Robert Lebsack

Remembering to Forget - Abstract Figurative Diver Mixed Media Surrealist Artwork

2025

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

This work was one of Long’s earliest compositions as an artist. Even earlier in his artistic career, Long was interested in exploring the intersection of various media, branching out into new innovative spaces. This work demonstrates the technique and forms at play that have since germinated into Long’s signature style. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Untitled" 1977 Acrylic and Paper Collage on Canvas...

20 x 20 inch mixed media and oil painting on canvas. Original artwork "Beneath the Surface" from the collection 'Fragments of Self', an exploration of hidden depths and resilience. ...

This is a hand painted oil and mixed media artwork on canvas by internet sensation mad charcoal He is represented by Krause Gallery NYC Ships rolled in ...

This piece depicts a colorful collage composition portrait of Marilyn Monroe, as Jon Davenport explores the process of deconstructing iconic imagery from the past and present. Davenport start’s out with photos of his paint-stained studio floor and collages in articles/advertising from an array of vintage magazines collected over the years; plus any other interesting stuff captured on his travels. He then transfers the images to a panel board, layering them on with gel medium, together with strokes, splashes, drips, and splats of paint. Once it's dry, another layer of gel medium is poured on to give it a melting effect. After it drys off again, another layer of paint is added to embellish a few areas and to accentuate or fade out certain aspects. And then, he finally adds a coat of polyurethane for protection and making the colors pop. This unique work is executed on a wood panel board and comes ready to be displayed with hanging wire on verso, signed by the artist lower right. Art measures 36 x 36 in From biology student to owning and running a creative agency in London to a career as a fine artist, life has taken Jon Davenport on a rewarding and unconventional journey. Despite his scientific beginnings, he’s always had a strong artistic streak weaving its way through his different career paths. Growing up in Ipswich, UK, Jon was always an avid drawer, and could often be found with a pencil and paper in hand. With the arrival of his first computer, he embraced the new frontier of digital art and had work published in one of those early computer magazines. His creative urges took a backseat to get a biology degree at Brunel University in London. It was afterward, in his first job working at the Archant newspaper group in Ipswich, that he quickly progressed from plate maker to becoming an integral member of the art studio. It was during this time that he taught himself photoshop, desktop publishing, and graphic & web design. After a few years, he set up a design agency, and eventually went full time and moved to London. This proved to be a successful move, working for a number of clients such as Nike and Virgin, and gaining praise from the likes of Richard Branson and Tony Blair. It wasn’t until Jon moved to the USA to marry his wife, Atlanta artist Christy Kinard...