Swan Scalabre

Ambition n°18_Swan Scalabre 2023, Oil/Wood/Wooden Frame_Figurative/Swimmer

2023

Swan Scalabre "Ambition n°15" Oil on Wood 8 x 12 in. Framed Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze placed on women...

Swan Scalabre "Triptyque Jour de Fête" Oil on Wood 6 x 4.5 in Each 6 x 13.5 in. Overall Born in the Alpes de Haute Provence region of France in 1977,...

Swan Scalabre "Jour de Fête II" Oil on Wood 6 x 4.5 in Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze placed on women, por...

Swan Scalabre "Jour de Fête I" Oil on Wood 6 x 4.5 in Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze placed on women, port...

Swan Scalabre "Jour de Fête n°1" Oil on Wood 10 x 13.75 in Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze placed on women,...

Swan Scalabre "Incandescente n°21" Oil on Wood 10 x 8 in. Framed Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze placed on ...

Shoemaker at Work - Portrait in Oil on Masonite Lovely portrait of a cobbler at work by Max Schneider (German, 1903-1980). The shoemaker is holding a ha...

Lilly Martin Spencer (American, 1822-1902) A Portrait of a Mother and Child 19th Century. Oil on canvas, signed Lilly Martin Spencer was one of the most popular and American female genre painters in the mid-nineteenth century. She primarily painted domestic scenes, paintings of women and children...

French Romantic School, 19th Century Portrait of a man, a selfportrait ? oil on paper 17.5 x 12 cm oval Framed under glass : 43 x 34.5 cm This rather mysterious portrait is perhaps a self-portrait of the artist who painted it. This is suggested by the three-quarter pose and the gaze fixed on the viewer. What this man seems to be staring at is himself. Similarly, the model's appearance is reminiscent of the image of the romantic, bohemian, tortured artist. It's also very interesting that he used a range of dark colours to reinforce this idea of melancholy. It has been suggested that this small oil on paper is close to the art of François Bonvin (1817-1887) and Théodule Ribot...

Romantic Portrait Richir Herman Brussels 1866 – 1942 Belgian Painter Signature: Attributed to Richir Herman Medium: Oil on canvas Dimensions: Image size 59,50 x 58,50 cm, frame size 62 x 61 cm Biography: Richir Herman Jean Joseph was born in Ixelles (Brussels), on November 4, 1866. He was a Belgian painter of portraits, still lifes, genre paintings, nudes and landscapes. He made decorative paintings to fit into private homes. Richir mainly painted portraits. His clients usually belonged to the higher circles. He portrayed amongst others King Albert and Queen Elisabeth, Cardinal Mercier and Countess d’Oultremont. Less known are the landscape paintings he made Limburg and Kempen, where he regularly stayed with befriended artist Emile Van Doren (1865 – 1949). Herman Richir first studied at the Sint-Joost-ten-Node Academy with Gustave Biot and Charles Hermans, continued his education at the Royal Academy of Fine Arts in Brussels (1884-1889) with the master teacher and artist Jean-Francois Portaels (1818 – 1895). In 1886, during his studies, he won second Prize of Rome for Painting. Richir lived in Schaarbeek. In 1900 he became a teacher of drawing and in 1905 first teacher of painting after nature at the Brussels Academy. He was director there several times 1906-1907, 1910, 1911, 1915-1919, 1925-1927. He was retired in 1927. His pupils included Albert Alleman (1892 – 1933), Éliane de Meuse (1899 – 1993), Paul Hagemans (1884 – 1959), Maurice Mareels (1893 – 1976), Guy Onkelinx (1879 – 1935), Georges Rogy (1897 – 1981), José Storie (1899 – 1961), Charles Swyncop (1895 – 1970), Maurice Schelck...

The Condition is fair. work has been slightly over-cleaned. A heavy layer of glossy varnish. The surface of the canvas is undulated and most apparent from extreme side view . Yet in...

Signed oil on panel portrait circa 1890 by French Romantic painter Gustave Jean Jacquet. The work depicts a young redheaded woman wearing a red velvet jacket lined with white fur. On her head she is wearing an Easter bonnet trimmed with leaves. Signature: Signed lower right Dimensions: Framed: 14"x11.5" Unframed: 10"x7.5" Provenance: Baron Fine Art...