Wheel Figurative Paintings

The Spanish artist Mònica Castanys is inspired by everyday scenes. Moments, femininity and light are the basis of her paintings. Her color palette is r...

GASPAR MIRÓ I LLEÓ Spanish, 1849 - 1914 ANIMATED BOULEVARD, PARIS signed "gmiró" (lower right) oil on canvas 15-1/8 x 22-3/8 inches (38.2 x 56.5 cm.) framed: 21-1/2 x 28 inches (54.2...

This interesting British 1930's Post Impressionist town landscape oil painting is by noted Liverpool born artist Edwin Glasgow. Painted in 1936 and signed lower left, the painting wa...

Date: 1913 Medium: Gouache on Paper Dimensions: 19.75" x 14.50" Signature: Signed Lower Right Original 1913 Motor Age Magazine Cover Art Illustrati...

"Landscape" by Maurice Mazeilie (French) watercolour painting on artist paper, unframed stamped verso painting: 4 x 6 inches A delightful original oil painting by the 20th century ...

Acrylic on paper contemporary figurative painting by Michal Wojtysiak. Artwork depicts Porsche 911 Targa 4s car in realistic style. The color is vibrant and saturated. Michal Wojtys...

The relaxed atmosphere is characteristic of the oil paintings by Dutch artist Laetitia de Haas (1948). Her work radiates a distinction and tranquilit...

Medium: Oil on Linen Signature: Signed and Dated Lower Right This painting is accompanied by a typewritten letter from Falter, dated May 23, 1974.

"Log Hauler" by Henni de Korte measures 31x40 and is available for $14,500. A young man in a blue jacket is directing an old horse as he pulls freshly c...

Work on canvas Black wooden frame 51 x 73 x 5 cm

This artwork masterfully blends surrealism and pop culture, presenting a vivid, retro-futuristic scene against a dark, dreamlike backdrop. At its center is a bright yellow vintage ca...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

"N.U.F.U. NYC" Acrylic and Marker on Canvas Year: 2024 Size: 39.37 x 39.37 x 1.18 inches Signed and titled by hand COA provided *On Stretcher Frame Ready to hand N.U.F.U. stands fo...

Henri Carnier, 19th century busy European harbor view Signed lower left. Frame damaged. Dimensions without frame: 32 cm x 48 cm With frame: 50.5 cm x 66.5 cm From 1900 Karl Kaufma...

Shan Fannin's (US based) "Always Sunny - Volkswagen Type 2 Samba" is an acrylic painting that depicts a Volkswagen Type 2 Samba. Born 1969 in California, artist Shannon “Shan” Fann...

Artist/ School: by Patrice Landauer (French b. 1965), signed lower right. Title: Vintage Street scene in Paris showing la Place de la Concorde. Med...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

This artwork captures a solitary moment in a remote desert setting. The scene focuses on a vintage motel, "Desert Inn," with its bright yellow façade standing out against the dark, m...

This artwork Titled "The Lumbejack House, Santa Cruz, California" c.1940 is an oil painting on canvas by noted California artist Carl M. Thorp, 1912-1989. It is signed at the lower left corner by the artist. The canvas size is 20 x 24 inches, framed size is 25.25 x 29.25 inches. Framed in a wooden gold frame. It is in excellent condition. About the artist: Carl Thorp (1912–1989) was an American artist who became known for Impressionist landscapes of California, sometimes referred to as California Scene...

OIL ON CANVAS 1 PART FROM TRIPTYCH. Ready to hang. Shipping from Belarus, Minsk. Natalia Ivanova is a well-known Belarusian painter working in the style of symbolic figurative art. ...

The French-Prussian War is an original modern artwork realized by the French painter Raoul-Joseph Arus in the last decades of the XIX Century. Original Oil painting on Canvas. Hand...

"We know that everything around us is energy, the energy of the universe. When an artist paints, images sometimes suddenly appear in her mind. This only means that she is conducting ...

Valerio D'Ospina's (US based) "Fiat 500" is an oil painting depicting a white Fiat on a city street. Valerio D’Ospina was born in Taranto in 1980. On July 14, 1999 he received an a...

Rickshaw, Calcutta Original Watercolor by Ursula Gill Soft pastel like Watercolor of Calcutta streets and a rickshaw and driver by Ursula Gill (American, 20th C). Ursula Gill, Mary...

Brad Davis's "Street Sweeper" (2023) is a compelling oil on wood panel painting that measures 8 x 10 inches unframed. This painting depicts a vibrant yellow truck parked behind a fen...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Artist/ School: Suzanne Crochet (French c. 1930) French Impressionist artist Title: the Village Gathering Medium: oil on stretched canvas on board, unframed board: 10 x 14 inches...

Title: French Watercolour of Horse and Cart on a Country Road dated 1993 by Fanche Lel Signed: Yes Size: 8.25 inches (height) x 11.25 inches (width) Watercolor painting on paper, unf...

