Unknown

Antique French Bucolic Scene Landscape Gouache 1940's

5-3750 Screen print on Irish Linen of an Englishman and his bull dog Linen applied to board Set in a custom wood frame

#5-2779a River Crossing Equestrian painting, a 1910"s black and white oil on canvas , signed lower right by Clarence Rowe 1910. Age wear Unframed

#5-3462 Surreal horse trainer, figurative acrylic on artist board displayed in a gilt wood frame, signed by S.Liotti Image size 19.25 H x 15.25 W

5-3756 Oil painting on canvas of Italian boys having a feast unframed

3882 Antique equestrian with seated rider oil painting on wood panel

%-3074 Italian Fisherman Portrait, oil on canvas applied to a board, displayed in a wood frame, signed lower left by E.Mori

Rhonda Libbey's "Goldfinch" is an original, handmade gouache painting that depicts yellow and blue mandala patterns swirling behind a Gold finch and its ...

This piece titled "Raven" is an original artwork made from gouache on paper by Dina Brodsky. This piece is shipped in the pictured white frame and measures 14.5”h x 13.5”w. Dina Bro...

This piece titled "Falcon" is an original artwork made from gouache on paper by Dina Brodsky. This piece is shipped in the pictured white frame and measures 10”h x 8”w. Dina Brodsky...

This piece titled "Tawny Frogmouth" is an original artwork made from gouache on paper by Dina Brodsky. This piece is shipped in the pictured white frame and measures 12”h x 10”w. Di...

This piece titled "Seagull" is an original artwork made from gouache on paper by Dina Brodsky. This piece is shipped in the pictured white frame and measures 12”h x 10”w. Dina Brods...

Cover illustration for mid-century children's book publisher Merril Publishers. Signed lower right. Unframed. Retta Scott or Retta Worcester was (February 23, 1916 – August 26, 1990) was an pioneering Female Illustrator / American artist. She was the first woman to receive screen credit as an animator at the Walt Disney Animation Studios. Scott worked on storyboards to develop scenes of Bambi, his mother, and the film’s hunting dogs, on which she spent weeks to develop them into “vicious, snarling, really mean beasts.” Male artists in the company were stunned who initially assumed that only a man could create drawings with such intensity and technical skill. Her sketches caught the eye of Disney, so when the film went into production, she was assigned to animate scenes of hunting dogs chasing Faline. She worked under the film's supervising director, David D. Hand,and was tutored by Disney animator Eric Larson. This was a significant coup for the young woman, since at the 1930s-era Disney studio, women were considered only for routine tasks: "Ink and paint art was a laborious part of the animation process, and was solely the domain of women..." Her promotion to animator was in part thanks to the success of herself and other women such as Bianca Majolie, Sylvia Holland, and Mary Blair as storyboard artists. Even after receiving a promotion to animator, she and her animations continued being under appreciated in the industry. Though the most recognized Walt Disney female artist is Mary Blair, it is Retta Scott who opened up the doors for women in the animation industry. She became the first woman to receive screen credit as an animator. By the spring of 1941, Scott was also considered a "specialist in animal sketches." Scott helped produce Fantasia and Dumbo, as well as an adaptation of The Wind in the Willows that was later cancelled. She also made an appearance in The Reluctant Dragon...