Tetiana Pchelnykova

The Weave of Myths, Myths Series by Tetiana Pchelnykova

2023

This is a touching acrylic painting that captures a moment of emotional closeness between two girls in a delicate landscape. The work is created in a style of contemporary figurative...

This painting, in soft pastel beige tones with gold detailing, is ready to hang. It is varnished and has painted edges, so framing is optional and depends entirely on your taste. I...

These roses represent a whole philosophy of boldness and pride. Bright, defiant, these flowers exude energy and a love for life, teaching us to be courageous, expressive, and to find...

"Unwanted Party" is a painted representation of inner reflection, combining elements of figurative symbolism and realism. A woman, wrapped in a soft pink shawl, stands in a space fil...

Kamal Mitra - Lost Childhood - 50 x 70 inches (unframed size) Acrylic on Canvas Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelors (Pain...

Pig Latin III (I Think Therefore I Am) is an acrylic on canvas painting, 24 x 24 inches, signed 'DEYBER' lower right and framed in a black contemporary frame.

Raya, like every productive artist, is a collection of actions, utopias and talents. He is an acrylic painter and a muralist; an installation artist and a practitioner of the theory of the fragment as a synthesis of the whole; he is Chicano but his work has no passport; he is an obsessive self-portraitist (I, as the multiplicity locked within the I) and his an advocate of his community (in the fullest sense of the world); his is from Chicago and - being a nation onto himself - is a native of his art education; his yearns for the Tijuana of tomorrow while being a full-fledged inhabitant of the Tijuana of half a century back; he admires high-tech while being a fan of Frida Kahlo. --Carlos Monsivais Marcos Raya Dog Years oil on canvas 17h x 17w in 43.18h x 43.18w cm MSR054 Marcos Raya brings together old and new works in a variety of media that mostly explores the sociological impact of technological change. His paintings, collages and installations present an idiosyncratic hybrid of Mexican folklore...

Raya, like every productive artist, is a collection of actions, utopias and talents. He is an acrylic painter and a muralist; an installation artist and a practitioner of the theory of the fragment as a synthesis of the whole; he is Chicano but his work has no passport; he is an obsessive self-portraitist (I, as the multiplicity locked within the I) and his an advocate of his community (in the fullest sense of the world); his is from Chicago and - being a nation onto himself - is a native of his art education; his yearns for the Tijuana of tomorrow while being a full-fledged inhabitant of the Tijuana of half a century back; he admires high-tech while being a fan of Frida Kahlo. --Carlos Monsivais...