Robert Andrew Parker

"Seated Figure #2" Partially Nude Female in Intimate Scene with Bold Colors

1979

"Seated Figure With Cigarette" is distinctly vibrant and sexual with a feminine-mystique glow in this stunning example of Robert Parker's Expressionist watercolor. Its colors mesh wi...

"Headache Backstage" is a dark and moody example of Robert Parker's Expressionist watercolor work, though in this work he uses gouache in particular. A female figure who is a recurri...

“Sunday Dinner for a Soldier”, is from Ten Lithographs by Ten Artists and is based on the World War II-era poems of Keith Douglas. It is laid with heavy sarcasm as the scene describe...

"Mental Capacity" is a fictional experience whereby an African American man from the 1970s discovers his artistic side. It is generally known that most people are either left brain o...

"The Conductor" is an Expressionist oil painting of a dramatically highlighted orchestral scene where orchestra and conductor are fully engaged in the...

“Untitled Female" is a colorful piece by Richard Wilson that has meaning for native Detroiters through use of the blues and oranges - their "Tiger" baseball team's colors and the "D"...

An oval German white porcelain jewelry dish, circa early-20th century, Germany. Dish features hand painted figurative females holding baskets filled with flowers and fruit in soft co...

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Charles Philips 1703 - 1747 Portrait of a King's Messenger Oil on canvas Image size: 35 ¾ x 28 inches Original gilt frame King's Messenger The job of a King's Messenger was that of a diplomatic courier, hand-carrying important and secret documents around the world. Some say that the history of the sovereigns' messengers goes back to 1199, but the first known messenger was John Norman, who in 1485 earned 4d (1½ pence) per day for carrying the state papers of Richard III. The silver greyhound on the messenger's badge dates back to Charles II. In 1660, during his exile at Breda, Netherlands, Charles II issued a declaration of amnesty to all those who had opposed him and his father. He used messengers to make his intentions known. In answer to the messenger's question "How will they know me?", Charles reached forward to a silver bowl on the table in front of him. This bowl, with four decorative greyhounds standing proud above the rim, was well known to all courtiers. Charles broke off a greyhound and gave it to the messenger as a guarantee that the message came from him. From that date, the King's Messenger always wore a silver greyhound around his neck. Later, dating from George II or III, a badge with the Royal Arms in enamel, with the greyhound suspended beneath, was worn. A George III example of the King's Messenger Badge, pre 1800, sold for over £30,000 pounds some years ago. The silver greyhounds were minted for each new reign, except the brief one of King Edward VIII. The sovereign's messengers were originally controlled by the Lord Chamberlain, being Messengers of the Great Chamber. When the Foreign Office was created in 1782, the messengers remained common to the three Secretaries of State. Charles Philips was an English artist known for painting a number of portraits and conversation pieces for noble and Royal patrons in the mid-eighteenth century. Philips was baptised in the combined parish of St Mildred, Poultry with St Mary...

“Water is soft and supple, but also hard and inflexible.It flows or is still. It is silent and loud; it possesses every nature. Pure and clear, muddy and blind, wet and dry, salty an...

Oil on canvas, signed lower right and signed and inscribed reverse. This work is signed with one of the artist's pseudonyms (Hillier). Provenance: The Cooling Galleries, London Mea...

Unsigned and painted circa 1955. A colorful, stylized illustration of a West African man playing an Ashiko drum and wearing a leopardskin loincloth and a flowing headdress with fibr...

Born and raised in New York City, Grace (Gay) Betts (1883-1978) became a peripatetic painter of Western and Southwest landscapes and Indians, and her subjects included Yosemite Natio...

Eight part portrait of the Hollywood movie actor and legend smoking and wearing sun glasses. PREISS FINE ARTS is one of the world’s leading galleries ...

