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Ritchelly OliveiraRecomeço , Ritchelly Oliveira2024
2024
About the Item
“Recomeço” (2024) is a charcoal and acrylic on canvas painting by Ritchelly Oliveira, measuring 190 x 150 cm (74.8 x 59 in). A poised, grayscale figure appears at the center with arms raised in a gesture of gentle release, while white doves circle around her, wings caught in mid-flight. For Ritchelly, these birds symbolize moments of fragility, capturing the delicate balance between vulnerability and the liberating promise of renewal. Framed against a warm terracotta backdrop, the brilliant white of the doves contrasts sharply with the deep, velvety shading of the central figure—an interplay that heightens the sense of transformation at the heart of the piece. Technically, Oliveira’s skilled use of charcoal creates a rich textural depth in the figure, while acrylic brings a crisp luminosity to the doves, underscoring their role as both fragile and hopeful emblems of a fresh start. “Recomeço” thus distills the artist’s enduring fascination with the power of introspection—revealing how embracing one’s vulnerabilities can pave the way for personal rebirth.
- Creator:Ritchelly Oliveira (1993, Brazilian)
- Creation Year:2024
- Dimensions:Height: 74.81 in (190 cm)Width: 59.06 in (150 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Porto, PT
- Reference Number:1stDibs: LU2214215673512
Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enter visual arts at the Federal University of Goiás (UFG), he found
human figure a margin to present his speech about what he
understands the deeper aspects of emotional relationships. He works about what he suspects to be love and, believing that this is a universal feeling. Believing that affective relationships are built from the individual and
as their surroundings interfere with them, he tries to rescue the possibility
to construct discourses about love, especially black love. The importance
to reflect together on issues such as sexuality, responsibility
affective and colorism are necessary canons in this invitation to fulfill the ideals
dangerous and exclusionary forms of romantic love that circulate in our environments.
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