Items Similar to Hope and depths Louis-Paul Ordonneau Contemporary painting art sea seaweed blue
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Louis-Paul OrdonneauHope and depths Louis-Paul Ordonneau Contemporary painting art sea seaweed blue2023
2023
About the Item
Oil paint on canvas
Hand-signed by the artist on the back
Louis-Paul Ordonneau is a French painter born in 1975.
He lives and works in Paris.
In 1999, he set up his studio in temporary and alternative places in the capital.
From that time on, the exploration of color was at the heart of his work. During one of his very first exhibitions, a visitor commented: "Too many colors in your paintings".
He chooses to assume this excess and make the exuberance of chroma a line of conduct, his path to freedom. In his artistic research, figuration is eclipsed in favor of a dense abstraction which does not deny reality for all that but throws on it the singular perspective of a gaze fascinated by colors: the gaze of a painter who persists whatever whatever the medium.
"Painting, for me, is more than ever going down into oneself"
“When you come to an exhibition, you expect to discover novelties and to see where the progress of the artist is.
This time for my exhibition at the Galerie Claire Corcia, there is no contemporary novelty, no assertive one-upmanship, no confirmation of belief, no certainty or coherence, no theory.
Because the surface of the lake is full of fallen leaves, it has a deep-water plunge.
Today I present a work of deconstruction that I carried out to return to the essence of my anima in creation, to extract it, and to see where it took me in painting.
Exposing my shortcomings, my contradictions, my attempts, my mistakes to share what we can learn from being put in danger, this is what I propose in this exhibition where those who have known my work since my beginnings do not will not find.
In this process, I stopped my paintings when I no longer understood them. I wanted to paint the unknown in the strongest sense. By focusing on this misunderstood, I believe that I am getting closer to myself. There is no longer an accumulation of references, nor "looking for Char-lie", nor even a demonstration of know-how or pareidolia. There is no longer any desire for progress or consistency.
Clearly I am showing difficulties. This is also a form of ethical requirement. It may be naive, but I also see a form of re-enchantment in it.
Ask yourself why we keep imprinted in our memory memories of meadows, rivers, seaweed, depths.
To paint, for me, is more than ever going down into oneself, because the surface of the lake is full of dead leaves and so you have to dive deep, where the imagination is no longer condemned by ridiculous torments. , even if it is at the risk of encountering a neutrality that could well make one think of nothingness.
In my paintings, one can believe that I repeat genres of landscapes with variations. It's the case. Everything remains to be done and everything will always remain to be done. It is a way of opposing the idea of a total theory in painting which is often satisfactory today. That such a fantasy can arise in people's minds says a lot about our time.
Any new artistic proposal is inevitably a mistake. So obviously I'm wrong but I'm surprised that it can surprise.
To paint is to accept being wrong. In a positive version, it is knowing that what you think you will find one day will be replaced the next day. I agree with this neat idea. Besides, tomorrow, we will go see a new exhibition.
I like anomalies and I hope my paintings are. The anomalies that we prefer are always those whose explanation we would like to know first. »
Louis-Paul Ordonneau, 2023
- Creator:Louis-Paul Ordonneau (1975, French)
- Creation Year:2023
- Dimensions:Height: 15.75 in (40 cm)Width: 23.63 in (60 cm)Depth: 1.97 in (5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU1034112016842
Louis-Paul Ordonneau is a French painter born in 1975. He lives and works in Paris. In 1999, he set up his studio in temporary and alternative places in the capital. From that time on, the exploration of color was at the heart of his work. During one of his very first exhibitions, a visitor commented: "Too many colors in your paintings". He chooses to assume this excess and make the exuberance of chroma a line of conduct, his path to freedom. In his artistic research, figuration is eclipsed in favor of a dense abstraction which does not deny reality for all that but throws on it the singular perspective of a gaze fascinated by colors: the gaze of a painter who persists whatever whatever the medium. "Painting, for me, is more than ever going down into oneself" “When you come to an exhibition, you expect to discover novelties and to see where the progress of the artist is. This time for my exhibition at the Galerie Claire Corcia, there is no contemporary novelty, no assertive one-upmanship, no confirmation of belief, no certainty or coherence, no theory.