Acrylic on paper contemporary figurative painting by Michal Wojtysiak. Artwork depicts Volkswagen 1500 car in realistic style. The color is vibrant and saturated. Michal Wojtysiak p...

This artwork titled "Road to Commerce" c.1990 is an oil painting on canvas after American artist Gail Sherman Corbett, 1871-1952. It is signed at the lower left corner by another hand. The canvas size is 20 x 24 inches, framed is 28 x 32 inches.. Framed in a antique style frame. It is in excellent condition. About the artist: Gail Sherman Corbett, sculptor, painter and art teacher, was the daughter of Frederick Coe and Emma Jane (Ostrander) Sherman and was born in Syracuse, New York. Her father was descended from Philip Sherman of Dedham, Essex, England, who came, in 1633 to Roxbury, Massachusetts, and afterwards, with eighteen others, founded the town of Portsmouth and the Colony of Rhode Island. He was the Second Secretary of that colony. Corbett's mother was a descendant of Michael Dyckman, one of the framers of the New Amsterdam Charter in 1623. Gail Sherman was educated at the Syracuse High School and the Anne Brown School, New York. She began her studies in sculpture at the Art Students' League in New York under Augustus Saint Gaudens, George DeForest Brush and others, and was later a student at the Ecole des Beaux Arts in Paris. She was given her first large commission in 1901, and, between then and 1914, when her work was interrupted by the War, she executed many memorial tablets, portrait busts, bas-reliefs, sundials, fountains, and medals. Her work received a medal and mention at the Panama-Pacific Exhibition in San Francisco in 1915. Her best known groups are the Hamilton S. White Memorial, Syracuse, New York (1905), the Kirkpatrick Memorial Fountain, Syracuse (1908), and the bronze doors of the Municipal Building, Springfield, Massachusetts (1913). Miss Sherman was married at Syracuse, June 28, 1905, to Harvey Wiley Corbett, a New York architect. They had two children: Jean and John Maxwell Corbett. During 1915-1917, Mrs. Corbett gave her services to the Woman Suffrage Party, and in 1916-1917 she was Chairman of the Chelsea Branch of the Woman's Municipal League. She was a member of the National Sculpture Society, the American Numismatic Society, the Woman's Municipal League, the New York Women...

Oil on canvas Relined with new stretcher bars Overall with gold leaf frame 30 x 36 inches

I didn't paint because I ran out of canvas. I was in a state of "I should have hung myself back during COVID." Got a new canvas, started painting, and suddenly felt happier. So, pain...

Jan Maris Small Street with Green Scooter 42 x 33 cm Oil on wood panel Frame is included in price, size with frame 46 x 37 cm The work of the Amsterdam arti...

ARTIFACTS, 2015, Acrylic painting on paper artist mounted to panel, Hand signed and dated right side Dimensions: 24 x 43 x 1 ¾” This depicts an old cast iron Mickey Mouse, Felix the Cat, an old tin can of pop corn and other vintage, nostalgic, Americana. Born in 1938, Ralph Allen Massey is a talented American artist, sculptor and jewelry designer. Prior to the 1980s, in his work he preferred sculpture. However, in the early 1980s, together with the artist Sylvia Bennett, he opened the art studio “Raven”. using his creativity, has become the creation of jewelry decorations and jewelry boxes. An interesting collection was “Wildlife”, brooches, earrings and rings in the form of animals and birds. Also, no less interesting was the line of jewellery inspired by the characters of the books “Alice in Wonderland...

Philip Verhoeven Une Forêt (nature, relaxation, inspiration) Acrylic and Marker on Canvas Year: 2024 Size: 15.75 x 15.75 inches Signed and titled by hand COA provided *Unframed. Cou...

YURI MARTINEZ RAMOS "SILLY TOPIC OF TWO LOVERS" OIL ON CANVAS, SIGNED, TITLED CUBAN-AMERICAN, DATED 2000 31.5 X 39.5 INCHES Silly Topic for Two Lovers is exactly what you can appreciate in the painting, by the time every young couple was using the bicycle as a way of transportation in Havana, I saw that silly imagery as an excuse to talk about love. Yuri Martinez Ramos was born in Havana, Cuba on November 24, 1964. He studied at the Elemental School of Plastic Arts from 1975 – 1979 and the National School of the Arts from 1979 – 1983. Martinez’ figurative paintings have been compared to Botero because of his satirical social commentary. His style, however, is uniquely his own with typically vibrant Latin colors and use of expressive magical realism. His paintings tell his story and the story of the Cuban dilemma. Martinez was granted permission by the US Justice Department after much effort with Cuban authorities to come to the US with his family and pursue his career outside Cuba. He now lives and works in Texas. Papillon Gallery...

