Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Todd Carpenter
Above Summer

2019

$1,250
£959.95
€1,100.09
CA$1,759.69
A$1,971.24
CHF 1,025.29
MX$24,045.10
NOK 13,053.32
SEK 12,308.35
DKK 8,210.75

About the Item

Above Summer, 2019
  • Creator:
    Todd Carpenter
  • Creation Year:
    2019
  • Dimensions:
    Height: 12 in (30.48 cm)Width: 16 in (40.64 cm)
  • More Editions & Sizes:
    Edition of 1Price: $1,250
  • Medium:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Denver, CO
  • Reference Number:
    Seller: 20octbf1stDibs: LU130828925712

More From This Seller

View All
Ridge Beyond Reach
Located in Denver, CO
Ridge Beyond Reach, 2019
Category

21st Century and Contemporary Figurative Paintings

Materials

Oil, Board

Retreat
Located in Denver, CO
Retreat, 2019
Category

21st Century and Contemporary Figurative Paintings

Materials

Oil, Board

Ascent
Located in Denver, CO
Ascent, 2019
Category

21st Century and Contemporary Figurative Paintings

Materials

Oil, Panel

The Spread of Silence
Located in Denver, CO
The Spread of Silence, 2020
Category

21st Century and Contemporary Figurative Paintings

Materials

Oil, Panel

An Escape from Time
Located in Denver, CO
An Escape from Time, 2019
Category

21st Century and Contemporary Figurative Paintings

Materials

Oil, Panel

Clouded
Located in Denver, CO
Clouded, 2019
Category

21st Century and Contemporary Figurative Paintings

Materials

Oil, Panel

You May Also Like

large 5
Located in San Diego, CA
"The Factory Builds Eternally East" depicts a open skies and city lights. This scene is of no particular place, but rather Carpenter's interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul...
Category

2010s Contemporary Landscape Paintings

Materials

Oil, Wood Panel

Undersky
Located in San Diego, CA
"Undersky" depicts flashes of city lights. These small paintings have so much to say and we can say they beckon viewers to draw closer and observe all that artist has been able to co...
Category

2010s Contemporary Landscape Paintings

Materials

Oil, Wood Panel

Steal the Sky 10
Located in Toronto, ON
43.5" x 48" Unframed Original - Oil on Steel Hand Signed by David Grieve
Category

21st Century and Contemporary Landscape Paintings

Materials

Canvas, Oil

Summer Thoughts
Located in Atlanta, GA
The recent paintings of Atlanta artist David Kidd continue an evolving series of images inspired by and based upon natural forms, specifically the shadows cast by trees and other veg...
Category

2010s Modern Landscape Paintings

Materials

Canvas, Acrylic

Untitled
By Charles Miesmer
Located in Fairfield, CT
acrylic and paper on panel
Category

21st Century and Contemporary Contemporary Landscape Paintings

Materials

Acrylic

Light Decaying
Located in San Diego, CA
"Light Decaying" depicts a winding river through a mountainous terrain, not unlike the many vistas and terrains of Carpenter's adventures into nature. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...
Category

2010s Contemporary Landscape Paintings

Materials

Oil, Wood Panel