Because the surface of the lake is full of fallen leaves, it has a deep-water plunge.
Today I present a work of deconstruction that I carried out to return to the essence of my anima in creation, to extract it, and to see where it took me in painting.
Exposing my shortcomings, my contradictions, my attempts, my mistakes to share what we can learn from being put in danger, this is what I propose in this exhibition where those who have known my work since my beginnings do not will not find.
In this process, I stopped my paintings when I no longer understood them. I wanted to paint the unknown in the strongest sense. By focusing on this misunderstood, I believe that I am getting closer to myself. There is no longer an accumulation of references, nor "looking for Char-lie", nor even a demonstration of know-how or pareidolia. There is no longer any desire for progress or consistency.
Clearly I am showing difficulties. This is also a form of ethical requirement. It may be naive, but I also see a form of re-enchantment in it.
Ask yourself why we keep imprinted in our memory memories of meadows, rivers, seaweed, depths.
To paint, for me, is more than ever going down into oneself, because the surface of the lake is full of dead leaves and so you have to dive deep, where the imagination is no longer condemned by ridiculous torments. , even if it is at the risk of encountering a neutrality that could well make one think of nothingness.
In my paintings, one can believe that I repeat genres of landscapes with variations. It's the case. Everything remains to be done and everything will always remain to be done. It is a way of opposing the idea of a total theory in painting which is often satisfactory today." Louis-Paul Ordonneau
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2008
1stDibs seller since 2018
10 sales on 1stDibs
Typical response time: 7 hours
- ShippingRetrieving quote...Ships From: Paris, France
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Cosmic pulse III- Hélène Duclos, 21st Century, Contemporary figurative paintingBy Hélène DuclosLocated in Paris, FROil on canvas Signed Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who /...Category
21st Century and Contemporary Contemporary Landscape Paintings
MaterialsCanvas, Oil
- Genealogical spaces #6 - Hélène Duclos, 21st Century, PaintingBy Hélène DuclosLocated in Paris, FR2 oil paintings on canvas composing a diptyc Signed lower right by the artist Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the h...Category
21st Century and Contemporary Contemporary Landscape Paintings
MaterialsCanvas, Oil
- In full knowledge of the facts #1 - Hélène Duclos, 21st Century, PaintingBy Hélène DuclosLocated in Paris, FROil on canvas Signed Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who / what can we believe? Who / what can we trust? How real is our view of the world? And how is that perspective angled, and ultimately limited? These are the issues at the heart of my work as an artist. Painting, drawing, engraving and embroidery give me the freedom to approach my subjects from an ambivalent and flexible standpoint. I am building up a dynamic body of work, like pieces that you can put together in one way or another to shape different structures, pierced with numerous openings. And the title that I give each piece acts as a possible clue as to how to enter inside that system. I can portray both softness and monstrosities. I focus on the links and barriers lying between living beings and their surroundings, and evoke how permeable these connections are. My aim is not to create a visual documentary reporting fact, but rather immerse myself in observing everyday life, and in a host of images depicting real events (pictures, photos and videos). Instilled with these images, I can give a more personalized, unique and allegorical vision of the world around me. I am also interested in the key transition periods of human existence, those turning points that forge our identity within a family, a group, and society as a whole at the heart of a specific environment. I centre on what makes up and creates cohesion (rituals, myths and tales….), and indeed the opposite - what leads to life becoming shattered, hindered and frustrated (moving populations, exile and migration…) Amidst a landscape roaming with wild beasts and hybrid creatures, between love and separation, metaphors for our own desires and fears lie in hiding, or reveal themselves in the painted or embroidered spaces. Sometimes they are etched with lines, symbols and tiny architectural designs. These works might depict our inner landscapes, as if harking back to a primordial and cosmic point of origin. My most recent collections recreate the images of bodies or landscapes using abstract zones and figurative details that have no direct link with either anatomy or geography. Intimacy and the unspeakable are themes that run throughout my work, and I make sure to incorporate areas of both visual tension and relief, so as to give the viewer the space to project him or herself into the work. And here, such paradoxes can only be reached through the interplay between abstraction and figuration.” 