Evocative oil painting of pioneers traveling by wagon train across the vast western plains by California artist Harry Roerade (American 1908-1987), circa 1...

Louis Bosa (American, 1905–1981) Two Wagons, Bucks County, PA, 1934 Oil on canvas Signed and dated lower right 20 x 24 inches 30 x 34 inches, framed Born in Codroipo, a small villag...

Artist/School: A.F Barrett (English, 20th/21st Century) Title: The Livestock Auction Medium: oil on canvas, framed Size: 17 x 23.5 inches, framed 22 x 27 inches Condition: excell...

La obra va firmada por el artista en la parte inferior y fechada del año 1976 En la parte trasera, va nuevamente firmada, fechada y titulada El estado de conservación es bueno Se ...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on card size: 19 x 25 inches condition: very good and ready to be enjoyed provenance: the artists atelie...

Work on canvas Beige wooden frame 80 x 69 x 5 cm

Josh Talbott's (US based) "Entropy" is an acrylic painting that depicts an overturned blue glass jar with clock hands spilling out onto a white background. Bio: Josh Talbott grew up in suburban/rural Georgia in the southern US. His first work as a professional artist was in scenic painting and murals for various production companies. An attempt to deepen his well of possibilities led to New Orleans where as a street artist he sold works to people from all over the world before loosing everything in hurricane Katrina. With short stints in Santa Fe and then Los Angeles Josh arrived in the small coastal city of Los Osos, California where he lives and works today. His curiosity is voracious and interests are many, including scuba/ free diving, sailing, surfing, gardening, geology, rock hounding, rationality, AI, history, and philosophy. In his studio there is always an audiobook on, and outside of the studio there are all manner of activities making there way into his work. He has many private collectors scattered across the globe and murals in San Francisco. ARTIST STATEMENT We live in a time of extreme and accelerated change, growing complexity, and specialization. At every stage in our human trajectory from primitive beginnings crawling out of the sea to the present gauntlet of challenges, our thinking tools and their uses are central to the story of what it means to be human. My work is informed by a fascination with thinking tools and the effects of programming and environment through the different phases of life and our capacity for storytelling. My practice consists of constructing small-scale still life scenarios of toys and other artifacts of human development, then creating photorealistic acrylic paintings of these scenes. The work juxtaposes the familiar and playful with a contemporary, complex, adult world. While I am interested in the science of the mind, and what it means to be a human, my work seldom features the human form, focusing instead on the objects and items that are frequently left behind. As such, the subject of the painting becomes the viewer him or herself because their own humanity is ultimately what is revealed. My work honors toys as thinking tools for small people and the scenes depicted explore the ways in which the culture of our formative years leaves a lasting mark and continues to shape our storytelling. The plastic artifacts of my formative years carry memories of simultaneous confusion and wonder at the world around me. These are sensations and emotions still very much present in my life. What were your imaginings and dramas when you played with toys? Are you living them today? The multileveled still life paintings of familiar toys are bright and accessible and connect to the viewer's nostalgia and playfulness while provoking deeper insights into our current evolutionary, cultural, and technological moment. I place each little curio with care into meaningful relationship to their interlocutors and environment. The plastic dinosaurs often depicted are emblematic of childhood curiosities, of great wonder and speculation at past worlds and the depth of evolutionary time, and yet they are made of a material that illustrates our shortsightedness, a quintessential human quality that makes it quite possible that these plastic creations will outlast us all. I do my best to draw inspiration and resources from everywhere to build a visual language. In my divergent path I find the musical compositions and the story of composer, Philip Glass inspiring. The story of his devotion to his craft and his subsequent successes have encouraged and inspired me. I'm influenced by writers such as Kurt Vonnegut, Robert Sapolsky, and Yuval Noah Harari, the many books by Simon Winchester, Daniel Dennet, Robert Wright...

From an exhibition created by the artist to celebrate the UK Miners strike from the 1980's These hard times for whole communities in the Welsh Valleys created a sense of togetherness...

This scene depicts a scene from the 1930s. It is of a fictitious narrative with old cars, a motorbike, and bicycles. This scene depicts a mob chase through the roaring hills of Calif...

Rineke Engwerda is a young artist with a unique style. Partly very hyper realistic and partly almost comic style. Even without a signature you can immediately recognize the work of R...

Pharaohs hunting. 2001. Oil on linen, 70x100 cm

Red Grooms (American, b. 1937). Keystone Kops to the Rescue III. 2006. Triptych color monotype created by the artist with lithographic ink on plexiglass plates, and then hand-colored by the artist. Printed by master printer Bud Shark. Printed on White Rives BFK. A unique impression, signed by the artist in pencil lower right. 3 sheets. Each sheet is 30 x 44 ½ ”. Overall: 30 x 133 ½ ” This has all the wonderful components of a Red Grooms piece, Keystone Kops policemen, Circus, Cactus, Cowboys, Hollywood sign etc. Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. Red Grooms came of age in the shadow of the Abstract Expressionists. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red Grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Grooms never developed the detached stance of such Pop Art practitioners as Andy Warhol, Roy Lichtenstein or James Rosenquist. Instead he painted his own life, and became, literally, an actor on the stage of life -- in this case the art-as-life "happenings" of the downtown New York scene. Inspired by George Méliès...

