
as their surroundings interfere with them, he tries to rescue the possibility
to construct discourses about love, especially black love. The importance
to reflect together on issues such as sexuality, responsibility
affective and colorism are necessary canons in this invitation to fulfill the ideals
dangerous and exclusionary forms of romantic love that circulate in our environments.
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- ShippingRetrieving quote...Shipping from: Porto, Portugal
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