Karl Zerbe (1903-1972) A mixed-media Painting collage of mod neon colored leaves on canvas with parchment backing. Hand signed "Zerbe" bottom left and dated bottom right 1965-65. Dimensions: Collage: 36 in tall x 24 in wide. Frame: 40 in tall x 28 in wide. Karl Zerbe (1903 – 1972) was a German-born American realist painter and educator. Karl Zerbe was born on September 16, 1903 in Berlin, Germany. The family lived in Paris, France from 1904–1914, where his father was an executive in an electrical supply concern. In 1914 they moved to Frankfurt, Germany where they lived until 1920. Karl Zerbe studied chemistry in 1920 at the Technische Hochschule in Friedberg, Germany. From 1921 until 1923 he lived in Munich, where he studied painting at the Debschitz School, mainly under Josef Eberz. From 1924 until 1926 Karl Zerbe worked and traveled in Italy on a fellowship from the City of Munich. In 1932 his oil painting titled, ‘’Herbstgarten’’ (autumnal garden), of 1929, was acquired by the National-Gallery, Berlin; in 1937, the painting was destroyed by the Nazis as "Degenerate art." Entartete Kunst was what they deemed all the Avant Garde, Modernism Movements. In the visual arts, sucf innovations as Expressionism, Fauvism, Cubism, Dada, Bauhaus, Post Impressionism were disdained. Artists such as Käthe Kollwitz, Otto Dix, George Grosz, Max Beckmann, Max Ernst, Oskar Kokoschka, El Lissitzky, Franz and Marc Chagall were among those who despite having made significant contributions to the German modernist movement were banned even if they were not necessarily Jewish. From 1937 until 1955, Karl Zerbe was the head of the Department of Painting, School of the Museum of Fine Arts, Boston. In 1939 Karl Zerbe became a U.S. citizen and the same year for the first time he used encaustic. He joined the faculty in the Department of Art and Art History at Florida State University in 1955, where he taught until his death. He was grouped together with the Boston artists Kahlil Gibran (bronze sculpture), Jack Levine and Hyman Bloom as a key member of the Boston Expressionist school of painting, and through his teaching influenced a generation of painters,[including, among others, David Aronson, Bernard Chaet, Reed Kay, Arthur Polonsky, Jack Kramer, Barbara Swan, Andrew Kooistra, and Lois Tarlow. Select solo exhibitions 1922: Gurlitt Gallery, Berlin, Germany 1926: Georg Caspari Gallery, Munich, Germany; Kunsthalle, Bremen, Germany; Osthaus Museum, Hagen, Germany 1934: Germanic Museum (now Busch-Reisinger Museum), Harvard University, Cambridge, Massachusetts 1934, 1935, 1936, 1937: Marie Sterner Galleries, New York City 1936, 1938, 1939, 1940: Grace Horne Galleries, Boston, Massachusetts 1941: Vose Galleries, Boston; Buchholz Gallery, New York City 1943: Mount Holyoke College, South Hadley, Massachusetts 1943, 1946, 1948, 1951, 1952: The Downtown Gallery, New York City 1943, 1947: Berkshire Museum, Pittsfield, Massachusetts 1945, 1946: Art Institute of Chicago, Illinois 1946: Detroit Institute of Arts, Detroit, Michigan 1948, 1949: Philadelphia Art Alliance, Pennsylvania 1948, 1955: Boris Mirski Gallery, Boston, Massachusetts 1950: Munson-Williams-Proctor Arts Institute, Utica, New York 1951-1952: Retrospective Exhibition circulated by the Institute of Contemporary Art, Boston, traveled to: Baltimore Museum of Art; Colorado Springs Fine Arts Center; Currier Gallery of Art, Manchester, New Hampshire; Florida Gulf Coast Art...

Henry H Parker British, (1858-1930) Near Goring on Thames Oil on canvas, signed & dated (18)95 Image size: 15.25 inches x 26.5 inches Size including frame: 21.25 inches x 32.5 inches Provenance: Pawsey & Payne, Ryder Street, London Henry Parker was born in the St Pancras area of London on 27 June, 1860 and was christened Henry Deacon Hillier...

Watercolor, mixed media

This painting is in a series called the Wild Woman which is also printed in a pocket sized book. Watercolor, mixed media, using resists. Janet Morgan

Category

2010s Expressionist Figurative Drawings and Watercolors

Materials

Mixed Media, Watercolor, Archival Paper

This painting is in a series called the Wild Woman which is also printed in a pocket sized book. Watercolor, mixed media, using resists. Janet Morgan

Category

2010s Expressionist Nude Drawings and Watercolors

Materials

Mixed Media, Watercolor, Archival Paper

Suburb. 1963, watercolor on paper, 27x38 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits...

Gouache on paper, 1920's by Hugò Scheiber ( 1873-1950 ) Hungary. Signed with pencil lower central: Scheiber H. Framed under glass. Height: 25.98 in ( 66 cm ), Width: 19.69 in ( 50 c...

Expressionist Figurative water color painting by Zhang Chunyang Title: Luckiness Dimension: 29 x 36 cm Material: Gouache, Watercolor on Paper...