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Theodore Wendel"Ring Around the Rosy" Theodore Wendel, circa 1880 Caricature of Duveneck Boyscirca 1880
circa 1880
$48,000
£35,642.49
€41,860.36
CA$66,781.39
A$74,768.53
CHF 39,203.59
MX$923,811.55
NOK 493,989.61
SEK 466,306.50
DKK 312,329.55
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About the Item
Theodore Wendel
Ring Around the Rosy (Duveneck Boys Caricature), circa 1880
Oil on board
12 x 22 3/4 inches
Theodore Wendel is one of the most respected American impressionists and major museums and collectors are eager to purchase exquisitely rendered works like View from the Artist’s Farmhouse, Ipswich, MA that display Wendel’s finest period of impressionism. He is considered the “most French” of American painters along with Theodore Robinson and Childe Hassam.
Wendel was born in Midway, Ohio, and lived in Newport (RI), Boston (1889-1898) and Ipswich (MA, 1898-). As a boy, he joined a circus as an acrobat. He studied with Thomas Noble at the McMicken School of Art at the University of Cincinnati, where he met and became a life long friend of Joseph DeCamp. He and DeCamp traveled to Munich, Germany, in 1878, to study with Frank Duveneck at the Munich Academy and they became known as “The Duveneck Boys.” Duveneck, Chase, Whistler, Twachtman and Wendel painted landscapes and figural paintings in Polling, Florence, and Venice from 1878-1880. Most of his paintings from this period disappeared and are very rare. He sailed for Newport, Rhode Island in 1882 and lived briefly in New York. In 1883, he exhibited in Cincinnati with Twachtman, DeCamp and Potthast and in that year Wendel and Louis Ritter moved to Boston (soon followed by DeCamp) and opened a studio.
From 1886-1888, Wendel studied in Paris at the Académie Julian and during the summers of 1887 and 1888 he became a close friend of Claude Monet and painted at Monet’s gardens in Giverny with fellow American Theodore Robinson, Willard Metcalf and John Twachtman. These American immersed themselves in the study of the heightened colors and intense light of the more modern impressionist style of Monet. Wendel, Breck and Metcalf returned to Boston and in 1889, both Wendel and Metcalf held important exhibitions there.
Wendel married Philena Stone in 1897 and they moved to a large farm in Ipswich, Massachusetts inherited from her family. Although the artist retained a Harcourt studio in Boston (where many of his paintings burned in the 1904 fire), his heart was at the Ipswich farm, which he worked himself. In 1917 a mysterious and protracted illness curtailed Wendel’s outstanding career.
Wendel is represented in many permanent museum collections including the Terra Museum of Art, Chicago; Metropolitan Museum of Art; Boston Museum of Fine Arts; Pennsylvania Academy of Fine Arts; the Cincinnati Art Museum and more.
- Creator:Theodore Wendel (1859-1932, American)
- Creation Year:circa 1880
- Dimensions:Height: 18.125 in (46.04 cm)Width: 29 in (73.66 cm)
- More Editions & Sizes:Unique WorkPrice: $48,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841214918132
Theodore Wendel
Wendel was an American Impressionist who first received his education in Ohio at the Cincinnati University School of Design before travelling to Italy, Germany, and most notably Giverny, France in the late nineteenth-century to study and develop his artistry. After studying this French countryside and drawing inspiration from Impressionist contemporaries like Claude Monet, Wendel incorporated what he learned into his own work, gradually replacing French motifs with American ones. Wendel settled down in Ipswich, Massachusetts with his family, where he began to paint with a combination of plein air motifs and Impressionist techniques. He focused primarily on rendering organic subjects outside, using bright colors to make idealized images of the countryside and those who resided within it.
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