2 / Thierry Delcourt Psychiatrist, psychoanalyst and author of works on the process of artistic creation, and the conditions of existential and social creativity : "Entering into the world of Hélène Duclos in her drawings, paintings, embroidery and words means letting yourself be carried away by a torrent towards strange shores of creation where only a few artists have ever dared to venture. As if perched on a watchtower on the threshold of different worlds, Hélène Duclos throws us out of our depth, plunging us into spaces filled with destitute mankind, and guiding us through her stem-like maze of a scheme, bristling with roots and clues. But the mystery here, like a poetic, human rebus that never ends, only compels us to take a closer look.” 3 / Hélène Duclos ‘s biography : After graduating from the Duperré School of Applied Arts in Paris with a degree in textile design, I set off on a six-month sea voyage from Vannes in Brittany, to Dakar. On returning to France, I set up my atelier...Category
21st Century and Contemporary Contemporary Landscape Paintings
MaterialsCanvas, Oil
- Selective memory #3 - Hélène Duclos, 21st Century, Contemporary paintingBy Hélène DuclosLocated in Paris, FROil on canvas Signed Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who /...Category
2010s Contemporary Figurative Paintings
MaterialsCanvas, Oil
- Imperceptible change #3 - Hélène Duclos, 21st Century, Contemporary figurativeBy Hélène DuclosLocated in Paris, FROil on canvas Signed Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who /...Category
21st Century and Contemporary Contemporary Landscape Paintings
MaterialsCanvas, Oil
- Change of paradigm #3 - Hélène Duclos, 21st Century, Contemporary figurativeBy Hélène DuclosLocated in Paris, FROil on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living...Category
21st Century and Contemporary Contemporary Landscape Paintings
MaterialsCanvas, Oil
You May Also Like
- "Ebbing Reef" Corals, Large Scale Contemporary Seascape Oil Painting (deep blue)By Karen MarstonLocated in New York, NY60"x144" large scale painting, oil on canvas, created on two joined canvases. The deep blue palette gives a sense of underwater space in this grand depiction of coral reefs. Artist, Karen Marston presents this endangered species in a grand scale to show its beauty and importance to our environment. Karen Marston is a painter living and working in Brooklyn, NY. Her work has been seen in a number of solo exhibitions in New York City. In addition to her 2018 show Harbingers, at the Owen James Gallery in Soho, other recent solos include: 2017’s To Embrace the Whole Sky with the Mind, at Station Independent Projects on the Lower East Side, Demeter’s Wrath in 2016 at the Owen James Gallery and Storm Watch...Category
2010s Contemporary Landscape Paintings
MaterialsOil, Canvas
- Mountain Mystery - Oil Paint by Elena Mardashova - 2023Located in Roma, ITOriginal oil painting on canvas 70X50 cm, entitled Mountain Mystery. Excellent condition.Category
2010s Contemporary Figurative Paintings
MaterialsCanvas, Oil
- Magic Evening- Oil Paint by Elena Mardashova - 2023Located in Roma, ITOil painting on canvas 60 x 50 cm, called 'Magic evening', is meant to create a magic feeling of the ocean under the special orange sunset light.Category
2010s Contemporary Figurative Paintings
MaterialsCanvas, Oil
- Rustics: Spring WeekendersBy Hannah BarrettLocated in Boston, MAHannah Barrett’s paintings imagine a colorful, absurdist world inhabited by eccentrics of ambiguous genders and time periods. With tongue-in-cheek nods to the past, Barrett combines...Category
2010s Contemporary Figurative Paintings
MaterialsCanvas, Oil, Acrylic
- Un Chien une Chaise et les Gamins-Terrasse by Hugues Pissarro - Oil PaintingLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Un Chien une Chaise et les Gamins-Terrasse by Hugues Pissarro dit Pomié (B. 1935) Oil on...Category
1990s Contemporary Landscape Paintings
MaterialsCanvas, Oil
- Figurative oil painting- The PrefaceLocated in Beijing, CNZhang Lili oil paint on canvas 50 x 40cm dated 2019 Zhang lili was born in Hunan, China. She received her MA from Central Academy of Fine Arts in China in 1996.Category
2010s Contemporary Figurative Paintings
MaterialsCanvas, Oil