Irene Georgopoulou's "M is for Monopoly" is an original, handmade oil painting depicting a monopoloy board. Please allow 3-5 weeks before this artwork will ship.

Suburbs is an original modern artwork realized by Renso Vespignani in 1970s. Mixed colored tempera on canvas. Stamp behind the artwork. Provenance: Vivaldi Collection.

The Bicycle is a contemporary artwork realized by Adolfo Lorenzetti in 1992 Mixed colored oil painting on canvas. Includes frame. Hand signed on the lower margin. some folds on t...

Robin Cole's 2023 piece, "Remember When," is a poignant example of the artist's engagement with the classical landscape genre, presented in oil on mounted linen. The dimensions of th...

Portrait of Juliet Hyneman by Jewish American artist Herman N. Hyneman Signature lower left Framed dimensions: 25 1/2 x 21 1/2 in. The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel...

Painting, oil on canvas, measuring 55 x 65 cm without frame and 64 x 82 cm with frame, depicting two racing Ferraris, during a grand prix, by the painter Maurizio Scarpari, as can be...

Georgina Lara British, (fl. 1862-1871) A Busy Village Oil on canvas Image size: 11.75 inches x 19.25 inches Size including frame: 16.25 inches x 24.25 inches Provenance: Cooling Galleries, Bond Street, London A pleasing village scene featuring figures, horse and other animals in a village square. To the left, a team of horses with a hay cart can be seen resting whilst a group of people chat outside a village store. In the foreground a group of children play marbles by a dog as two women chat by a log. Meanwhile, a horse and cart is shown entering the village alongside a barn. Georgina Lara also known as Edwina Lara was a London painter of rustic farmyard and village scenes. Her work also closely resembles that of Edward Masters...

As a Mexican musician sings and plays the guitar dressed for the day of the dead. He is being unknowingly stalked by a mythical beast. Little does he know that he is singing about ...

Acrylic on paper contemporary figurative painting by Michal Wojtysiak. Artwork depicts mercedes car in realistic style. MICHAŁ WOJTYSIAK (ur. 1984) Graduated of Academy of Fine Art...

Rodion Petroff (b. 1985) graduated from the Vilnius Academy of Fine Arts and has been exhibiting in Europe and abroad since 2005. He has had 15 solo exhibitions in Lithuania, Sweden...

LOOK FOR FREE SHIPPING AT CHECKOUT The Affected Memory 46" x 36" x 2" The Affected Memory shows the hyperrealism of modern Cuban art that is now available to the international art m...

Colonel Bates Leads the 30th Colored Infantry at the Battle of the Crater Watercolor on Paper Circa 1903 15 ½ x 21 ½ Inches 25 ½ x 33 ½ Inches Framed LR: Graves This rare portrait of African American troops serving in battle during the Civil War depicts the 30th United States Colored Infantry at the Battle of the Crater, at Petersburg, Virginia. The regiment was composed of African American enlisted men commanded by white officers and was authorized by the Bureau of Colored Troops which was created by the United States War Department on May 22, 1863. The Battle of the Crater, July 30th, 1864, was part of the Siege of Petersburg, fought between the Confederate Army of Northern Virginia, commanded by General Robert E. Lee and the Union Army of the Potomac, commanded by Maj. Gen. George G. Meade (under the direct supervision of the general-in-chief, Lt. Gen. Ulysses S. Grant). At the top of the painting, Colonel Delevan Bates raises his saber to lead the charge of the 30th United States Colored Infantry. Bates was promoted to this command just prior to this battle, having served with distinction in the 121st New York Infantry at the Battles of Fredericksburg, Chancellorsville and Gettysburg. Though the Battle of the Crater would eventually be won by the Confederacy, it was here that Bates and 23 other troops would be award the United States highest award for bravery during combat, the Medal of Honor. After weeks of preparation, on July 30, Union forces exploded a mine in Maj. Gen. Ambrose E. Burnside's IX Corps sector, blowing a gap in the Confederate defenses of Petersburg, Virginia. From this propitious beginning, everything deteriorated rapidly for the Union attackers. Unit after unit charged into and around the crater, where soldiers milled in confusion. Grant considered the assault "the saddest affair I have witnessed in this war." The Confederates quickly recovered and launched several counterattacks led by Brig. Gen. William Mahone. The breach was sealed off, and Union forces were repulsed with severe casualties. Brig. Gen. Edward Ferrero's division of black soldiers...