S.Liotti

Surreal Circus Female Horse Trainer Figurative Painting

1980

5-3750 Screen print on Irish Linen of an Englishman and his bull dog Linen applied to board Set in a custom wood frame

5-100 A 1940's bucolic scene,finely executed gouache on paper signed lower left by F.L.B displayed in a wood-gold trim frame

#5-2779a River Crossing Equestrian painting, a 1910"s black and white oil on canvas , signed lower right by Clarence Rowe 1910. Age wear Unframed

5-3756 Oil painting on canvas of Italian boys having a feast unframed

3882 Antique equestrian with seated rider oil painting on wood panel

%-3074 Italian Fisherman Portrait, oil on canvas applied to a board, displayed in a wood frame, signed lower left by E.Mori

Large Nature Diptych by Alex K. Mason of Heron Rookery, " The Rookery" is watercolor & acrylic on Yupo mylar unframed with greens, grays, blues and ...

Artist Nathaniel Covington constructs bold, colorfully sculpted papier-mâché monster masks and large, pop art creature paintings. His art pieces have simple lines, set against solid color backgrounds. For Nathaniel, the process starts with rough sketches on paper, wood, skateboards - just about anything he can draw on, allowing him the vision to finalize his art. The making of masks started about 3 years ago and he fell in love with the process. It’s an opportunity to bring to life all the “Creatures” and wildly funny things living in my head. He says, "I’d like the art pieces that I make to evoke some sort of emotion when they are seen.” He’s predominately influenced by 1969’s-1980’s “Creature Feature Films”, horror soundtracks, Sci-Fi magazines, plus a dash of Ed Roth.

Artist Nathaniel Covington constructs bold, colorfully sculpted papier-mâché monster masks and large, pop art creature paintings. His art pieces have simple lines, set against solid color backgrounds. For Nathaniel, the process starts with rough sketches on paper, wood, skateboards - just about anything he can draw on, allowing him the vision to finalize his art. The making of masks started about 3 years ago and he fell in love with the process. It’s an opportunity to bring to life all the “Creatures” and wildly funny things living in my head. He says, "I’d like the art pieces that I make to evoke some sort of emotion when they are seen.” He’s predominately influenced by 1969’s-1980’s “Creature Feature Films”, horror soundtracks, Sci-Fi magazines, plus a dash of Ed Roth.

Folklore, at its core, is a way of making sense of the world around us. Through myths, legends, and traditional stories, we explore our deepest fears and desires, as well as our relationship with nature and the supernatural. The use of Balkan folklore in Matija Bobičić...

Folklore, at its core, is a way of making sense of the world around us. Through myths, legends, and traditional stories, we explore our deepest fears and desires, as well as our relationship with nature and the supernatural. The use of Balkan folklore in Matija Bobičić...

Circular oil and acrylic painting by artist Wenyu Zhu. This work shows a unique fictional scenery, in which a jellyfish, a frog and a fish are staying together. Although they won’t b...