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Robert RiggsMongols1950s
1950s
About the Item
Tempera mixed with gum arabic and alcohol on Renaissance Panel
There is from frame burn and scattered surface abrasions but they are minor. Additionally, there are a 3 or 4 very fine hair line scratches not visible unless you look very closely. The work is varnished and has a reflective quality to it that makes it hard to photograph. In person the viewing experience is much better. You can see more detail in the shadow areas. The colors are rich, deep and saturated. Riggs was very particular in researching the tribal costumes and getting the ethnic facial looks right. Work is unframed. Philip Desind Freeman's Auctions
- Creator:Robert Riggs (1896 - 1970, American)
- Creation Year:1950s
- Dimensions:Height: 17.5 in (44.45 cm)Width: 12.5 in (31.75 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:There is some frame burn and scattered surface abrasions but they are minor. Additionally, there are a 3 or 4 very fine hair line scratches not visible unless you look very closely. The work is varnished and has a reflective quality to it that make.
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU38531015013
Robert Riggs
Known for his scenes of prize-fighting and circus-genre, Robert Riggs had a highly successful career as an artist, especially in the ‘30s and ‘40s. His painting, The Brown Bomber, showed the boxing victory of Joe Louis over Max Schmeling. This is one of the paintings that earned Riggs election to the National Academy of Design in 1946. He was born in Decatur, Illinois, and as a young man ran away from home and joined the circus. He studied at the James Milliken University in Illinois and then trained at the Art Students League in New York, but his study was interrupted by Army service in the First World War. He attended the Académie Julian in Paris and then returned to the United States where he settled in Philadelphia and worked for N. W. Ayer & Sons, an advertising agency for whom he did numerous illustrations.
About the Seller
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